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Pornography Quotes

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Pornography Quotes

“I don’t even pretend to understand it all. I was president of the Luther League, the youth group of our church. I was a good kid and a bad kid at the same time. I was looking for a very nice girl but also a very bad girl. Do all young men have these conflicts? And, what about whores? Well, in my mind, prostitutes are bad girls. Matter of fact, they are professional bad girls. As I said earlier in this diary, you don’t make love to whores, you fuck them. There’s a difference. They don’t require love and courtship, all they want is my money. I go to the bedroom with them and do the deed with no affection. They take my money and leave. All my life I have been told that girls who have sex outside of marriage are bad girls... sluts. I’ve also been told by my dad, “Son, sex is the most beautiful expression of love in a marriage.” Although I can appreciate the difference, that being, sex is meant for marriage only; my psyche has some difficulty reconciling the two messages. Sexually active girls are bad but sexually active wives are good. I’m afraid that someday if and when I wed the Pollyanna I’m looking for and fulfill my husbandly duty with her, I’m going to feel like I’m turning a good girl into a bad girl. In other words, I change my wife into a slut. And here’s the weirdest part: if my wife becomes a slut, the good boy in me will reject the bad girl I created in her. My angel and devil will be in a clinch hold.”

“The porn that is being produced and sold to us is full of ideas and beliefs that are completely distorted, and that are in fact, opposite of what real sex, love, and relationships are like. Loving-healthy relationships are built on respect, equality, honesty. But in porn, this is quite the contrary, there, love and sex are based on domination, control, disrespect, and violence. Sweet, affectionate, caring interaction doesn’t sell, but degradation and abuse do. And there’s something deeply disturbing and concerning about an industry who profits from that.”

“The point was, there'd be nothing to this if you were beautiful and sexy. The point was, in a world where everybody had to look so pretty all the time, this guy wasn't. The monkey wasn't. What they were doing wasn't. The point was, it's not the sex part of pornography that hooked the stupid little boy. It was the confidence. The courage. The complete lack of shame. The comfort and genuine honesty. The up-front-ness of being able to just stand there and tell the world: Yeah, this is how I chose to spend a free afternoon. Posing here with a monkey putting chestnuts up my ass. And I really don't care how I look. Or what you think. So deal with it. He was assaulting the world by assaulting himself.”

“Bundy was correct in saying that most serial murderers are addicted to hardcore pornography. FBI records validate that point. Not every person exposed to obscenity will become a killer, of course, but too many will!”

“Our sexual fantasies are often redundant and intense, like many other ideas involving ourselves. Most people approach sexuality limited to the idea that they should imitate other people, art (e.g., romantic literature) or movies (e.g., pornography). In this way, vicarious events and even fictions become a point of reference that we can actually feel. We judge actual people in our real lives against fictional events and unrealistic concepts. As such, real lovers seem inferior as a result.”

“What he was referring to is the fact that there are two worlds: the true glory of Sophia and the false world of the Demiurge. The false world of the Demiurge seems the same as the world of Sophia, except that it is, to use a metaphor, colorless. The world of the Demiurge is the world as it seems to people obsessed with material possessions, attracted by the desire to control the realm of the Goddess Sophia, people who prefer the artificial to the authentic, people in the clutches of delusional poisonous drugs, people with addictions to other people and alcohol, as well as food, spending, pornography, gambling, angry people who are fixated with politics and financial issues; people who are full of illusory worries about possible future events rather than living in the authentic present now, people who see the world through the eyes of the media and people who are completely isolated from themselves emotionally. These people never 'see' and never 'hear' the real world around and within them. They live in the false duplicate reality of the Earth manufactured by Yaldabaoth. This facsimile is an illusory world.”

“The world of the Demiurge is the world as it seems to people obsessed with material possessions, attracted by the desire to control the realm of the Goddess Sophia, people who prefer the artificial to the authentic, people in the clutches of delusional poisonous drugs, people with addictions to other people and alcohol, as well as food, spending, pornography, gambling, angry people who are fixated with politics and financial issues; people who are full of illusory worries about possible future events rather than living in the authentic present now, people who see the world through the eyes of the media and people who are completely isolated from themselves emotionally. These people never 'see' and never 'hear' the real world around and within them. They live in the false duplicate reality of the Earth manufactured by Yaldbaoth.”

“People in the industry kept telling me intimate and unsolicited details about their sex lives. I realized that pornography was as much an attitude or lifestyle as it was a business. The line between private and public was sometimes blurred to the point of being erased.”

“Let's examine the second accusation first: the idea that pornography is degrading to women. Degrading is a subjective term. Personally, I find detergent commercials in which women become orgasmic over soapsuds to be tremendously degrading to women. I find movies in which prostitutes are treated like ignorant drug addicts to be slander against women. Every woman has the right-the need!-to define degradation for herself.”

“For over a decade, I have defended the right of women to consume pornography and to be involved in its production. In 1984, when the Los Angeles City Council first debated whether or not to pass an anti-pornography ordinance, I was one of two people -and the only woman-who stood up and went on record against the measure. I argued that the right to work in pornography was a direct extension of the principle "A woman's body, a woman's right.”

“Check the top 1000 books on Amazon. Most of them have a shirtless guy on the cover, because they're smutty "romance novels" (read: porn for women) about a girl being swept off her feet by one (or more) billionaire alpha-males. There are literally tens of thousands of books out there about shirtless billionaire alpha-male vampires who can't wait to mate with you. Lucky you! And women eat that shit up! Men, not so much. Men prefer to watch actual porn.”

“Anti-pornography (or radical) feminists will consider me a heretic-fit only for burning. Or, to put it in more politically correct terms, I am a woman who is so psychologically damaged by patriarchy that I have fallen in love with my own oppression. My arguments will be dismissed. In other words, if I enjoy pornography, it is not because I am a unique human being with different preferences. It is because I am psychologically ill.”

“In the social turbulence following the Civil War, thousands of men and women enlisted in a purity campaign. They sought to establish a single standard of sexual morality for both sexes. This was not a drive for greater freedom; it was a puritanical campaign to narrow the choices of individuals down to socially acceptable ones.”

“A sex worker deserves a billion times more respect, than the mystical fraudsters of the society, such as astrologers, psychics and tarot card readers.”

“...a consequence which the pornbrokers may not have intended. Women were able to look at pornography and for the first time had at their disposal a panoramic view of what constituted male sexuality. [...] pornography became more and more concerned with sadomasochism and much more brutal in its portrayal of women. [...] We decided we needed to study pornography, to see exactly what was in it and understand what it told us about men's attitude to women, about male sexuality and about the construction of heterosexuality.”

“A drone is often preferred for missions that are too "dull, dirty, or dangerous" for manned aircraft.” PROLOGUE The graffiti was in Spanish, neon colors highlighting the varicose cracks in the wall. It smelled of urine and pot. The front door was metal with four bolt locks and the windows were frosted glass, embedded with chicken wire. They swung out and up like big fake eye-lashes held up with a notched adjustment bar. This was a factory building on the near west side of Cleveland in an industrial area on the Cuyahoga River known in Ohio as The Flats. First a sweatshop garment factory, then a warehouse for imported cheeses then a crack den for teenage potheads. It was now headquarters for Magic Slim, the only pimp in Cleveland with his own film studio and training facility. Her name was Cosita, she was eighteen looking like fourteen. One of nine children from El Chorillo. a dangerous poverty stricken barrio on the outskirts of Panama City. Her brother, Javier, had been snatched from the streets six months ago, he was thirteen and beautiful. Cosita had a high school education but earned here degree on the streets of Panama. Interpol, the world's largest international police organization, had recruited Cosita at seventeen. She was smart, street savvy, motivated and very pretty. Just what Interpol was looking for. Cosita would become a Drone!”

“Im Jahr 1970 noch protestierten Feministinnen gegen die Vergegenständlichung von Frauen in mondänen pornographischen Männermagazinen wir dem Playboy. Jetzt konzentriert sich der organisierte Protest gegen die Verwendung von Kindern und die Porträtierung von Gewalt in der Pornographie. Die Forderung, Frauen nicht als Sexualobjekte darzustellen, wird als übertrieben und hysterisch abgetan. Eine Toleranz wird geschaffen, wenn eine Stufe von Missbrauch (z.B. sexuelle Vergegenständlichung) in Anbetracht höherer Stufen der Vergegenständlichung und schwerwiegenderer Formen von Gewalt gerechtfertigt wird”

“A terrorist, I think, is simply another kind of pornographer. The pornographer pretends he is disgusted by his work; the terrorist pretends he is uninterested in the means. The ends, they say, are what they care about. But they are both lying. Ernst loved his pornography; Ernst worshiped the means. It is never the ends that matter -- it is only the means that matter. The terrorist and the pornographer are in it for the means. The means is everything to them. The blast of the bomb, the elephant position, the Schlagobers and blood -- they love it all. Their intellectual detachment is a fraud; their indifference is feigned. They both tell lies about having ‘higher purposes.’ A terrorist is a pornographer.”

“Sometimes, just for fun, I type some random, silly word in front of the word porn and google it. Just to see if it exists. Because that means people out there are getting off on it. So I googled Nazi porn. Yupp. It exists. Then I googled goldfish porn. Yupp. Found it. Someone out there finds sex with goldfish arousing. Fart porn. Yes, that's a thing too, and it brings someone somewhere great pleasure. Stormtrooper porn. Yes, the force is strong with that one. And it's not even a Saturday Night Live parody. It's literally hardcore porn, featuring men dressed in Stormtrooper outfits. With surprisingly high production values.”

“JE: I’ve only seen the follow up film (Fifty Shades Darker [Foley 2017]). While I think I was curious about pornography when I was younger, these days I feel a bit sickened by porn, especially any suggestion of role play that puts women in a subservient role. Not having read the books I feel I can’t really comment but I guess the concern is that the glamour of the novels and films could normalise domestic violence by eroticising it? I found the stalker scenes and the partner rape scenes disturbing and do worry that, the film certainly, presents Grey’s abusive behaviours as sexy. I think it’s important that young women are reminded of the reality in such cases: men who behave like Grey aren’t tamed by love, as the film suggests, on the contrary, that sort of abuse tends to escalate over time.”

“While they promise them liberty, they themselves are the servants of corruption: for of whom a man is overcome, of the same is he brought in bondage.” Avoid that bondage, my beloved friends. If you are currently viewing pornography, stop! Now! Seek help from your bishop. None are smart enough to outwit the adversary on their own, once they have been poisoned by pornography.”

“The creator of Bambi was secretly writing pornographic novels on the side. This single fact tells you everything you need to know about turn-of-the-century Vienna, and why it was the perfect place for Sigmund Freud and his far-fetched theories about the human psyche.”

“Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been disturbed, fissured). Nothing more homogeneous than a pornographic photograph. It is always a naive photograph, without intention and without calculation. Like a shop window which shows only one illuminated piece of jewelry, it is completely constituted by the presentation of only one thing: sex: no secondary, untimely object ever manages to half conceal, delay, or distract... A proof a contrario: Mapplethorpe shifts his close-ups of genitalia from the pornographic to the erotic by photographing the fabric of underwear at very close range: the photograph is no longer unary, since I am interested in the texture of the material. The presence (the dynamics) of this blind field is, I believe, what distinguishes the erotic photograph from the pornographic photograph. Pornography ordinarily represents the sexual organs, making them into a motionless object (a fetish), flattered like an idol that does not leave its niche; for me, there is no punctum in the pornographic image; at most it amuses me (and even then, boredom follows quickly). The erotic photograph, on the contrary (and this is its very condition), does not make the sexual organs into a central object; it may very well not show them at all; it takes the spectator outside its frame, and it is there that I animate this photograph and that it animates me.”

“The generations steeped in the virtual will never have known the Real. But that is not so serious if we accept that the Real is merely a referential illusion. More serious is the case of those who, steeped in sex and images of sex, will never have known pleasure. But this is nothing in relation to the possibility, for future generations, of never knowing death. With so many spectacles, festivals, symposiums, art fairs and book fairs, the desire for a sudden cultural recession, or at least for a period of latency, for long enough to recover the savour of a book or the silence of images. Zero (degree zero, zero risk, Ground Zero, zero deaths) is the current form of perfection, empty, sterile and faultless. It is the nil-sum equation, defined by the elimination of all variables. In this sense, there is no longer any difference between the perfection of life and that of death.”

“The numbers grow as the technology and its accessibility grow. The technology by its very nature encourages more and more passive acquiescence to the graphic depictions. Passivity makes the already credulous consumer more credulous. He comes to the pornography a believer; he goes away from it a missionary.”

“Grey's thing has always been transgression – conscious, and without the interference of shame. In a world of people uncertain about the acceptability of their very bodies, such bold – some would even describe it as sociopathic – self-belief acts as a kind of fire against which the disordered, insecure and sexually nervous can warm their hands.”