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“[Trey Parker and Matt Stone]called me one Saturday morning and said, "Can you do an impression of Conan O'Brien?" And I said, "I don't know." Because that was really... He hadn't been on the air that long, and to be honest, I hadn't watched much of him at that point. So I went to Santa Monica to their studio and said, "Well, what does he sound like?" They said, "Well, just try it one time. Read the copy." And I read the copy one time, and they went, "Okay, that's fine. Thanks a lot, that'll do. That's perfect."”

“It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].”

“There's no question that to some extent there are structural disadvantages built in, not just for women but for other minority groups who don't hold power at the executive level either at the company or in the industry. My position is not just "Oh, okay, anyone can overcome those." It's just as we work to get more women and people in minority groups at higher levels in positions of power, what are our options?”

“Ireland is a place that's beautiful and interesting, but I remember when I went there as a teenager with my parents, I was like, "Okay, I'll go to Ireland with my parents. It's going to be green." I think people underestimate it, in that it's, "Oh, it's green," and then you get there, and it's like, "Wow, it is green!" It's, "Oh, there's Irish music," and then you get there, and you're like, "Oh, this Irish music is amazing!" You underestimate it.”

“In order to get past disagreements, you just can't have one person with power decide. In other words, so just because I'm a boss, it would be terrible if I then said, "Okay, we're gonna go do this." That's why, after that thoughtful disagreement, there has to be a process of an idea meritocracy. That means okay, now you have to vote, not that the decision resides with power. And then you vote and move beyond it.”

“Both [of my granddaughters] Octavia and Lavinia have May birthdays. I've just been birthday shopping with them. But the shopping has a budget. I say, "Okay, if you pick this out, then you'll have how much left?" I wait for them to do the calculation, and they'll say, "$18." And we stand there and talk about, hmm, is that sweater really worth that much? And the girls work it through.Doing that takes away some of the magic of money.”

“I have 90 percent or 95 percent support in the African American community and it's not sort of "Well, he's black, so it's okay. We're not going to say anything even though we're seething." And I hang out with a lot of middle-aged black women, and they're not casual in their support of me. There's a lot of love forthcoming. Partly because they understand the constraints of this society. They know that this is hard.”

“I could vanish the silk better than Ben Vereen - that was for sure. So I think maybe they said, "Okay, maybe he has something to offer." Years pass and I get a bit of a career, and Ben Vereen ends up hosting one of my specials where I walked through the Great Wall of China. Things came full circle in kind of an ironic way, when you have that honor of people that have influenced you so much host your show. It's a huge experience in your life.”

“I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.”

“Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.”

“My mother was okay with me not playing it safe. She made an agreement with my father that I was going to be raised differently than my brother and sister were. My parents went through the whole sixties rebellion with my brother and sister. But I didn't feel like I had to rebel because I didn't have anyone telling me I couldn't do something. I never went into that parents-as-enemies stage.”

“One of the things I noticed about the Trump supporters was a lot of projected fear. I can't tell you how many times a conversation went like this: "We've got to stop these immigrants, because it's terrible." I'd say, "Okay, what personally have you observed about this?" And there would be basically nothing in that box. And I'd say, "Where'd you get your information?" thinking they were going to say Fox. But they would always say, "Well, I get my information from all kinds of sources." Fox is kind of center-left to a lot of people now.”

“I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.”

“I think that fear came from, "Okay, I'm going to have Beyoncé in the title, and people are just going to think, it's Beyoncé poems. It's light and fun." I was kind of super-conscious of that. It's kind of like this weird trick I'm playing, where you're like, "What an interesting, fun cover, and then the name Beyoncé." Then you open it, and it's just about my depression. All of it belongs together.”

“What was fun for me with this book [Lincoln in the Bardo] was to start out with the principle that went, "We're going to fight every day to make this not a novel; make it too short to be a novel." And then with that principle in place, the book sort of starts to say, "Okay, but I really need this. I really need some historical nuggets." And you're like, "All right, but keep it under control."”