Best reader & sound Quotes | Short & Famous Sayings

“I'm writing for my ideal reader, for somebody who's willing to take the time, who's willing to get lost in a new world, who's willing to do their part. But then I have to do my part and give them a sound and a voice that they believe in enough to keep going.”

World Giving Writing Believe Enough Lost Sound Voice Willing Reader Ideals Keep Going New World

Author:Elizabeth Strout

“...But I don't think I'm the only person who is tired of books and movies full of paper-doll characters you don't care about, who have no self-respect and no respect for anybody or any institution....And I don't want to sound preachy or Victorian, but I'm tired of amorality in fiction and in real life. Immorality is a fascinating human dilemma that creates suspense for the readers and tension for the characters, but where is the tension in an amoral situation? When people have no personal code, nothing is threatening and nothing is meaningful.”

“Compose aloud: poetry is a sound. Never explain- your reader is as smart as you. Your reader is not just any reader, but is the rare one with ears in his head.”

Sound Reader Smart Ears Poetry Is

Author:Basil Bunting

“coincident with the explosive growth of research, the art of writing science suffered a grave setback, and the stultifying convention descended that the best scientific prose should sound like a non-human author addressing a mechanical reader. ... We injure ourselves when we fail to make our discipline as clear and vibrant as we can to students - prospective scientists - and to the public who pay the taxes.”

Source: Boojums All the Way Through: Communicating Science in a Prosaic Age

“Every man speaks and writes with intent to be understood; and it can seldom happen but he that understands himself, might convey his notions to another, if, content to be understood, he did not seek to be admired; but when once he begins to contrive how his sentiments may be received, not with most ease to his reader, but with most advantage to himself, he then transfers his consideration from words to sounds, from sentences to periods, and, as he grows more elegant, becomes less intelligible.”

Ifs Men Writing May Might Happens Speak Grows Sound Reader Periods Understood Advantage Notion Sentences Every Man Ease Consideration Sentiments Elegant Transfers

Book:The Idler: With Additional Essays

Source: The Idler: With Additional Essays

“I am called to listen to the sound of my own heart -- to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart.”

Ifs Writing Humans Heart Ideas Stories Sound My Own Particular Reader My Heart Demand Flesh Setting Settings Clothings Human Experience

Author:Katherine Paterson

“1. Find a subject you care about. 2. Do not ramble, though. 3. Keep it simple. 4. Have the guts to cut. 5. Sound like yourself. 6. Say what you mean to say. 7. Pity the readers.”

Mean Care Sound Simple Cutting Subjects Like You Reader Pity Guts Like Yourself Keep It Simple

Author:Kurt Vonnegut

“[L]et my reader who is puzzled by my awkward explanations close his eyes for no more than two minutes, and see if he does not find himself suddenly not a compact human being at all, but only a consciousness on a sea of sound and touch . . .”

Ifs Humans Doe Two Eye Sound Human Beings Consciousness Sea Minutes Reader Explanation His Eyes Awkward Puzzled Compact

Book:The Magic of Shirley Jackson

Source: The Magic of Shirley Jackson

“A reader, encountering a sentence about a barking dog, would have to dwell on why that choice was made at that moment. Everything in a novel is explicitly chosen, whereas some of what a film captures feels incidental, according to the vagaries of photography and sound recording.”

Feels Made Moments Film Choices Sound Novel Dog Reader Photography Sentences Chosen That Moment Capture Barking Dogs

Author:Jonathan Lethem

“I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem - just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.”

Thinking Way Long Sound Lines Space Reader Breaths Musical Driving Symbols Hills Bridges Etc Traffic Pauses Urgency Indication Steep Icy Intersections Long Lines

Author:Adrienne Rich

“The reason I love comics is that they DON'T move, and there is NO sound. As a creator I have to evoke those elements in the drawings and writing, and the reader has to create those elements in their own minds.”

Writing Mind Reason Moving Sound Reader Elements Creator Drawing Evoke

Author:Dave McKean

“I got a rejection letter from an editor at HarperCollins, who included a report from his professional reader. This report shredded my first-born novel, laughed at my phrasing, twirled my lacy pretensions around and gobbed into the seething mosh pit of my stolen clichés. As I read the report, the world became very quiet and stopped rotating. What poisoned me was the fact that the report's criticisms were all absolutely true. The sound of my landlady digging in the garden got the world moving again. I slipped the letter into the trash... knowing I'd remember every word.”

“It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.”

People Thinking Mean Children Character Sound Pleasure Fiction Principles Love You Reader Our Children Acknowledge Novelists Your Children Only Love Love Your Children

Author:Martin Amis

“Also bear in mind, when you're choosing your words and stringing them together, how they sound. This may seem absurd: readers read with their eyes. But in fact they hear what they are reading far more than you realize.”

Mind May Facts Seems Eye Together Reading Sound Realizing Bears Reader Absurd

Book:On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction

Source: On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction

“Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses.”

“I want the kind of readers who remain children at any cost. I can tell them at a glance: loyalty to that first enchantment guards better than any cosmetic; than any diet, against the insults of age. But alas for such readers, who would huddle safe and sound in the asylum of their credulous enchantment as if in the womb-our enervating century offends them by its chaos, its fidgets of light and space, the host of its excuses for dividing , for rending oneself from others and from oneself.”

“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”

Ifs Way May Book Different Play Lying Sound Black Voice Pieces Heard Air Reader Musician Pages Letters Mark Musical Score Interpretation Frozen Alphabet Violinist

Author:Margaret Atwood

“I tend to think that the onus is on the writer to engage the reader, that the reader should not be expected to need the writer, that the writer has to prove it. All that stuff might add up to a kind of fun in the work. I like things that are about interesting subjects, which sounds self-evident.”

Thinking Needs Should Kind Self Might Fun Stuff Sound Interesting Subjects Reader Prove Add Expected Evident Prove It

Author:Lorin Stein

“Also, and this may sound naïve, but since my early days in journalism, I've felt that getting as close as possible to truth, revealing the reality of a situation in detail, has its own persuasive power. This allows readers to look at the facts and the perspectives presented and draw informed conclusions.”

Looks May Facts Reality Felt Sound Situation Perspective Reader Draws Details Conclusion Journalism Revealing Persuasive

Author:Sheri Fink

“In the media, a reviewer has his personal vision but it's passed along to a million readers or whatever. He might think that this particular song sounds like Jo Blow. Or like a Bo Diddley record that he heard six years ago. But the artist who made the record may never have even heard the Bo Diddley song. We all respond differently.”

Thinking Years May Made Might Artist Song Sound Vision Millions Records Heard Media Particular Reader Six Years Ago Blow Reviewers Personal Vision

Author:Van Morrison

“One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.”

Ifs Believe Wells May Stills Character Might Life Is Sound Talking Worry Keys Reader Love Life Realistic His Love Life Is Like Dentist Believable Making A Living Super Power

Author:Stan Lee

“I think that actually the rhythmic nature of picture books and of young reader story books is a way to help kids fall in love with language and what you can do with it and how it sounds in your range. It sort of has a musicality but on the other hand they get the story and the ideas and the context of it. I think it's a way to get kids into it and I also think that when kids are around people who love books it rubs off on them.”

People Thinking Way Book Ideas Helping Stories Hands Kids Young Fall Language Sound Can Do Reader Falling In Love Range Picture Books Musicality Story Book

Author:Josh Prince

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