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“But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.”

“The first requisite of a good citizen in this Republic of ours is that he shall be able and willing to pull his weight; that he shall not be a mere passenger, but shall do his share in the work that each generation of us finds ready to hand; and, furthermore, that in doing his work he shall show, not only the capacity for sturdy self-help, but also self-respecting regard for the rights of others.”

“I rejoice that the reign of Christ is such, while it thrills the soul with emotions, and opens before the highest intellect the most ooundless conceptions, we are left at the same time ready, though our hearts be thrilled, to have our hands filled for deeds of benevolence and love. The happiest moments may be the busiest moments.”

“Mark, how the ready hands of Death prepare: His bow is bent, and he hath notch'd his dart; He aims, he levels at thy slumb'ring heart: The wound is posting, O be wise, beware.”

“God is not aloof. He is not disconnected. He says continually through the centuries, I’ll help you, I really will. When you don’t know where to turn, then turn to me. When you’re ready to throw up your hands - throw them up to me. Put your voice behind them too, and I’ll come and help you.”

“No, there are no long stages of preparation through which you must pass; all things are now ready; there is nothing to hinder you from becoming a Christian this very hour. And, if any of you have been trying to make yourself better until you are weary and discouraged in the work, all you have to do is to put it into stronger hands.”

“For Humanity sweeps onward: where today the martyr stands, On the morrow crouches Judas with the silver in his hands; Far in front the cross stands ready and the crackling fagots burn, While the hooting mob of yesterday in silent awe return To glean up the scattered ashes into History's golden urn.”

“Our mythology tells us so much about fathers and sons. ... What do we know about mothers and daughters? ... Our power is so oblique, so hidden, so ethereal a matter, that we rarely struggle with our daughters over actual kingdoms or corporate shares. On the other hand, our attractiveness dries as theirs blooms, our journey shortens just as theirs begins. We too must be afraid and awed and amazed that we cannot live forever and that our replacements are eager for their turn, indifferent to our wishes, ready to leave us behind.”

“Hope, and fear. Twin forces that tugged at us first in one direction and then in another, and which was the stronger no one could say. Of the latter we never spoke, but it was always with us. Fear, constant companion of the peasant. Hunger, ever at hand to jog his elbow should he relax. Despair, ready to engulf him should he falter. Fear; fear of the dark future; fear of the sharpness of hunger; fear of the blackness of death.”

“Some things the legislator must find ready to his hand in a state, others he must provide. And therefore we can only say: May our state be constituted in such a manner as to be blessed with the goods of which fortune disposes (for we acknowledge her power): whereas virtue and goodness in the state are not a matter of chance but the result of knowledge and purpose. A city can be virtuous only when the citizens who have a share in the government are virtuous, and in our state all the citizens share in the government.”

“If you are walking down the street, camera in your hand, loaded and ready to shoot. You see a person falling from a high building, either having fallen or jumped. That person is falling through space. You don't shoot that photograph unless the theme you are working on has to do with the effects of space on the human figure. If you simply photograph that event because it is an event that is happening, you're doing photojournalism.”

“He was drunk upon the average once a day, and penitent upon an equally fair calculation once a month; and when he was penitent, he was invariably in the very last stage of maudlin intoxication. He was a ragged, roving, roaring kind of fellow, with a burly form, a sharp wit, and a ready head, and could turn his hand to anything when he chose to do it.”

“There's a great difference between knowing that a thing is so, and knowing how to use that knowledge for the good of mankind. Thetrouble with a scientist is we quickly tire of our discoveries. We hand them over to people who are not ready for them, while we go off again into the darkness of ignorance, searching for other discoveries, which will be mishandled in just the same way when the time comes.”

“A good, finished scandal, fully armed and equipped, such as circulates in the world, is rarely the production of a single individual, or even of a single coterie. It sees the light in one; is rocked and nurtured in another; is petted, developed, and attains its growth in a third; and receives its finishing touches only after passing through a multitude of hands. It is a child that can count a host of fathers--all ready to disown it.”

“One man envies the success in life of another, and hates him in secret; nor is he willing to give him good advice when he is consulted, except it be by some wonderful effort of good feeling, and there are, alas, few such men in the world. A real friend, on the other hand, exults in his friend?s happiness, rejoices in all his joys, and is ready to afford him the best advice.”

“I find it rather tedious working with some actors who have to go into a corner and bounce up and down, shake their hands and arms, saying to the director, "Just a second - I'll be ready in a few minutes, " while all the other actors are waiting around to get in. Then they say, "OK! I'm ready now." And then they come on and do it exactly the same way they've done it in rehearsal.”

“Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.”