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“Once she made him watch Pride and Prejudice and for ages he would re-word Mr Bingley's apology to Jane Bennet, saying, 'I've been an inexplicable fool', for anything from losing his keys to burping out loud. Her reply to anything she wanted to do was Jane Bennet's response to Bingley's marriage proposal, 'A thousand times yes.”

“The infant-inconvenience kicked in response, and Conall twitched at the sensation. “Active little pup, isn’t he?” “She,” corrected his wife. “As if any child of mine would dare be a boy.” It was a long-standing argument. “Boy,” replied Conall. “Any child as difficult as this one has been from the start must, perforce, be male.” Alexia snorted. “As if my daughter would be calm and biddable.” Conall grinned, catching one of her hands and bringing it in for a kiss, all prickly whiskers and soft lips. “Very good point, wife. Very good point.”

“The true purpose of life is the perfection of humanity through individual effort, under the guidance of God's inspiration. Real life is response to the best within us. To be alive only to appetite, pleasure, pride, money-making, and not to goodness and kindness, purity and love, poetry, music, flowers, stars, God and eternal hopes, is to deprive one's self of the real joy of living.”

“We tell our children they're trapped like rats on a doomed, bankrupt, gangster-haunted planet with dwindling resources, with nothing to look forward to but rising sea levels and imminent mass extinctions, then raise a disapproving eyebrow when, in response, they dress in black, cut themselves with razors, starve themselves, gorge themselves, or kill one another.”

“If you know someone who’s depressed, please resolve never to ask them why. Depression isn’t a straightforward response to a bad situation; depression just is, like the weather. Try to understand the blackness, lethargy, hopelessness, and loneliness they’re going through. Be there for them when they come through the other side. It’s hard to be a friend to someone who’s depressed, but it is one of the kindest, noblest, and best things you will ever do.”

“Jason glanced at the creature. It remained the same distance away as before, still as a statue. "What do you want?" Jason asked. No answer. "Are you the thing that followed Tark? You should keep following him. He's the real mastermind. Shoo. Go hide." No response. "Okay, how about you stand guard while I sleep. Keep the giants away. Sound good? All in favor, hold perfectly still. Fine, I guess we have a deal.”

“It is unlikely that many people will take to heart the conclusion that coming into existence is always a harm. It is even less likely that many people will stop having children. By contrast, it is quite likely that my views either will be ignored or will be dismissed. As this response will account for a great deal of suffering between now and the demise of humanity, it cannot plausibly be thought of as philanthropic. That is not to say that it is motivated by any malice towards humans, but it does result from a self-deceptive indifference to the harm of coming into existence.”

“For the world is an ever-elusive and ever-disappointing mirage only from the standpoint of someone standing aside from it—as if it were quite other than himself—and then trying to grasp it. But a third response is possible. Not withdrawal, not stewardship on the hypothesis of a future reward, but the fullest collaboration with the world as a harmonious system of contained conflicts—based on the realization that the only real "I" is the whole endless process.”

“He said he loved me,” she whispered. Daniel swallowed, and he had the strangest sensation, almost a premonition of what it must like to be a parent. Someday, God willing, he’d have a daughter, and that daughter would look like the woman standing in front of him, and if ever she looked at him with that bewildered expression, whispering, “He said he loved me . . .” Nothing short of murder would be an acceptable response.”

“I looked at the campers, all of them grim and determined. I tried not to feel like this was the last time I'd ever see them all together. 'You're the greatest heroes of this millennium,' I told them. 'It doesn't matter how many monsters come at you. Fight bravely, and we will win.' I raised Riptide and shouted, 'FOR OLYMPUS!' They shouted in response, and our forty voices echoed off the buildings of Midtown.”

“The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.”

“At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]”

“I only share when I have no unmet needs that I'm trying to fill. I firmly believe that being vulnerable with a larger audience is only a good idea if the healing is tied to the sharing, not to the expectations I might have for the response I get.”

“Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.”

“Vienna, to me it was the tuning fork for the entire world. Saying the word Vienna was like striking a tuning fork and then listening to find what tone it called forth in the person I was talking to. It was how I tested people. If there was no response, this was not the kind of person I liked. Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend.”

“I thought you'd gotten over your whoring when you left him, Catherine, but it seems you only postponed it." Bones' face turned to stone, and he answered her even before I could snap out an indignant response. "Don't you ever speak to her that way again." There was pure warning in the whip of his words. "You can call me any name you like and more, but I will not stand by while you slander her out of your own ignorance.”

“Do not neglect to bring your revolver, Russell. It may be needed, and it does us no good in your drawer with that disgusting cheese." "My lovely Stilton; it's almost ripe, too. I do hope Mr. Thomas enjoys it." "Any riper and it will eat through the woodwork and drop into the room below." "You envy me my educated tastes." "That I will not honour with a response. Get out the door, Russell.”

“I shifted in my chair as Dad waited for a response. He seemed determined, his resolve unwavering. This would take tact. Prudence. Possibly Milk Duds. “Are you psychotic?” I asked, realizing my plan to charm and bribe him if need be flew out the window the minute I opened my mouth.”

“The madness of depression is, generally speaking, the antithesis of violence. It is a storm indeed, but a storm of murk. Soon evident are the slowed-down responses, near paralysis, psychic energy throttled back close to zero. Ultimately, the body is affected and feels sapped, drained.”