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Scratches Quotes

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Scratches Quotes

“A fiddler on the roof. Sounds crazy, no? But here, in our little village of Anatevka, you might say every one of us is a fiddler on the roof trying to scratch out a pleasant, simple tune without breaking his neck. It isn't easy. You may ask 'Why do we stay up there if it's so dangerous?' Well, we stay because Anatevka is our home. And how do we keep our balance? That I can tell you in one word: tradition!”

“I don't think I've ever done a character like this before, so I couldn't really draw from previous roles. I've been known for doing a lot of comedies in England, so I don't think that would have worked. I completely went from scratch, with this one, and used the research and what was in the script, and spoke to Chris. It's all from in my mind ,rather than drawing from previous experiences or roles.”

“I gave my father a heart attack. It was a practical joke. Come on, you push a guy's face in a cake he's got to clean it off. You hit a guy with a water balloon, he's got to dry off. Guy's in the hospital, you get his testicles shaved, he scratches and bleeds for a week... it's funny... you're not supposed to have a heart attack, it kills the joke.”

“The first thing that got to me was seeing David Bowie on a children's TV show, but Bowie was way beyond my aspirations. The Buzzcocks' Spiral Scratch came out in 1977 and it had a breakdown of the recording costs, then you saw Pete Shelley playing a broken guitar from Woolworths. We already had an idea of the kind of music we wanted to do, but punk showed us a way to do it.”

“If there's one thing that differentiates me from the rest of my family it's the rock element. I hung out with friends who like punk rock a lot. Not getting a big record deal, and having a hard time for years, it means you have to prove yourself and scratch your way up from nothing.”

“My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.”

“Emmies, for example, most of that's bullshit. Oscars are even worse. We have a strange, terrible affliction in this town. Everybody walks around bent-backed from slapping each other on the backs so much. It looks like arthritis but it isn't. It's hunger for recognition. And it's sort of like, well, I'll scratch you this time if you'll scratch me next time. That kind of thing.”

“I can't say that you should extract this or that value from my books explicitly. They are up for interpretation. In terms of the obligation, I think we're all individuals on this planet, trying to scratch our way through the day, and if you're writing a book exposing atrocities in Rwanda or writing a murder mystery set in a mountain village, I think both ways of spending you time are valid and both books are probably fine to read.”

“Usually I work out the plot before I start. This time I thought: Writers always talk about not knowing where a book is going - -I want to experience that, too. What I found out is that it's very interesting, but it takes much longer because you have so many false starts. You take wrong turns and you have to go back and start the whole chapter, or the whole section, from scratch.”

“The Oneida Perfectionists, along with some of the others, believed that feminism, and abolitionism, and other causes that they pursued in their own way without participating with other people outside of their communities, were all piecemeal reforms. That's what makes a utopian a utopian, this idea that they were going to create a whole new world from scratch.”

“Perhaps this is an area where every generation starts from scratch. Although the crisis of the First World War inaugurated an especially strong period of disillusion with regard to the optimism of the previous age, the pattern has repeated itself in many ways in more recent times, e.g., the loss of faith in politics as a means of advancing human well-being. And perhaps this also has to do with basic elements in growing up.”

“I'm less interested in uniqueness than in goodness. I see so many concerts where the program notes are more interesting than the music. I remember talking to one composer who went through the most complicated mathematical algorithm to generate some material from scratch. It took weeks and weeks, and he came up with a C major chord. For me, honesty is more interesting than originality.”