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Shots Quotes

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Shots Quotes

“I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.”

“He is a very complete, spectacular footballer. He always fights for the ball and tries to lose his marker to help his team-mates - either to defend or to have a shot on goal. For any football player in the Premiership, Scholes is a player you want to emulate. I would happily end my career with the medals that Scholes has. I am young and I hope that I will be able to surpass him - but it is not going to be easy.”

“I'll never forget the moment when I saw a red light go on, on the camera, and that image translated to the monitor, and then a different light went on and the shot changed, and I went, "Wow, that's how it's done! That's how that gets to my TV! This is what I want to do with my life!" I literally had that moment of epiphany, at eight years old.”

“President [Barack] Obama's staking his reelection hopes on rebuilding America's middle class. He wants higher taxes on the wealthy, tougher rules on Wall Street, and everyone else to get a fair shot to succeed. Republicans can cry "class warfare" if they want, but as the president put it today, it's about this country's welfare.”

“Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.”

“It's not like we were forced to do something we didn't want to do. I mean, when you see that scene you'll realize that we're really lucky that the weather came at us because now it has a lot more meaning that wasn't automatically there. There's some sort of undertones that wouldn't have existed had we shot it outside. So we got lucky on that and what we try to do is take whatever obstacles come our way and make them work in our favor.”

“If I'm shooting actually a live-action movie and I feel like I can get the shots that I need with the existing 3D cameras, then I see there is no reason to not use those-to not shoot it in 3D. But there are limitations to the 3D cameras in terms of the amount of them, in terms of the size of them, in terms of where you can actually shoot them. There are definitely limitations so you have to weigh the costs. And you have to weigh also what ultimately what creatively you want to get.”

“I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, What else do you want that you don't have already? And I said, I'd like a picture without the sunglasses. He said no and punched me right in the jaw, It was so fast I didn't see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth.”

“I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.”

“I ain't going to lie: I was happy, man. Me and my sisters and my brother was mad cool. We all did the music thing. My dad had the keys to the church, so we would go over there and jam. So I just want my kids to have fun the right way. I want their type of trouble to be, like, "Aw, Dad, I locked the keys in the car." I don't want to hear about, "Oh, my friend just got shot."”

“My step-dad started playing hockey in Detroit so we moved and I had to start home school. I started watching movies since I had a bunch of free time and then I was like, 'You know what? I want to give this a shot, move back to L.A., and audition.' The first show I booked was a show called Threshold with Carla Gugino and it was obviously a terrifying experience and I felt out of my comfort zone, but it made me want to keep going because it was fun.”

“This guy [Donald Trump] has not offered a single serious policy proposal, which is important if you want to be president of the United States. And Hillary Clinton is going to have clear shot to the Oval Office. And so I think there are many out there that are rooting for that outcome, so that he's the nominee. And you can see it in the coverage he's gotten.”

“In 2008 I didn't take it all in enough. I was so wrapped up in just the competition that I missed what was going on around me. If I am given that opportunity again to go to the Olympics and be an athlete I want to take it all in because I feel like this is my last shot and I want to feel the team spirit. I want to really live and breathe the USA.”

“One of the first decisions I made, as the director of "Hide and Seek," was that our film would be silent and use underscoring of original music that I was planning on composing. The decision was mostly predicated on knowing how time consuming the editing of dialogue can be and given the various locations we shot in, I didn't want to worry about having to mix room tones in such a short amount of time.”

“You know, boy versus girl. But she's a tough warrior, so I almost treated it like unisex. But it makes a difference how tall the actors are, because I needed to know that if Olivia Wilde sits in a car that the director, Joe Kosinski can still get the angle he wants, as opposed to maybe in another vehicle than Jeff Bridges has to sit in. So that was fascinating. Because in a real car you change everything and adjust it. But here you have one shot.”

“You see Martin Luther King is dead and Huey Newton is not. And Malcolm X is dead and Bobby Seale is not. And Vernon Jordan was shot. The thing that revolutionaries, or even people who want to claim they're revolutionaries, often forget is that it doesn't make no difference what kind of wardrobe you wear, and if you speak up about Black people doing better you just risked your life.”

“I was on a TV show when I was 13, and I had a tutor for high school. Everyone was like "Oh, you're missing out on the high school experience," so I'd go with my cousins to parties where there would be a keg and people doing body shots and playing quarters. I was like, What a waste of time. I didn't want to be doing E [ecstasy] and making out with a guy three years older than me who's a loser.”

“When it was offered [a role in The Flash] I just thought it sounded like the perfect thing that I would want to do. Then they announced it online the day after and I was terrified, because I hadn't read anything, I hadn't shot anything. What if I'm awful? What if they fire me on the first day? But what I discovered was a bunch of really happy actors who want to make the best show possible, because it's fun. Not for any other reason.”

“I got pictures of us and they would draw big red rings around us and tell what they thought of us. I got a letter said, "I have been shot three times throught the heart. I hope I see your second act." But this white man who wants to stay white, and to think for the Negro, he is not only destroying the Negro, he is destroying himself, because a house divided against itself cannot stand and that same thing applies to America.”

“I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.”

“Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.”