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Objects Quotes

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Objects Quotes

“The seeing of objects involves many sources of information beyond those meeting the eye when we look at an object. It generally involves knowledge of the object derived from previous experience, and this experience is not limited to vision but may include the other senses: touch, taste, smell, hearing, and perhaps also temperature or pain.”

LooksMayEyePainVisionSeeingInformationObjectsSourcePerspectiveTasteMeetingsHearingSmellSensesTemperature
Author:Richard Gregory
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“I abandoned the extraterrestria l hypothesis in 1967 when my own field investigations disclosed an astonishing overlap between psychic phenomena and UFOs ... The objects and apparitions do not necessarily originate on another planet and may not even exist as permanent constructions of matter. It is more likely that we see what we want to see and interpret such visions according to our contemporary beliefs.”

WantMayMatterBeliefMy OwnVisionFieldsObjectsPlanetsContemporaryPermanentAbandonedConstructionInvestigationPsychicsHypothesisAstonishingUfoApparitions
Author:John A. Keel
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“What I have to do is utilize as best I can the ideas which objects suggest to me, connect, fuse, and color in my way the shadows they cast within me, illumine them from the inside. And since of necessity my vision is quite different from that of the next man, my painting will interpret things in an entirely different manner even though it makes use of the same elements.”

MenWayI CanIdeasDifferentUseNextVisionObjectsColorPaintingElementsShadowCastsMy WayOriginalityFuse
Author:Pablo Picasso
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“Justice is the recognition of the fact that you cannot fake the character of men as you cannot fake the character of nature, that you must judge all men as conscientiously as you judge inanimate objects, with the same respect for truth, with the same incorruptible vision, by as pure and as rational a process of identification-that every man must be judged for what he is and treated accordingly.”

MenCharacterFactsProcessJusticeVisionObjectsJudgingPureEvery ManTreatedRationalRecognitionFakeJudgedIdentificationInanimate ObjectsCharacter Of A Man
Author:John Galt
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“Nature, the sun itself, produces color effects... instantaneously. The impression of these evanescent visions is what we make desperate attempts to catch and fix by any means at hand. At such moments I am unconscious of materials, of style, of rules, of everything that intervenes between my perception and the object or idea perceived.”

MeanIdeasMomentsHandsVisionSunEffectsStyleObjectsProduceColorMaterialsPerceptionImpressionDesperateUnconscious
Author:Joaquin Sorolla
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“Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.”

IfsWorldWayWritingTryingArtFactsStoriesEarthFormArtistOrderForceNaturalBehindsVisionNovelCreationObjectsPlanetsChaosDrivenImpulseAppropriateScreenplaysPlanet Earth
Author:Robert Olen Butler
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“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

HumansFactsLightPassionEnergyImaginationMemoriesPowerfulExistenceFictionVisionCreativeObjectsMaterialsIdealsRelationObviousIntenseConfusionFancyReachingFedsAssociationInwardRepresentationConstructsInclinationHuman ExistenceHabitualTransientBreadthCreative EnergySusceptibility
Author:George Eliot
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“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

ThinkingArtWantedFormFoundLanguageVisionCenturyFieldsObjectsChangedMaterialsMovedComplexesDetailsBoundariesVisualsUnitsPersistentPioneersAlteredNew ThoughtFrame Of ReferenceImpressionism
Author:Jasper Johns
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“In the one instance, the dreamerloses sight of this object in a wilderness of deductions and suggestionsuntilhe finds the incitamentum, or first cause of his musings,... forgotten. In my case, the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance.”

FirstsCausesImaginationVisionCasesObjectsSightImportanceAssumingForgottenMediumsInstancePrimariesWildernessUnrealForgetfulnessFrivolousDeductionsMusings
Author:Edgar Allan Poe
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“It is a mistake, to think the same thing affects both sight and touch. If the same angle or square, which is the object of touch,be also the object of vision, what should hinder the blind man, at first sight, from knowing it?”

IfsThinkingMenShouldFirstsMistakeVisionKnowingObjectsSightBlindSquaresAngleHinderBlind Man
Book:The Works of George Berkeley, D.D., Bishop of Cloyne: Including His Letters to Thomas Prior, Esq., Dean Gervais, Mr. Pope, &c., &c. ; to which is Prefixed an Account of His Life
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“Used with due abstinence, hope acts as a healthful tonic; intemperately indulged, as an enervating opiate. The visions of future triumph, which at first animate exertion, if dwelt upon too intently, will usurp the place of the stern reality; and, noble objects will be contemplated, not for their own inherent worth, but on account of the day-dreams they engender. Thus hope, aided by imagination, makes one man a hero, another a somnambulist, and a third a lunatic; while it renders them all enthusiasts.”

IfsMenFirstsDreamRealityUsedHopeImaginationVisionObjectsHeroThirdsAccountsDuesNobleTriumphOne ManInherentLunaticExertionAbstinenceOpiates
Author:James Fitzjames Stephen
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“True originality consists not in a new manner but in a new vision. That new, that personal, vision is attained only by looking long enough at the object represented to make it the writer's own; and the mind which would bring this secret gem to fruition must be able to nourish it with an accumulated wealth of knowledge and experience.”

MindLongEnoughAbleWealthSecretVisionObjectsOriginalityGemsFruitionKnowledge And ExperienceNew VisionPersonal VisionWealth Of Knowledge
Author:Edith Wharton
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“An object is frequently not seen, from not knowing how to see it, rather than from any defect of the organ of vision.”

VisionKnowingObjectsOrgansNot KnowingDefects
Book:Reflections on the Decline of Science in England: And on Some of Its Causes, by Charles Babbage (1830). To which is Added On the Alleged Decline of Science in England, by a Foreigner (Gerard Moll) with a Foreword by Michael Faraday (1831).
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“In arriving at the relevant theory about the specifics of our faculty of vision we will presumably use our eyes to gather relevant data. Based on such data we come to know about the optic nerve, the structure of our eyes, the rods and cones, etc., so as to explain how it is that vision gives us reliable access to the shapes and colors of objects around us. In reliably arriving at that theory we thus exercise the very faculty whose reliability is explained by the theory. There is no vice in this sort of circularity.”

KnowsGivingUseEyeVisionObjectsColorTheoryExerciseShapesStructureVicesAccessDataEtcFacultyNervesRelevantArrivingReliabilityConesSpecificsCircularity
Author:Ernest Sosa
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