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Problem Quotes

“Don't be pretentious is my first advice to young writers. This is the big problem - just because you're getting an MFA doesn't mean you have to write for the Academy. Be true to your personality. Don't temper your personality down with words. Don't build defensive fortresses around yourself with words - words are your friends.”

“It appeared that after first contemplating a book on some subject, and after giving serious preliminary attention to it, I needed a period of subconscious incubation which could not be hurried and was if anything impeded by deliberate thinking.... Having, by a time of very intense concentration, planted the problem in my subconsciousness, it would germinate underground until, suddenly, the solution emerged with a blinding clarity, so that it only remained to write down what happened as if in a revelation.”

“I paraphrase Aristotle: If you want to be comical, write about people to whom the audience can feel superior; if you want to be tragical, write about at least one person to whom the audience is bound to feel inferior, and no fair having human problems solved by dumb luck or heavenly intervention.”

“Everyday, the mail brings the thousands of letters, and you hand over to Me personally hundreds more. Yet, I do not take the help of anyone else, even to open the envelopes. For, you write to me intimate details of your personal problems, believing that I alone will read them and having implicit confidence in Me. You write, each one only a single letter, that makes for Me a huge bundle a day; and I have to go through all of them. You may ask how I manage it? Well I do not waste a single moment.”

“There are too many "creative writing" courses and seminars, in which young wirters are constantly being taught to rewrite the previous generation. They should be experimenting on their own. Every writer faces different problems which he must solve for himself.”

“My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it.”

“To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.”

“My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.”

“If anyone ever wonders why there's nothing coming from me, it's not my fault. I'm doing the work. No, I haven't deteriorated or gone insane. Suddenly, I just can't get anything into print. And apparently I'm not alone in this. There are people of very high standing, authors who are having problems. So I have been told. In my own case, the more disturbing element is the editor-in-chief who said to me, "I think this book is terrific. It ought to be in print. I can't publish it -- I've been told I mustn't." The indication is that I'm not writing what people want to read, but I never did.”

“If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.”

“The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.”

“The problems you have as a novelist tend to have to do with making a living and trying to find ways to supplement the income you get from writing novels. For a lot of writers, that involves teaching. In my case, so far, I've been able to get by working in Hollywood with this TV stuff I've been doing. And it's very important, because my wife is a writer, too, and we don't have health insurance through any employer.”

“Writing is a process and you must trust the process! Fear and anxiety are part of that process along with the enthusaism and the good days and the joy and the passion and the great hopes you have for a book. But when you run into problems, when you get stuck or scared, you must trust that that is part of how a book comes to pass, and what you need to do is get very still and quiet because Self will tell you how to get out of a hole you've dug for yourself.”

“Actually solving the puzzles in the book isn't going to improve anyone's writing, but "trying to solve the puzzle" is one way to think about what a lot of us - writers and other artists - do every day. Step one is to recognize the problem, step two is deciding what constraints you want to impose or respect, and step three is finding a pleasing/surprising/exciting solution.”