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Response Quotes

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Response Quotes

“When he (Roger Clemens) threw the bat (during Game 2 of the 2000 World Series), I basically walked out and kept asking him what his problem was. He really had no response. I was trying to figure out whether it was intentional or not. I was going to ask him. If it was, then obviously he really no had response. I was more shocked and confused than anything.”

“What is now called "green architecture" is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.”

“women's entry into the public sphere can be seen not merely as the result of contemporary economic pressures, the high rate of divorce, or the success of the feminist movement, but rather as a profound evolutionary response to a pervasive cultural crisis. Feminine principles are entering the public realm because we can no longer afford to restrict them to the private domestic sphere, nor allow a public culture obsessed with Warrior values to control human destiny if we are to survive.”

“There's a lot of people in the Middle East who are desirous to get into the Mitchell process. And - but first things first. The - these terrorist acts and, you know, the responses have got to end in order for us to get the framework - the groundwork - not framework, the groundwork to discuss a framework for peace, to lay the - all right.”

“In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technic to the minimum necessary, and keeps his approach from from all formula, art-dogma, rules and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.”

“Every Day Is for the Thief, by turns funny, mournful, and acerbic, offers a portrait of Nigeria in which anger, perhaps the most natural response to the often lamentable state of affairs there, is somehow muted and deflected by the author's deep engagement with the country: a profoundly disenchanted love. Teju Cole is among the most gifted writers of his generation.”

“Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.”

“It requires something more than personal experience to gain a philosophy or point of view from any specific event. It is the quality of our response to the event and our capacity to enter into the lives of others that help us to make their lives and experiences our own. In my own case my convictions have derived and developed from events in the lives of others as well as from my own experience. What I have seen meted out to others by authority and repression, economic and political, transcends anything I myself may have endured.”

“All my life I've heard people say, 'God loves you.' It's probably the most insane statement you could make to say that the eternal Creator of this universe is in love with me. There is a response that ought to take place in believers, a crazy reaction to that love. Do you really understand what God has done for you? If so, why is response so lukewarm?”

“There are terrible, terrible memories of September 11th, things that I saw, people that I lost, the devastation, the identification of bodies. I mean, all these memories come back to you at different times. And then the other side of it this tremendous response with the firefighters and the police officers saving people, the rescue workers.”

“The event is not what you should be working on. You should be working on your response or reaction to an event. You either react to it - that means you become victimized, and you say this thing is happening to you - or you respond to it and say the solution must come through you - that's where you stay focused, not on the rightness, wrongness, fairness of the event, but on the appropriateness of your response.”

“There's downtime in music, which obviously is necessary or else you'd lose your mind in other ways, but if we're on tour and there's electricity from the audience, if you're getting a good response, then that's the positive side of the mojo where I could feel cocky and just know I'm doing good and then there's a time all of a sudden when you're alone and you just don't know if people will like it.”

“I'm really passionate about the song Sky Spills Over. It was fun creating it in the studio and I've been overwhelmed at the response it gets when we perform it live every night. My son Ryan is a really talented filmmaker so I always enjoy working with him on a project. But what made this project even more special was that 3 of my own grandkids were in the video. This video was a lot of fun to make. I hope people enjoy it!”