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Mad Quotes

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Mad Quotes

“Carl Jung tells in one of his books of a conversation he had with a Native American chief who pointed out to him that in his perception most white people have tense faces, staring eyes, and a cruel demeanor. He said: “They are always seeking something. What are they seeking? The whites always want something. They are always uneasy and restless. We don't know what they want. We think they are mad.”

“Do we, mad as we all are after riches, hear often enough from the pulpit the spirit of those words in which Dean Swift, in his epitaph on the affluent and profligate Colonel Chartres, announces the small esteem of wealth in the eyes of God, from the fact of His thus lavishing it upon the meanest and basest of His creatures?”

“The woman who needs to create works of art is born with a kind of psychic tension in her which drives her unmercifully to find a way to balance, to make herself whole. Every human being has this need: in the artist it is mandatory. Unable to fulfill it, he goes mad. But when the artist is a woman she fulfills it at the expense of herself as a woman.”

“Trees and flowers were often more meaningful to me than people. They always helped me, consoled me, giving the soul a chance to believe once more than the world was beautiful and sensible, that the mad absurdities and cruelties of men were against the laws of Nature and the Universal Mind; that sooner or later violence would suffer utter defeat on this Earth. No words collected in books were more effectively convincing to me than foliage, clouds, rippling waters, rain.”

“Writers on the subject of August Strindberg have hitherto omitted to mention that he could not write. ... Strindberg, who was neither a good nor a wise man, had a stroke of luck. He went mad. He lost the power of inhibition. Everything down to the pettiest suspicion that the dog had been given the leanest mutton chop, poured out of his lips. Men of his weakness and sensuality are usually, from their sheer brutishness, unable to express themselves. But Strindberg was mad and articulate. That is what makes him immortal.”

“Hollywood always had a streak of the totalitarian in just about everything it did. The old moguls were essentially hard-fisted authoritarians who had created a system of linked dictatorships to control the creative people. We were supposed to be the children; mad, tempestuous, brilliant, talented, not terribly smart children.”

“External objects produce decided effects upon the brain. A man shut up between four walls soon loses the power to associate words and ideas together. How many prisoners in solitary confinement become idiots, if not mad, for want of exercise for the thinking faculty!”

“My basic political philosophy is, I ain't mad at that. Which basically means I don't have to have a strong opinion about everything. I'm too tired most of the time. Why do I have to take a stand on everything? Sometimes I'm just not mad at it. Like, What do you think about gay marriage? I ain't mad at you, you're gay and you're married: I ain't mad at you, go do it.”

“With our mad lust for Uniformity and a Higher Standard of Living and Expanding Markets, we go to a country like Afghanistan and cruelly try to jerk her forward two thousand years in two decades, giving no thought to the profound shock this must be to her national psychology.”

“This is a faithless old world. Men and women are hardheaded, pleasure-mad, money crazy. They write up their successes and say, "The power and might of my hand have done these things." God has been ruled out; consequently, the thrill and romance of true living are gone for most people.”

“Trading has taught me not to take the conventional wisdom for granted. What money I made in trading is testimony to the fact that the majority is wrong a lot of the time. The vast majority is wrong even more of the time. I've learned that markets, which are often just mad crowds, are often irrational; when emotionally overwrought, they're almost always wrong.”

“Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”