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“I'm mentally getting myself ready to talk about it all year long because I know it's going to come. My main focus is not to really concentrate on that... So many things have to line up, to be healthy and consistent for so many games, to get to that point. I know as we get closer we're going to talk about it more. But believe me, when it's done, if it gets done, it will be a huge achievement and I'm definitely going to soak it in. But at this time, it's not at the top of my mind.”

“As far as France is concerned, we are ready to envisage everything that can be done under UNSCR 1441. [...] But I repeat that every possibility offered by the present resolution must be explored, that there are a lot of them and they still leave us with a lot of leeway when it comes to ways of achieving the objective of eliminating any weapons of mass destruction which may exist in Iraq. I'd like nevertheless to note that, as things stand at the moment, I have, to my knowledge, no indisputable proof in this sphere.”

“What is it that is done to our children that their puberty should deform them? They have the joy of movement; they have an enterprising curiosity; they are ready for sensible self-denial; they dream ahead, and they have a faithful memory, and, above all, great compassion... The well-meaning educator who flatters and humours the young not only does a disservice to the community, but also damages the individual by depriving him of the opportunities of self-discovery.”

“I'm just worried about winning baseball. I'm only worried about what I can do to help the team win. It's about improving in every facet of the game. I think that's everyone's goals. Whatever we can do to help the team win is what we'll do. I think Andy has done a great job of coming in and helping our offense. AD is getting those pitchers ready. Coach Mainieri is going to coach up some wins this year. We are very excited and working on every facet of the game.”

“I'm still here. I'm a force to be reckoned with... you have to come take my spot, and not through Twitter and not through the media, come take my spot. I'm ready to go. As big men in the league, there are two who have done something special during this millennium. I'm one and Tim Duncan is the other. Anyone else has to come upstairs and see the Shogun. I'm still the Shogun.”

“'I'm sorry,' guys are always telling women, 'but I'm just not ready to make a commitment.' Guys are in a permanent state of nonreadiness. If guys were turkey breasts, you could put them in a 350-degree oven on July Fourth, and they still wouldn't be done in time for Thanksgiving.”

“You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.”

“Churchill is the very type of a corrupt journalist. There is not a worse prostitute in politics. He himself has written that it'sunimaginable what can be done in war with the help of lies. He's an utterly amoral repulsive creature. I'm convinced that he has his place of refuge ready beyond the Atlantic. He obviously won't seek sanctuary in Canada. In Canada he'd be beaten up. He'll go to his friends the Yankees. As soon as this damnable winter is over, we'll remedy all that.”

“I find it rather tedious working with some actors who have to go into a corner and bounce up and down, shake their hands and arms, saying to the director, "Just a second - I'll be ready in a few minutes, " while all the other actors are waiting around to get in. Then they say, "OK! I'm ready now." And then they come on and do it exactly the same way they've done it in rehearsal.”

“When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.”

“Some professional writers write everyday no matter what and perhaps that's the way it should be done, but it's not the way I do it. If I'm not pregnant with words and I'm not in labor with them, I don't even try to bring them forth because they won't be any good anyway. Once I'm ready to deliver, it's like being pregnant. I've got to find a typewriter or a piece of paper. The only words that have ever had any possible value to others seem to have been those words that just had to come out.”

“I've got a lot of wonderfully talented, creative directors I've worked with in Texas, but the market we're in, they kind of have to write to that. I think we've done some cool, simple spots. I was very comfortable in Texas, and getting ready to push out into national stuff, try to get to that national-type creative, and then I got sidetracked with this stuff.”

“I want to live as long as I can do good; but not an hour longer than I can live in fellowship with the Holy Spirit, with my Father in heaven, my Savior, and with the faithful Latter-day Saints. To live any longer than this would be torment and misery to me. When my work is done I am ready to go; but I want to do what is required of me.”

“Preacher is a great frustration because I thought it was done, and then it got put in the press notes for the [Frankenweenie] junket and everyone started asking about it again. Preacher could be filmed, at any point. It's sort of ready to go, but it's lacking a green light. At some point, that green light might come, but it may never come. So, I have to allow for the fact that I've done everything I can, and whatever happens with it, happens with it.”

“Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.”

“I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'”

“I really love it, I love working with directors that are very collaborative and allow me input. I've done over 75 films, it's just like you're an apprentice. You learn so much about camerawork, lenses, and I'm always talking about DPs and directors and they always give me lists. I think pretty soon, I'll be ready to move away from being in front of the camera.”