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Objects Quotes

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Objects Quotes

“The imagination acquires by custom a certain involuntary, unconscious power of observation and comparison, correcting its own mistakes, and arriving at precision of judgment, just as the outward eye is disciplined to compare, adjust, estimate, measure, the objects reflected on the back of its retina.”

EyeCertainImaginationMistakeObjectsJudgmentObservationCompareAcquireUnconsciousComparisonCustomsPrecisionArrivingCorrectingInvoluntary
Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“The secondary Imagination I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate: or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.”

KindStillsOrderProcessImaginationStruggleImpossibleEventsObjectsDegreesConsciousFormerPrimariesOperationsFixedAgencyEchoesIdentical
Book:Biographia Literaria: Top Biography
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“Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted for the constraint of a definite "thing" cedes directly to the imagination. How can we draw "evolution" or "social organization," not to mention the more mundane "digestion" or "self-interest," without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.”

IfsMindIdeasSelfRealityWishSocialProcessInterestImaginationObjectsEvolutionDrawsConceptsOrganizationCamerasStructureScholarDefiniteRevealingSelf InterestMundaneConstraintsDigestionCandidPortrayingSocial OrganizationIconographyCandid Camera
Book:Eight little piggies: reflections in natural history
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“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

HumansFactsLightPassionEnergyImaginationMemoriesPowerfulExistenceFictionVisionCreativeObjectsMaterialsIdealsRelationObviousIntenseConfusionFancyReachingFedsAssociationInwardRepresentationConstructsInclinationHuman ExistenceHabitualTransientBreadthCreative EnergySusceptibility
Author:George Eliot
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“Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.”

KnowsFirstsDoeArtFeelingsArtistCertainImaginationEmotionObjectsKeysCreaturesRelationLaysIntenseLimitationBarriersCompositionSplendidNew WorkDecide Upon
Book:Willa Cather on Writing: Critical Studies on Writing as an Art
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“I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.”

GivingMindMayRealitySeemsAblePassionBeliefCausesTermImaginationFictionTakenAtheismInfluenceObjectsPositive AtheismSuperiorsVarietyFirmConceptionSteadyVividLively
Book:Essays and Treatises on several subjects, etc. New edition
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“The eye observes only what the mind, the heart, and the imagination are gifted to see; and sight must be reinforced by insight before souls can be discerned as well as manners, ideas as well as objects, realities and relations as well as appearances and accidental connections.”

MindWellsHeartIdeasSoulRealityEyeImaginationObjectsConnectionsSightRelationAppearanceInsightMannersGifted
Book:Character and characteristic men
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“Some objects and events may be photographed, others, if one is to render their true quality, should be painted or set to music, since their essence is more faithfully reproduced through imagination than by the journalistic report.”

IfsShouldMayImaginationQualityEventsObjectsPhotographyEssenceReportsJournalistic
Book:New York 22: that district of the City which lies between Fiftieth and Sixtieth Streets, Fifth Avenue, and the East River
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“In the one instance, the dreamerloses sight of this object in a wilderness of deductions and suggestionsuntilhe finds the incitamentum, or first cause of his musings,... forgotten. In my case, the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance.”

FirstsCausesImaginationVisionCasesObjectsSightImportanceAssumingForgottenMediumsInstancePrimariesWildernessUnrealForgetfulnessFrivolousDeductionsMusings
Author:Edgar Allan Poe
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“Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.”

KindStillsEnoughShowsPassionImaginationObjectsAffectionShadeThrowingFavour
Book:A Dissertation on the Passions: The Natural History of Religion : a Critical Edition
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“Pinball games were constrained by physical limitations, ultimately by the physical laws that govern the motion of a small metal ball. The video world knows no such bounds. Objects fly, spin, accelerate, change shape and color, disappear and reappear. Their behavior, like the behavior of anything created by a computer program, is limited only by the programmer's imagination. The objects in a video game are representations of objects. And a representation of a ball, unlike a real one, never need obey the laws of gravity unless its programmer wants it to.”

KnowsWorldWantNeedsRealLawGamesImaginationObjectsColorShapesBehaviorComputerProgramBallsBoundsDisappearVideoLimitationMetalsGravityRepresentationProgrammersAccelerateReal OnesPinball
Book:The Second Self: Computers and the Human Spirit
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“Used with due abstinence, hope acts as a healthful tonic; intemperately indulged, as an enervating opiate. The visions of future triumph, which at first animate exertion, if dwelt upon too intently, will usurp the place of the stern reality; and, noble objects will be contemplated, not for their own inherent worth, but on account of the day-dreams they engender. Thus hope, aided by imagination, makes one man a hero, another a somnambulist, and a third a lunatic; while it renders them all enthusiasts.”

IfsMenFirstsDreamRealityUsedHopeImaginationVisionObjectsHeroThirdsAccountsDuesNobleTriumphOne ManInherentLunaticExertionAbstinenceOpiates
Author:James Fitzjames Stephen
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“A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.”

IfsFirstsMayArtMatterAbleLawPoliticalImaginationSinPoorFictionMoralNovelObjectsAliensControversyScope
Author:Edward Bulwer-Lytton, 1st Baron Lytton
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“He will always see the most beauty whose affections are the warmest and most exercised, whose imagination is the most powerful, and who has most accustomed himself to attend to the objects by which he is surrounded.”

ImaginationPowerfulObjectsAffectionMost PowerfulAccustomed
Book:Essay on beauty, by Francis, lord Jeffrey; and Essays on the nature and principles of taste, by A. Alison. Repr. of the 5th ed
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“Now, as Mandelbrot points out, ... Nature has played a joke on the mathematicians. The 19th-century mathematicians may not have been lacking in imagination, but Nature was not. The same pathological structures that the mathematicians invented to break loose from 19th-century naturalism turn out to be inherent in familiar objects all around us.”

MayHas BeensScienceTurnsImaginationBreakCenturyObjectsJokesStructureFamiliarInherentMathematicianLacking19th CenturyNaturalismNomenclature
Author:Freeman Dyson
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“The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.”

BeautifulSoundImaginationObjectsJudgmentSightHarmonyAriseIntuitive
Book:Miscellanies, æsthetic and literary: to which is added The theory of life, collected and arranged by T. Ashe
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“To the engineer, all matter in the universe can be placed into one of two categories: (1) things that need to be fixed, and (2) things that will need to be fixed after you've had a few minutes to play with them. Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.”

NeedsGivingArtTwoMatterPlayUniverseImaginationModernMinutesObjectsSkillsFixedCategoriesEngineersBasketsModern ArtPicnicsCraftsmanshipPicnic Baskets
Author:Tom Stoppard
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“If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.”

IfsWorldChildrenRealHandsEnergyImaginationEmotionObjectsProduceMaterialsShapesMassAdultsAbstractRepresentativesClayLumpsRaw MaterialsWholesaleSomething RealSemiotics
Author:Keith Murray
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“I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.”

GivingI CanImportantLightBeautifulSpeakInterestImaginationCommonAttentionFrontsObjectsInvention
Author:Domenico Gnoli
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“Various random experiments, cut-ups, fold-ins, juxtapositions, timed writings of other kinds, the "objects assignment" which involves dream, adventure, ancestry. Writing outside, writing on moving vehicles. Looking at paintings in the grand museums of the world in a proscribed way.Little strategies to keep the lalita - play or dance - going. Sometimes it's lonely you know, just you and your own imagination.”

KnowsWorldWayWritingKindLittlesSometimesPlayDreamMovingImaginationCuttingObjectsPaintingAdventureLonelyStrategyVariousExperimentsMuseumsVehicleFoldsAncestryAssignmentsJuxtaposition
Author:Anne Waldman
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