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Perception Quotes

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Perception Quotes

“I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.”

“Faculty Psychology is getting to be respectable again after centuries of hanging around with phrenologists and other dubious types. By faculty psychology I mean, roughly, the view that many fundamentally different kinds of psychological mechanisms must be postulated in order to explain the facts of mental life. Faculty psychology takes seriously the apparent heterogeneity of the mental and is impressed by such prima facie differences as between, say, sensation and perception, volition and cognition, learning and remembering, or language and thought.”

“television. It has changed the way that we perceive the world out there, and though we know that - have indeed been bombarded with analyses on the consequences for society, for the family, and for individual psychology - I don't believe that we have yet begun to appreciate the reach of its subliminal effects, of what we might call 'the slow viruses.' They not only get into our ways of seeing, they pervade the ways in which we weave our perceptions together into patterns that support and explain our thinking and our doing and both direct and hinder various kinds of relationships.”

“[On Jung's theory of psychological types:] My mother, Katharine C. Briggs, introduced it into our family and made it a part of our lives. She and I waited a long time for someone to devise an instrument that would reflect not only one's preference for extraversion or introversion but one's preferred kind of perception and judgment as well. In the summer of 1942 we undertook to do it ourselves.”

“A man needs no arguments to make him discern and approve what is beautiful: it strikes at first sight, and attracts without a reason. And as this beauty is found in the shape and form of corporeal things, so also is there analogous to it a beauty of another kind, an order, a symmetry, and comeliness in the moral world. And as the eye perceiveth the one, so the mind doth by a certain interior sense perceive the other, which sense, talent, or faculty, is ever quickest and purest in the noblest minds.”

“We tend to be so bombarded with information, and we move so quickly, that there's a tendency to treat everything on the surface level and process things quickly. This is antithetical to the kind of openness and perception you have to have to be receptive to poetry.poetry seems to exist in a parallel universe outside daily life in America.”

“There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.”

“The trouble is that the expression 'material thing' is functioning already, from the very beginning, simply as a foil for 'sense-datum'; it is not here given, and is never given, any other role to play, and apart from this consideration it would surely never have occurred to anybody to try to represent as some single kind of things the things which the ordinary man says that he 'perceives.”

“Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.”

“I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.”

“I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.”

“A lot of things occurred to me with shamans in Peru.There were a number of different kinds of experiences that you learn from doing ritual and taking ayahuasca [a common tropical forest hallucinogen] is the key to understanding the native consciousness and perception of the world with the Peruvian shamans that you wouldn't get unless you had been with them, but every shamanic tradition, including the Native American tradition of medicine and cleansing ritual, like the Sun Dance or the sweat lodge.”

“There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.”

“No waving of enchanted wands but heightened perception. No magic objects, but a transformed and enhanced reality. No spells or chants, but the raw power of the human will to enact supernatural change upon the universal fabric. This is the kind of "magic" that fills Lords of Rainbow - elemental, organic, humanistic - an extension of reality.”

“When you're in the grip of frustration, love can seem pretty much out of the question. Care is going to be a stretch. But appreciation is easy-even if it starts out kind of snide like, "I appreciate the fact I haven't fallen flat on my face ... yet." After a couple of stabs at it, you're going to stumble across one that sincerely touches you. Maybe it's your friends, your partner, your loved ones. One strong dose of appreciation can turn your perceptions around 180 degrees.”

“Of course, no state accepts [that it should call] the people it is imprisoning or detaining for political reasons, political prisoners. They don't call them political prisoners in China, they don't call them political prisoners in Azerbaijan and they don't call them political prisoners in the United States, U.K. or Sweden; it is absolutely intolerable to have that kind of self-perception.”

“I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.”

“Deep listening is the kind of listening that can help relieve the suffering of another person. You can call it compassionate listening. You listen with only one purpose: to help him or her to empty his heart. Even if he says things that are full of wrong perceptions, full of bitterness, you are still capable of continuing to listen with compassion. Because you know that listening like that, you give that person a chance to suffer less.”

“There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.”

“Basically what Salomé did with Rilke as a mentor was direct him toward the Russian Orthodox Church, so he could project his love of the divine feminine onto the Virgin Mary. She wanted him to stop the cycle of being disappointed by the ultimate humanity of women. She was like, "You don't want me, you want the Virgin Mary." It's kind of a mystical concept! She also changed Freud's opinion, a little bit too late, about the female psyche, which he had so wrong. If it had been better publicized, it would have changed Western society's perception of the female psyche, too.”

“Now, it's high time for all those that have an influence on the parties with the conflict to understand that it is in the interest of everybody to put an end to this conflict. But this kind of persuasion, this kind of intense pressure, I believe it's my duty to do, even if I recognize that the contradictions and the different perceptions of interest that exist are making it very difficult.”

“It's difficult not to color our perception of author's product with his personality. There are so many examples of this. What do we think of Ezra Pound - clearly a great poet and clearly kind of an asshole? You can say the same thing about Louis-Ferdinand Céline, who clearly was a Nazi sympathizer, and yet one of the great writers of the 20th century. It is tough, but there are enough examples around where we have to somehow find a way of separating the work from the artist and seeing what there is to see in the work, while also condemning the thoughts we see in the man.”

“I think the term "interbeing" has cropped up in a lot of places. It's in the atmosphere, because it's just so true, and the time for that truth to be revealed to mass society is here. It's like in those French bakeries where they don't need to add yeast to the dough, because the yeast is so ambient in the air that the dough gets quickened whether or not you add yeast to it. Many people, even without doing a whole lot of study and reading, are coming to the same kinds of conclusions and perceptions about the world as I am.”

“Maybe Japan itself is a little similar in that a lot of young people seem to have a little knowledge but not too much depth. I guess my perception of the art specialists in America or in Europe is that the art people are kind of mainly just the art people and that community is self-contained. But in Japan, it mixes with fashion and other things. I'm sure that many authentic art dealers or insiders didn't like the way that we presented our show in this very pop-y, accessible manner - just showing parts of our collections and selling prints and collaborative products.”

“My perception of the human animal is as an extremely dangerous predator. That's who I perceive us to be as a species. Maybe the most dangerous predator on the planet, with the exception of a few microbes. I'm really grateful for the degree of socialization that prevents us, most of the time, from killing and eating each other. And I admire all the social structures that have been designed and layered and niched in that encourage bonding toward a kind of social harmony that is meant to contain and counteract our natural inclinations toward predation, ferocity, and eating whatever moves.”