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Planets Quotes

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Planets Quotes

“Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.”

“Seeing the world anew, as if it were new, is as old as writing. It's what all painters are trying to do, to see what's there, to see it in a way that renews it. It becomes more and more urgent as the planet gets worn flat and forest after forest is slain to print the paper for people's impressions to be scrawled down on. It becomes harder and harder to be original, to see things with an innocent eye. Innocence is much tied up with it. As the planet gets progressively less innocent, you need a more innocent eye to see it.”

“We're a young species; We're only 175,000 years old. On the evolutionary scale, life on this planet is 4 billion years old. We're 175,000 years old. So we're trying something out. Who wouldn't think it would be better to have the most stuff to take as much as you could? As we do that, we see why the moral prophets come along and say, don't even store into barns, right? It's easier for a camel to pass through the eye of the needle than a rich man to enter the kingdom of heaven. We've seen we plunder nature. We plunder our neighbor. We create enemies because we're against each other.”

“This is a living planet. Look around. Mars, Venus, Jupiter. Look beyond our solar system. Where else is there a place that works, that is just right for the likes of us? It has not happened just instantly. It is vulnerable to our actions. But it's the result of four and a half billion years of evolution, of change over time. And it changes every day, all the time. It would be in our interest to try to maintain a certain level of stability that has enabled us to prosper, to not wreck the very systems that give us life.”

“The general public doesn't know and probably doesn't care about punctuated equilibria nor indeed should they, or the greenhouse effect on some other planet - they barely have the ability to cope with the greenhouse effect on their own planet. So I think you have to distinguish between the broad visibility of a scientist when he or she is speaking to a general public and trying to address general issues and the continued position that a scientist may have into the history of a particular subject.”

“The things I do, I do from the heart and out of love and respect for our planet and all living things. And I draw my courage from my love for justice and truth, and I calm my fears by comforting those who are more scared than me. And I try to do my best to make the world a better place, one small action at a time, as good as I can.”

“I really feel concerned about young people within our present culture. Our present culture, we have to change. Change is inevitable and I wasn't raised in our present culture but it has great pressure that as a young person I never had. Material pressure, social pressure, visual pressure, how you look, and I just try to appeal to young people to think for themselves, to be their own person, and to ask questions and also be very attentive to our planet and our environment.”

“Always look up! Every time I step out-side, that's the first thing I do. Ask your-self, "what star is that?", grab a star chart and try to figure it out. That is basically how I started. Learn your planets and learn how to distinguish them from the stars. Study star charts even during the day and that night, go and see if you can find them. You may surprise yourself!”

“I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.”

“I'm asked that a lot: 'James, is there really a continuing spiritual renaissance occurring on this planet? Look at all the conflict, look at the wars.' And I believe, yes, we're still moving toward a deeper spirituality. It's personal. It's grassroots. It's everybody trying to get their own connection made, and from there it grows out.”

“The basic idea of Western science is that you don't have to take into account the falling of a leaf on some planet in another galaxy when you're trying to account for the motion of a billiard ball on a pool table on earth. Very small influences can be neglected. There's a convergence in the way things work, and arbitrarily small influences don't blow up to have arbitrarily large effects.”

“No one can predict whether the earth will be cooler or hotter next year, let alone do anything to change it. If you're afraid of global warming, turn off the lights when you leave the room - but don't participate in the corruption of science, don't scare our kids with unproven cataclysmic theories, and don't try to ban economic energy sources that people living on this planet depend upon today. And don't try to stop progress; it's the only hope the earth has of seeing clean industry, short of exterminating mankind.”

“The struggle to create a nation and world of economic and social justice and environmental sanity is not an easy one. The struggle to try and create a more peaceful world will be extremely difficult. But this I know: despair is not an option if we care about our kids and grandchildren. Giving up is not an option if we want to prevent irreparable harm to our planet.”

“I chose to be a photographer twenty-two years ago, but I don't know that I'd make that choice again. Back in the early eighties, I still thought I was doing okay, trying to order and shape the world with my camera. Now that I know a bit more about living and dying, about our planet and its complex problems, I'm a lot less comfortable with my images of people. Still, I haven't a clue what else to do.”

“I can't say that you should extract this or that value from my books explicitly. They are up for interpretation. In terms of the obligation, I think we're all individuals on this planet, trying to scratch our way through the day, and if you're writing a book exposing atrocities in Rwanda or writing a murder mystery set in a mountain village, I think both ways of spending you time are valid and both books are probably fine to read.”

“I don't like that the government is going to manipulate the information to try to convince me that what I'm eating is not what I'm really eating. If people choose to eat cardboard because it's ten cents cheaper, then let them. That's at the root of freedom. But in the reverse, I'd like to know if what I'm eating or consuming or buying is somehow hurting or exploiting someone in another part of the planet.”