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“I think that people are going to find more interest in the human condition, especially with them being weaned on so much reality television. They want character driven stuff along with real violence. Cage fighting is very popular with the kids right now. They see and know what one punch can do to someone's face. You can't give someone five hundred punches in a film anymore.”

“I think the kicks in Wing Chun are enough. It´s much easier to use your hands than to use your feet. Your hand is able to reach your opponent long before your foot. Why take the long way to attack (circle), when there is a much more direct method of attack? If you are using your hands, then your opponent can´t see a kick coming if you have to use it. When you teach Kung Fu, you can fool a lot of people, but not yourself. You can make like a movie and do many complicated movements and kicks, but you only fool yourself as to whether that would work in a real situation of life and death.”

“To its devotees the bowtie suggests iconoclasm of an Old World sort, a fusty adherence to a contrarian point of view. The bowtie hints at intellectualism, real or feigned, and sometimes suggests technical acumen, perhaps because it is so hard to tie. BowTies are worn by magicians, country doctors, lawyers and professors and by people hoping to look like the above. But perhaps most of all, wearing a bow tie is a way of broadcasting an aggressive lack of concern for what other people think.”

“How do you untell something? You can't. You can't put words back in your mouth. What you can do, is spread false gossip ... so people think that everything that's been said is untrue. Include that Stanley is having an affair. It's like the end of Spartacus. I have seen the movie half a dozen times, and I still don't know who the real Spartacus is. And, that is what makes that movie a classic whodunnit.”

“Fairy tales and mythology have always been an exaggerated distillation of the real world. Think of them as blueprints for how to deal with a multitude of situations that can arise in a person's life. The beauty of them is that their analogies resonate so deeply and they also entertain while they teach.”

“It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.”

“Wisdom: The first error is that of the southern people, and it consists in holding that these eastern and western places are real places. Give no quarter to that thought, whether it threatens you with fear, or tempts you with hopes. For this is Superstition and all who believe it will come in the end to the swamps, to the south and the jungles, to the far south. Part of the same error is to think that the Landlord is a real man.”

“I think the best thing a person can do is to read through the Gospels in the Bible and really look at Jesus, because if a person does this, they will realize that the Jesus they learned about in Sunday school or the Jesus they hear jokes about or the skinny, Gandhi Jesus that exists in their imaginations isn't anything like the real Jesus at all.”

“Sometimes events that lead us bereft of anything but grief just happen for no reason other than happenstance--a car turns left instead of right, a train is missed, a call comes too late--and the real test of our humanness is whether, in light of that knowledge, we are ever able to recover. When we again find our way despite the inability to manufacture a deeper meaning in our suffering, that I think is when God smiles upon us, proud of the strength of his creation.”

“I think it says something about our culture. We, maybe, need a massive therapy session so we can concentrate on what the real issues are. This contraceptive thing. My gosh, it’s so inexpensive. Back in my days, they used Bayer Aspirin for contraception. The gals put it between their knees, and it wasn’t that costly.”

“My music is so mine, it's hard to turn it over to someone else. I have to be really involved in the production. It's like someone else taking care of your kids - if they don't treat them well, you're going to be pissed off. I'm actually co-producing [Backwoods] with my guitar player of 20 years, Kent Wells. We make a good combination... I think we're going to have a real good record.”

“I support the death penalty. I think that it has to be administered not only fairly, with attention to things like DNA evidence, which I think should be used in all capital cases, but also with very careful attention. If the wrong guy is put to death, then that's a double tragedy. Not only has an innocent person been executed but the real perpetrator of the crime has not been held accountable for it, and in some cases may be still at large. But I support the death penalty in the most heinous cases.”

“If I've learnt one thing, it's that I need to surround myself with people who want to know the real Pete Wentz, not some myth they've concocted from a bunch of press clippings. I can open the door a centimetre wide, and some people think I'm showing them the whole room. But all they're getting is a glimpse. That's all I want to show most people.”

“I like the fact that it [social media] is unfiltered. In other words it's not Geraldo of Fox News or Geraldo of WABC Radio, it's Geraldo. And you know it's raw, unedited, what I'm thinking, what I'm feeling, or, you know, some mistakes I'm making in real time. And I see that as a way to go out kicking and screaming. People will be hearing from me 'til the bitter end now.”