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My Own Quotes

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My Own Quotes

“I want to be top scorer in the Premier League, top scorer at the World Cup and, within five years, I want to be among the best strikers in the world. Trust me, it will happen. I look around at other players, I see my own ability and I can't see anything that tells me it won't happen, I'm sure people will think 'What is he talking about?' But as I have done before, and as I will do again, I will sit at the other end and laugh at those people when it is all done.”

“Ownership in the world I have none, but I have an infinite interest in it; for if not my own it is my God's; and so it is mine in a higher than a legal sense. Yes, this is the beauty, this is the whole sublimity, this is the tender delight of life - that it is of God's governing.”

“I don't want to be looking inside my ego, my stuff, my achievements, my me, me, me, me, I hate that stuff. I just want to be out there eh to the last day of my life ah interested in the world, in causes, in helping other people. Um that doesn't mean that I don't have a spiritual practice, that I don't look at my own soul, that I don't prepare myself for the that transition that death is but I cannot sit in meditation to contemplate my navel for the rest of my life. That would be boring for me.”

“A lot of my friends they call me 'the therapist'. They come to me looking for advice. I must be doing something right because they keep coming back. But I'm not very good at kind of looking into my own world and trying to pick apart what is really wrong and fix those things. I like to kind of shy away from certain issues and turn away.”

“It is not contrary to reason to prefer the destruction of the whole world to the scratching of my finger. It is not contrary to reason for me to choose my total ruin, to prevent the least uneasiness of an Indian, or person wholly unknown to me. It is as little contrary to reason to prefer even my own acknowledged lesser good to my greater, and have a more ardent affection for the former than the latter.”

“New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.”

“All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.”

“All my desires are born of my dreams. And I have proven my love with words. To what fantastic creatures have I entrusted myself, in what dolorous and ravishing world has my imagination enclosed me? I am sure of having been loved in the most mysterious of domains, my own. The language of my love does not belong to human language, my human body does not touch the flesh of my love. My amorous imagination has always been constant and high enough so that nothing could attempt to convince me of error.”

“My own feminist revolution evolved slowly, and traveled the world with me. To this day I have no idea what dissident professor or librarian placed feminist tests on the bookshelves at the university library in Jeddah, but I found them there. They filled me with terror. I understood they were pulling at a thread that would unravel everything. Now that I am older, I can see that feeling terrified is how you recognize what you need. Terror encourages you to jump, even when you don't know if you will ever land.”

“The vow of silence, that's the mind-blower. See, talking is what I do... i t's a real need with me, a craving, I'm like a word junkie. I never shut up. I talk to myself, I talk in my sleep. The idea of voluntarily turning off that tap, I can't imagine it It'd be like, I don't know, all the rivers in the world just slammed to a stop. No churning, no flowing, no white water, just stillness, crushing stillness. I don't think I could stand it, locked up like that in my own psyche. I'd collapse into myself, I'd implode”

“Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.”

“When I was a kid, I used to live in New York City. There was a guy named Michael Alig. He used to throw parties. And a couple of times, I even worked for him and his crew, and handed out fliers, and had my super-high shoes on, and wearing silver Saran Wrap around my head or something. It's a world I was really comfortable in: a world full of individuals. I think what I like about that world - besides my own personal interests - is the individualism, the investment in the self.”

“She [my mother] said, "You are fiercely protective of your inventions because you are your fans." She helped me understand my own feelings. When someone has pulled the wool over my eyes, I feel that they have pulled the wool over the eyes of millions of fans around the world. She helped me to forgive. You can't force people to have the same world consciousness and awareness as you do.”

“I find what I call the [bleep] side of the industry very difficult. You won't see me at other peoples' premiers. I mean, I go to my own premiers because I have to help my film, but I don't enjoy that whole side of it. I don't enjoy celebrityhood. I love getting a seat in a restaurant. I love it when people say hi when I don't know them. I mean, that's fine, but apart from that, I like the elements of celebrityhood which make living in the world like living in your own village.”

“When I was a kid, I was taken to something called Telenews in Cleveland by my best friend's father. My own father was gone by the time I was 5, I think, but this man would take us to Telenews at the end of World War II, and we'd watch all these newsreels. I'd seen real stuff. That kind of stuck in my mind.”

“I felt comfortable in the water. I was in my own world, focused. I love sports and I'm a very goal-oriented person. Once I started falling in love with sports, it was easy. I was able to put my mind on something and go for it. That's how I am with everything, it doesn't matter what it is that I do. If I want to do something, nothing will stand in my way.”

“I and everyone else in this world live in what is probably the most difficult times that have ever been. We are facing total thermonuclear destruction; and, if you can make someone believe in a ghost or a demon or a vampire in the face of that, you are doing well. From my own personal point of view, I don't think just blood and guts is enough. At least, it isn't for me. Maybe it will turn someone's stomach; but, I'm not sure that is literature or even entertainment.”

“Shook is the musical universe I created. I come from a classical and jazz background and my father is a jazz pianist, so my world bears largely the marks of this influence. As a sort of gateway, I started composing my own music on the computer at the age of 13. Before Shook, I had not yet discovered the kind of music I wanted to dedicate myself to, so I did a little of everything.”

“I would like to say that I have software that allows me to model worlds to a high degree of scientific plausibility. I'd also like to be six foot two and fifteen years into my reign as Emperor of Europa. The simple truth is that past the character's name and a long history of making my own body cover distances, I did very little in the way of targeted research.”

“I've been extremely lucky to work with Elmer Bernstein, Howard Shore over the years, but I've always imagined films with my own scores, because I don't come from that world or that period of filmmaking. And so how could I make up my own score on a film like this where it isn't necessarily made up of popular music from the radio or the period; it isn't necessarily classical music. But what if it's modern symphonic music?”

“The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.”

“The human animal is a fascinating beast. Watching people and trying to learn how and why they do things, and to engage in the somewhat futile attempt to explain them...it's my reason for living I guess...to ask 'why?'. I don't know what else to do with myself. In some strange way it's probably an attempt to understand myself and my own relationship to the world.”