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Rooms Quotes

“I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.”

“It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there's room for the second installment to be enjoyable while still not matching the pace or possessing the flair of its predecessor.”

“No man is quite so much a hero in the dark as in broad daylight, in solitude as in society, in the gloom of the churchyard as in the blaze of the drawing-room. The season and the place may be such as to oppress the stoutest heart with a mysterious awe, which, if not fear, is near akin to it.”

“I recall an incident involving the late George Stigler at a conference in Spain in the 1980s. Hearing that I had written a book on reason and natural law, Stigler started to ridicule reason, going so far as to say that there is as much reason in a monkey's antics as in any human act. At that point I asked him whether he was trying to tell me something about how he wrote his books; he gave me a blank stare and stormed out of the room.”

“It's a job. Get up and do it every day. Show up. Don't say no. Taylor Swift was the third write of my day every week. If I had gone home or said “Ah, man. I'm tired today. I'm not going to write at 4 o'clock in the afternoon with a teenager.' If I had done that, just think. Keep an open mind. Everybody has something to come into the room with and when you're starting out, try everything. You might find your magical writing partner.”

“Richard [Griffiths] was by my side during two of the most important moments of my career. In August 2000, before official production had even begun on Potter, we filmed a shot outside the Dursleys', which was my first ever shot as Harry. I was nervous and he made me feel at ease. Seven years later, we embarked on 'Equus' together. It was my first time doing a play but, terrified as I was, his encouragement, tutelage and humor made it a joy. In fact, any room he walked into was made twice as funny and twice as clever just by his presence.”

“We have entered a new and different world-richly interconnected and radically multicentric-in which the traditional holders of power have to move over and make room for new stakeholders, new players, and new leaders of many kinds. Nobody in Charge, drawing on the learnings of a wise and widely experienced public executive, offers some priceless insights into how things have changed, where they are now, and where we may be going next in this bewildering terrain.”

“Now, in the sixties we were naive, like children. Everybody went back to their rooms and said 'We didn't get a wonderful world of just flowers and peace and happy chocolate, and it won't be just pretty and beautiful all the time,' and just like babies everyone went back to their rooms and sulked. 'We're going to stay in our rooms and play rock and roll and not do anything else, because the world's a nasty horrible place, because it didn't give us everything we cried for.' Right? Crying for it wasn't enough.”

“One response was given by the innkeeper when Mary and Joseph wanted to find a room where the Child could be born. The innkeeper was not hostile; he was not opposed to them, but his inn was crowded; his hands were full; his mind was preoccupied. This is the answer that millions are giving today. Like a Bethlehem innkeeper, they cannot find room for Christ. All the accommodations in their hearts are already taken up by other crowding interests. Their response is not atheism. It is not defiance. It is preoccupation and the feeling of being able to get on reasonably well without Christianity.”

“I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.”

“You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.”

“Thomas Gordon, founder of P.E.T. (Parent Effectiveness Training), observed that when children are behaving in a way that interferes with your ability to meet your needs, shouting direct orders to them doesn't work very well. So, he advised sending I messages. That is, a better alternative to, Your room is a disaster area-clean it up this minute, would be something like, I get embarrassed when Mrs. Johnson is visiting and sees your room looking this messy, so I need you to clean it up.”

“The secret to writing sound effects is having a room you can be alone in, trying to make the sounds yourself, and seeing what comes out. It's similar to if you're writing a character talking with their mouth full: the only way I know to transcribe that is to stuff my fist in my mouth and write down what sounds I make when I try to talk.”

“In a Western or a thriller there is often room for reflection upon the coercive necessities; even, occasionally, some attempt to pose other possibilities. In the horror movies there is finally a Hobbesian state of nature: 'continual fear and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short'.”