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Pieces Quotes

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Pieces Quotes

“If there ever was an aviary overstocked with jays it is that Yaptown-on-the-Hudson, call New York. Cosmopolitan they call it, you bet. So's a piece of fly-paper. You listen close when they're buzzing and trying to pull their feet out of the sticky stuff. "Little old New York's good enough for us"--that's what they sing.”

“Part of my passion for all things Christmas is seeing my holiday stuff again every December. I suppose I do have more than most folks, so the reunion each winter keeps me in the holiday spirit for a full year. And there are always a few pieces out in my house whatever the month.”

“Caron, Even though you just got here a few months ago, We've grown so close over these last few weeks And, I can remember, When you first got here, You wrote a piece of paper in my locker... I don't know why I'm crying so much man... You wrote a piece of paper in my locker that said, "KD MVP." And that's after we had lost two or three straight. And I don't really say much in those moments, But I remember that. I go home and I think about that stuff man. When you got people behind you, You can do whatever. And I thank you man, I appreciate you.”

“The swift December dusk had come tumbling clownishly after its dull day and, as he stared through the dull square of the window of the schoolroom, he felt his belly crave for its food. He hoped there would be stew for dinner, turnips and carrots and bruised potatoes and fat mutton pieces to be ladled out in thick peppered flourfattened sauce. Stuff it into you, his belly counselled him.”

“I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.”

“I remember when we were in rehearsals and we were going through it because we rehearsed before we went to Toronto, and it's more of the same. She and I had to deal with a lot of stuff in this movie and we really have to take ourselves there. It actually started in rehearsals, and just revisiting that piece of it all. Just the way Monica is and what she says and the way she looks at me, it really affects me throughout rehearsals and throughout the scenes.”

“Love can be a huge mountain, a gentle garden, a raging storm, a cool breeze, or a perfect bath. But there is always fire somewhere nearby. There is always the red-hot stuff of the soul's initiation. If there isn't fire, then it isn't love ... If it doesn't insist that you move to your next level, if it doesn't take your heart and make it explode in a million pieces, only to fall back together again in some Moment of enlightened understanding, then you haven't really loved.”

“Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."”