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Objects Quotes

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Objects Quotes

“The aesthetic serviceability of objects of beauty is not greatly nor universally heightened by possession.”

Objects Possession Aesthetic

Book:A Veblen Treasury: From Leisure Class to War, Peace, and Capitalism

Source: A Veblen Treasury: From Leisure Class to War, Peace, and Capitalism

“The taste of the more recent accessions to the leisure class proper and of the middle and lower classes still requires a pecuniary beauty to supplement the aesthetic beauty, even in those objects which are primarily admired for the beauty that belongs to them as natural growths.”

Stills Growth Natural Class Middle Objects Taste Aesthetic Leisure Supplements Lower Class Aesthetic Beauty

Book:The Theory of the Leisure Class

Source: The Theory of the Leisure Class

“What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism .”

Literature Social Answers Deals Attention Practice Objects Theory Needed Shapes Criticism Genre Aesthetic Bent Systematic Anatomy Literary Theory Literary Genre

Book:Literary Theory: An Introduction

Source: Literary Theory: An Introduction

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

Looks Mean Art Facts Feelings Beautiful Emotion Principles Objects Particular Depends Art Is Aim Independent Remains Unions Mere Bounds Assumption Justify Aesthetic Observers Gratification

Author:Eduard Hanslick

“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

Way Art Seems Moving Form Certain Lines Answers Common Emotion Quality Objects Particular Color Relation Significant Combination Visuals Aesthetic Provoking Visual Art

Author:Clive Bell

“I personally object to the veil on aesthetic as well as other grounds; but I must admit that, for instance in the suburbs of American cities, I have often seen women attired more sloppily than our Persian women normally are.”

Wells Cities Objects Instance Aesthetic Veils Suburbs Persian American Cities

Author:Mohammed Reza Pahlavi

“I had gone into the hospital with the stupid notion that its primary object was the care and comfort of the sick and wounded. It was long after that I learned that a vast majority of all benevolent institutions are gotten up to gratify the aesthetic tastes of the public; exhibit the wealth and generosity of the founders, and furnish places for officers. The beneficiaries of the institutions are simply an apology for their existence, and having furnished that apology, the less said about them the better.”

“I maintain that the expression of junk and objects has an intrinsic value, and I see no need to look for aesthetic forms in them and to adapt them to the colors of the palette.”

Needs Looks Form Values Objects Color Expression Aesthetic Junk Palette Intrinsic Value

Author:Arman

“As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object.”

Looks Art Young Artist Turns Space Nice Objects Fairs Pity Suits Aesthetic Emerging Dealer Young Artists

Author:Lawrence Weiner

“Art as an aesthetic principle was supported by thousands of years of discernment and psychic rewards, but art as a commodity was held up by air. The loss of confidence that affected banks and financial instruments was not affecting cherubs, cupids and flattened popes. The objects hadn't changed: what was there before was there after. But a vacancy was created with the clamoring crowds deserted and retrenched.”

Years Art Loss Principles Air Objects Changed Instruments Rewards Financial Crowds Affected Aesthetic Pope Commodity Psychics Discernment Deserted Cupid Vacancy Cherubs

Author:Steve Martin

“Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.”

Character Helping Stories Dream Language Forget Teach Objects Color Communication Details Clothings Aesthetic Worn Costumes Symbolic Objectification

Book:Federico Fellini: Interviews

Source: Federico Fellini: Interviews

“By exposing the multiplicity, the facticity, the repetition and stereotype at the heart of every aesthetic gesture, photography deconstructs the possibility of differentiating between the original and the copy. [Photography calls] into question the whole concept of the uniqueness of the art object, the originality of the author, the coherence of the oeuvre within which it was made, and the individuality of so-called self-expression.”

“You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two.”

Way Two Different Space Steps Pieces Objects Negative Photograph Different Ways Aesthetic Space Between Negative Space

Author:Taryn Simon

“There was this interesting quote: try and live your life without fear and desire. It's this concept that's like when you look at a painting in a museum and you are held in aesthetic arrest. So the I, the ego, is stripped, is gone. The observer and thing become one. That's where fear and desire come in because you don't want to own it, possess it, desire it, and it's not moving you to fear. It's like you're in this harmonious state with the object.”

Want Trying Looks States Moving Desire Interesting Gone Objects Painting Like You Ego Concepts Museums Aesthetic Live Your Life Observers Harmonious

Author:Zack Snyder

“When Hume insists that taste is a matter of delicacy, that it is a matter of having a sensitivity to features of an object itself, he is very close to the rationalist doctrine. Hume was really a covert objectivist (or partial one) about aesthetic pleasure because that pleasure had to be based on the sensitivity to features in the object.”

Matter Pleasure Objects Taste Doctrine Features Aesthetic Sensitivity Delicacy Covert Hume

Author:Frederick C. Beiser