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“The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.”

“I went out to Bali, and I cast all of these supporting roles. I love that stuff. I just love actors. And then, Ryan Murphy asked me to direct second unit for him on Eat Pray Love. I was already booked on something else, but I joined them later. And then, I wrote him a thank you email and I got no response. I was like, "Okay, that's it." We didn't interact much on set either.”

“When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music and there would be these freestyles on the radio for what seemed like hours, it was just so cool to me. So all of these influences and these styles started to blend together. Eventually, that evolved into me finding the indie scene in Houston. When I was 19, I joined a rock band, and that's when I began to say, "Okay, this is something that I could take seriously."”

“Hopping around time in a non-linear storytelling fashion (on 'Lost') allows you to bring back characters who are dead and, in some cases, buried. Now that time travel is the story itself, it opens up even more doors. So when an actor reads that they're getting killed off on the show, they're basically, like, 'Okay, but should I still bother to show up next week?'”

“I used to say things like, 'My name's not Al (Bundy), you know?' Not to the press, but to fans. 'My name is actually Ed.' I'd find myself saying that, and I'd think, 'Who do you think they think you are? They only know you from that!' And finally I just got...I don't know, I guess a switch went on for me, and I realized, 'This was the greatest job that you've ever had in your life. Why are you acting like an asshole?' So from that minute on, I kind of...well, I hate the word 'embraced,' but I just kind of went, 'Yeah, okay.' 'So you're Al, right?' 'Yep!'”

“It was (Nick Frost's) first-ever bedroom scene and my first-ever bedroom scene...not that we were actually doing much, but we did have to lie sort of semi-nude under the sheets. And he was incredibly sort of vibrant and outgoing, but then he suddenly got very, like, 'I'm engaged and I'm getting married!' And I was, 'Okay, that's good. I just won't be touching you, then!'”

“I'm a Christian because Christianity names and addresses sin. It acknowledges the reality that the evil we observe in the world is also present within ourselves. It tells the truth about the human condition - that we're not okay.”

“For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.”

“It was nerve-wracking [to unleash 'Life of Pi' to the world]. The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated.”

“I don't think it's a bad thing to play a character that's not necessarily a super-woman. Even if the character is a little bit stereotypical, as long as the whole story is good and positive, or makes some sort of important statement, I think it's okay. But, on the whole, you can't just do that, especially as a black woman. It's more of a responsibility. You've gotta let the world see black women being successful, strong, smart, with power and who are self-possessed.”

“Do you ever go off with a long grocery list and come home from the store with a bunch of different stuff? And somebody in the family unsacks the groceries and wants to know why you got this and didn't get that and just where is the whatever? And you want to say, 'Well, just be glad I came back, okay?' And the unpacker says, 'Well, next time bring what's on the list.'”