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Perception Quotes

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Perception Quotes

“To any intelligent being, there is no emotion more important than hope. Individually or collectively, we must hope that the future will be better than the past, that our offspring, and theirs after them, will be a bit closer to an ideal society, whatever our perception of that might be... It is at those times when we feel we are contributing to that ultimate end... we feel true elation.”

“Every man feels that perception gives him an invincible belief of the existence of that which he perceives; and that this belief is not the effect of reasoning, but the immediate consequence of perception. When philosophers have wearied themselves and their readers with their speculations upon this subject, they can neither strengthen this belief, nor weaken it; nor can they shew how it is produced. It puts the philosopher and the peasant upon a level; and neither of them can give any other reason for believing his senses, than that he finds it impossible for him to do otherwise.”

“Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives.”

“In description we hear and feel the absorption of the author in the material. We sense the presence of the creator of the scene. .. This personal absorption is what we mean by 'style.' It is strange that we would choose so oddly surfacey a word - style - for this most soulful aspect of writing. We could, perhaps more exactly, call this relation between consciousness and its subject 'integrity.' What else is the articulation of perception?”

“The music industry itself is changing so quickly, that everything new, like Spotify, all feels to me a bit like a grand experiment. And I’m not willing to contribute my life’s work to an experiment that I don’t feel fairly compensates the writers, producers, artists, and creators of this music. And I just don’t agree with perpetuating the perception that music has no value and should be free.”

“When a thought of Plato becomes a thought to me,--when a truth that fired the soul of Pindar fires mine, time is no more. When I feel that we two meet in a perception, that our two souls are tinged with the same hue, and do as it were run into one, why should I measure degrees of latitude, why should I count Egyptian years?”

“I was a heavy drinker, but the alcohol affected my heart rather than my liver. So I stopped. I smoke grass now. I say that to everybody, because marijuana should be legalized. It's ridiculous that it isn't. If at the end of the day I feel like smoking a joint I do it. It changes the perception of what I've been through all day.”

“The mind is the seat of perception of the things we see, hear, and feel. It is through the mind that we see the beauties of the earth and sky, or music, of art, in fact, of everything. That silent shuttle of thought working in and out through cell and nerve weaves into one harmonious whole the myriad moods of mind, and we call it life.”

“I am free, and always have been; free to accept my own reality, free to trust my perceptions, free to believe what makes me feel sane even if others call me crazy, free to disagree even if it means great loss, free to seek the way home until I find it.”

“What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media.”

“The problem a lot of writers have is that they really, really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.”

“The thing that has always baffled me about people's perception of my writing is the sense that I'm a very controversial, opinionated, polarizing person. I feel like I write about things that I'm interested in, and I describe why they're interesting to me. I could be negative, I guess. It's far easier to write why something is terrible than why it's good.”

“I think spiritual perception comes from natural and healthy relationship to the land and I've had that. I get an easy, automatic sense of myself in nature, a wholeness and I feel nowhere else. I think people should live where praying is most immediate. That`s why I live in New Mexico. The physical terrain, the feeling, the environment and culture improve my life just by waking up there.”

“The next time you feel unworthy, inadequate or inferior, remember that these experiences have nothing to do with humbleness, any more than lowering yourself to connect with another individual has to do with humbleness. There are no lower or higher individuals in the perception of a humble person. There are only souls. There is only love.”

“BMX riding breaks down racial perceptions. Coming from New York City and being a BMX rider, that isn't something that's too common. I feel like for the longest time, I would ride through certain neighborhoods and people would call me a "white boy" because they associated white boys from California with BMX riding, and it bugs me so much because I'm completely not that. I completely don't fit that mold. It's really important for me to bring BMX riding to the masses and show people exactly what it is.”

“I feel like my perception has changed a little because when I was posting stuff online it was an extension of my studio and then it started getting some of the attention. Now it's like, "Oh, this is actually a place where you can make money," but I'm not interested in competing in that space. It seems like too much to deal with.”

“I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.”

“Make lists of positive aspects. Make lists of things you love - and never complain about anything. And as you use those things that shine bright and make you feel good as your excuse to give your attention and be who-you-are, you will tune to who-you-are, and the whole world will begin to transform before your eyes. It is not your job to transform the world for others-but it is your job to transform it for you. A state of appreciation is pure Connection to Source where there is no perception of lack.”

“Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.”

“I recognize that memory is far from infallible though. If I feel like I can't accurately describe something, I just leave it out. I also do things like write "he talked about ..." instead of writing direct quotes. But generally I feel like since my stories are very obviously meant to be my perception of an event rather than the objective truth this gives me a lot of leeway.”

“I feel like people focus too much on what other people think of their lives and trying to appear like they have it all together rather than focusing on just being happy. You can't control the perception of others no matter how hard you try. Do things that promote personal growth and health. Genuine happiness is hard to miss.”

“As you begin to feel this enormous shift of consciousness, called multisensory perception, emerging in your awareness, you begin to reorient yourself. It's a reorientation that occurs toward yourself as more than a mind and a body; it's a reorientation that occurs toward others; toward your life as meaningful, rather than predetermined. It's a reorientation that occurs toward the universe as alive, wise and compassionate, instead of inert (which means dead) and random.”

“Ask yourself, "Is there anything in my life that is causing me to feel a sense of unease, discomfort, or pain?" You can choose a persistent issue that has bothered you for years, or it may be something that has recently come up for you. While it's fine to focus on a chronic, physical disorder, don't approach this exercise as a cure - we're focusing on patterns of perception that encourage us to hold onto suffering.”

“I'd like to get to a point where I am not considered natural by myself. When I say that I mean that I don't want to fit within the guidelines of what other people feel it is to be natural. If people feel that natural bodybuilders usually are the ones who lack legs or have poor body parts or don't train very hard or aren't very strong or aren't very intense, if that's your perception of what a natural bodybuilder is, then that's not what I want to be.”

“There's a gap in perceptions between women and men. Women feel much freer than they did, but still, when alcohol is involved, especially, there's a lot of sexual assault, and a lot of confusion about that. So, we need to focus a lot more on what consent is and on the importance of affirmative consent.”

“Only in the 20th century, artists started taking the study of perception in a more humane way. They were thinking about the eye as being an instrument, the whole body as being a visual instrument. That sort of gave way a little bit with Cartesian­ - the "Cogito ergo sum" argument. It's not, "I think therefore I exist." It's, "I feel therefore I think therefore I exist."”

“We sit silently and watch the world around us. This has taken a lifetime to learn. It seems only the old are able to sit next to one another and not say anything and still feel content. The young, brash and impatient, must always break the silence. It is a waste, for silence is pure. Silence is holy. It draws people together because only those who are comfortable with each other can sit without speaking. This is the great paradox.”

“What is real to me is the power of our awareness when we are focused on something beyond ourselves. It is a shaft of light shining in a dark corner. Our ability to shift our perceptions and seek creative alternatives to the conondrums of modernity is in direct proportion to our empathy. Can we imagine, witness, and ultimately feel the suffering of another?”

“Being established in my life, buttressed by my thinking nature, fastened down in this transcendental field which was opened for me by my first perception, and in which all absence is merely the obverse of a presence, all silence a modality of the being of sound, I enjoy a sort of ubiquity and theoretical eternity, I feel destined to move in a flow of endless life, neither the beginning nor the end of which I can experience in thought, since it is my living self who think of them, and since thus my life always precedes and survives itself.”