“I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.” ThinkingBelieveLooksDifferentShowsImpossibleCoupleSceneDirectorsShotsCamerasVillageBelieve In MeAngleDuplicateDifferent AnglesCamera Angles Author:Vic Morrow
“In an interview with a journalist, you look petty taking the pot shot but in a slick ad you can really do damage - including unfair damage - from afar. It is not that much different than waging a war by a drone than by hand-to-hand combat.” LooksDifferentWarHandsShotsIncludingJournalistDamageInterviewsPotCombatAdsUnfairPettyDronesAfarSlick Author:Greta Van Susteren
“The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.” WorldTryingDifferentWholeBeautifulTurnsActorsDifferencesShotsCamerasWhole WorldViewersIntricateCinematographers Author:Chris Zylka
“I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage of structuring that comes later when I begin to put those pieces together.” KnowsLongDifferentDoneTogetherKnow HowPiecesStageShotsSpeedFasterFilmmakerEtcExposureProcedures Author:Jonas Mekas
“It's been 50 years since I was on the roof of my parents' house shooting Hag in a Black Leather Jacket when I didn't even know there was such a thing as editing. I thought you just shot the film and showed it. That's exactly what I did. I'm not that different 50 years later.” KnowsYearsDifferentFilmHouseParentBlackShotsShootingRoofEditingJacketsLeatherLeather Jackets Author:John Waters
“You're gonna meet tons of different people throughout your life, and it's totally worth it to stick your neck out a little bit if you like someone. Even when you get shot down, it seems really devastating, but it's not in the long run.” PeopleIfsLittlesLongDifferentSeemsRunningBitsLittle BitShotsSticksNecksLong RunsWorth ItDifferent Peoples Author:Pete Wentz
“I am not afraid to stop the puck with my head. I try to do it sometimes even in practice; not everyday but once in a while, I say to my teammates, shoot me in my head and I'll try to stop the puck. I am not afraid at all of the puck, so sometimes, if the shot comes at my head, it's an easier save to make with your head. Maybe the people think a different way, but for me, I do it with my head.” PeopleIfsThinkingWayTryingDifferentSometimesPracticeEasierShotsEverydayDifferent WaysHockeyNot AfraidTeammateNhlPuck Author:Dominik Hasek
“As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.” KnowsWayMindDifferentFoundLostProcessKnowingShotsGolfHolesDifferent WaysScoreGolfers Author:Thomas Boswell
“Yeah, I know there's been all this talk this year especially about the 3-point shot and can you win shooting it. There's a lot of different styles that can work. You have to base it on your own personnel.” KnowsYearsDifferentWinningStyleShotsYeahShootingChampionshipPersonnelDifferent StylesNba Championships Author:Steve Kerr
“It's different as a coach because you feel responsible for a lot of people. Even though you don't take a shot, you don't get a rebound, you feel like you just want people to succeed and you want to help them any way you can.” PeopleWayWantFeelsDifferentHelpingLike YouSucceedShotsResponsibleCoachesChampionshipNba ChampionshipsRebound Author:Steve Kerr
“When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.” WayFirstsDifferentLastsBirdShotsFlyingDifferent WaysSensationsHuntingBird FlyingDuck Hunting Book:Snows of Kilimanjaro and Other Stories Source: Snows of Kilimanjaro and Other Stories
“Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light.” IfsTryingDifferentStoriesLightApproachShotsAvailableLightingDifferent Approach Author:Vilmos Zsigmond
“Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.” WorldDifferentEndsFilmImaginationMillionsSeeingThis WorldColorShotsLocationCharacterization Author:Anne Hathaway
“As much as you know it, and you know the method, you can pretty much do what you want. No idea is going to be shot down. You just put it in the garbage later. You have to say the lines in many different ways. So they have a lot of material to work.” KnowsWayWantIdeasDifferentLinesMaterialsShotsMethodWhat You WantNo IdeaDifferent WaysGarbage Author:Antonio Banderas
“The long takes process doesn't allow for that many takes. In the past I have shot over 50 takes of different shots. Sometimes you end up using take 64, sometimes take four.” LongDifferentEndsSometimesPastProcessFourShotsOver 50 Author:Alfonso Cuaron
“Dad's tiny - his passport picture is a full-length shot. He looks like he just hopped off a key ring. Mum is a different matter, she's a bit of a handful to say the least. I love her more than anyone on this Earth. But she's a monster.” LooksDifferentMatterEarthBitsKeysDadShotsTinyMonstersRingsLengthMumHandfulPassports Author:Ricky Hatton
“For there is another kind of violence, slower but just as deadly, destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is a slow destruction of a child by hunger, and schools without books and homes without heat in the winter.” MenKindChildrenBookDifferentHomeSchoolNightPoorViolenceColorShotsDestructionSkinsRelationInstitutionsWinterHungerIndifferenceHeatPoisonBombsDestructiveDecayInactionDifferent Colors Author:Robert Kennedy
“When we go to different areas and look at doing period pieces and movies shot in other states and locations, even overseas, it's hard to carry 1700 volunteers from your church with you to do that. And so, we knew that there were going to be growing pains at some point.” LooksDifferentHardStatesPainChurchPiecesGrowingPeriodsShotsAreasVolunteerLocationGrowing Pains Author:Alex Kendrick
“There's over 100 species of lemurs. Each is a little bit different in their social structure except for one thing: they are all female dominant. The females are the leaders. They are the ones that call the shots. When you watch a group, you can see the females are the first one to say “We’re going to move.” Then she moves off and everybody just follows.” FirstsLittlesDifferentMovingSocialBitsLeaderWatchesOne ThingGroupsLittle BitShotsFemaleStructureSpeciesDominantSocial StructureLemurs Author:Patricia Wright
“Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time” KindDoeDifferentRunningFilmRecordsPiecesShotsPressureResponsibleStructureDeterminedRhythmLengthDifferent KindsAssemblyEditsEdited Author:Andrei Tarkovsky
“I like to take a shot with things. I like to take risks. I'm attracted to things that are different than the average run-of-the-mill stuff.” DifferentRunningStuffRiskShotsAverageMills Author:Jason O'Mara
“I'll never forget the moment when I saw a red light go on, on the camera, and that image translated to the monitor, and then a different light went on and the shot changed, and I went, "Wow, that's how it's done! That's how that gets to my TV! This is what I want to do with my life!" I literally had that moment of epiphany, at eight years old.” WantYearsDifferentDoneMomentsLightForgetSawsChangedTvsGoes OnShotsRedCamerasEightThat MomentNever ForgetWowEpiphanyRed Lights Author:Susanna White
“When you look at a character and you're like, "Wow, that's really unexplored terrain for me and there's a lot happening here and different angles to him," and you're not sure what his motives are, you've got a good shot at working towards something interesting.” LooksDifferentCharacterInterestingHappeningsShotsNot SureMotiveWowAngleTerrainSomething InterestingUnexploredDifferent Angles Author:Hoon Lee
“Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.” LittlesPersonsDifferentYoungNextActorsBitsActingExistenceWatchesExamplePositionSceneLittle BitIllusionShotsCamerasDepthFlatsStationsShrinksYoung Actors Author:Ang Lee
“Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.” IfsWantDifferentCertainActorsLevelsRoomsPlansWeekModernComfortShotsIndependentZoneFilmmakingLocationComfort ZoneImprovisationIndependent Filmmaking Author:Eric Balfour
“I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?” PeopleKnowsFeelsFirstsMeanLittlesStillsDifferentLightGroupsWeekCrazyBandShotsTinyShootingGiantsApartmentRehearsalTorontoCraziest Author:Alison Pill
“Subject matter comes to you, you don't go to it... Although I shoot extemporaneously a lot of the time, I prefer to have half a dozen shots in my mind. Probably I have seen them many times under different conditions and I have been thinking about them. The moment shall come when I shall go back to them and make the photographs.” ThinkingMindHas BeensDifferentMatterMomentsHalfConditionsSubjectsShotsPhotographDozenSubject Matter Author:Max Dupain
“No matter how physically faint, a photograph involuntarily whisper of something exquisitely carnal. The weeks, the years, whatever stretches of time separating our present from the photographs retire into the transparence of the shot and seem erased by it. We almost have to shake ourselves to overcome the feeling that we peer out at the other place, in that different age. Yet we are always aware of this illusory dislocation, for such is the ambiguity, in principle, that seduces us over and over again in the photographic experience.” YearsDifferentMatterFeelingsSeemsAgePrinciplesWeekShotsOvercomingPhotographShakesRetiringPeersAmbiguitySeducingSeparatingIllusoryDislocationDifferent Ages Author:Max Kozloff
“The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.” GivingLittlesDifferentStatesFactsMightHouseBitsUnitedQualityUnited StatesPossibilityIndustryNeededLittle BitMusic IsShotsDifferent ThingsHostMusic IndustryLegitimacyDance MusicHouse Music Author:Frankie Knuckles
“I shot the way I wanted to shoot [in The Hateful Eight]. The only real disadvantage I felt at the time, but I don't feel now, was that we weren't able to get a zoom lens, and I had really gotten used to using a zoom lens for that little zoom creep. But it was also a nice thing to be forced to not use all the tools that you've gotten used to, from time to time, and to be able to work in a different way.” WayFeelsLittlesDifferentRealUseAbleWantedUsedFeltNiceShotsToolsEightDifferent WaysLensesHatefulCreepsDisadvantagesNice ThingsZoom Author:Quentin Tarantino
“There are many things that have stayed consistent. But the biggest change, of course, is technology, the way it's used, the way films are shot, the format that they're shot in, and the way films, of course, are edited. It's very different than it was in the past.” WayDifferentPastFilmUsedCoursesTechnologyShotsConsistentFormatEdited Author:Howard Shore
“I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.” ThinkingFeelsTryingLooksBookDifferentRealSometimesRememberUsedCertainChoicesWhiteShotsCirclesComicBordersFilmmakerComic BookEmulateDifferent Choices Author:Michael Uslan
“When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different.” WayDifferentCharacterActorsSidesTelevisionApproachShotsOur RelationshipBlocked Author:Len Wiseman
“I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate.” ThinkingWayKindDifferentEndsReadingForceFeltForgetFictionNovelEffectsNew YorkEmotionalFlowerHairSceneShotsDoctorsTrainPatientGoodbyeNever ForgetUnfortunateCowboySaying GoodbyeDinosaursCanyonsCumulativeDifferent ExperiencesChekhovHawthorne Author:Adam Ross
“What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.” PeopleThinkingMenWayDifferentRealFeltHappenedChangedHe ManArmsGayDiseaseShotsLonelyDiedAidsAtmosphereDesperateDepressingHomophobiaPassed AwayPublic Image Author:Margaret Cho
“One of the reasons that I think the first video was successful was that it wasn't overproduced. So for the second one, it was shot on several different cameras and one of them was an HD camera, and it was so clear and so clean that it almost looked overproduced.” ThinkingFirstsDifferentReasonSuccessfulClearShotsCamerasCleanVideo Author:Judson Laipply
“When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.” FeelsDifferentFactsFilmCultureLanguageAudienceMinesShotsSittingI RealizedSettingSettingsOfficialsCopiesFestivalsDifferent CulturesScreeningDifferent LanguagesCannesDifferent Relationships Author:Abbas Kiarostami
“Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."” IfsKnowsWayTryingPersonsTwoDifferentUsedSongForceCausesCompanyRecordsSawsPiecesDiversityMajorsShotsAlbumsRapHandleDifferent WaysDifferent ThingsTopicsMarketplaceRecord CompaniesSinglesRap Music Author:Chuck D
“We shot the movie [Waitress] in 20 days so there wasn't a lot of time to learn. There wasn't a lot of pie baking going on, at least not by me. But we always had pies while we were filming - we ate two different pies every day for lunch!” TwoDifferentShotsLunchPieBakingWaitress Author:Keri Russell
“Just getting back to the essence. Even the record I put out, "1 of 1," I went to Jamaica and shot that video and I'm singing in the song - that was different for me.” DifferentSongRecordsSingingShotsEssenceVideoJamaica Author:Tyga
“I'd say, go ahead, shoot your shot. More power to ya if you can come up with a different angle on the character.” IfsDifferentCharacterShotsCome UpAngleDifferent Angles Author:Clint Eastwood
“I feel like I'm being put inside a box, and I'm not necessarily getting a chance. Like I'm not getting the shot that I deserve. So that's what Rare is about 'cause I feel because I am the way that I am, and I don't necessarily fit the mold of a lot of different artists that's out, it's like I'm not getting the chance to show what I can do. So, that's basically all the frustration of that, and everything is pretty much Rare for me anyway.” WayFeelsI CanDifferentShowsArtistCausesCan DoChanceFitShotsDeserveBoxesFrustrationMold Author:PJ Harvey
“Ultimately your job as an actor is to perform however you're being asked to perform and there's many different procedures as an actor that you're going to run into that you should be prepared for and be ready to go to work and do the best you can and give the director the best thing you can to hopefully give him things on that day that could be shot preserved and out into a canned, then when they go into the editing room that's where a movie's made.” GivingShouldMadeDifferentRunningJobsActorsRoomsReadyDirectorsShotsPreparedHopefullyBest ThingsEditingBe PreparedDo The BestProcedures Author:Kurt Russell
“I'm older and wiser. So and now having segued into filmmaking I'm looking at [Ridley Scott ] and what he does in an entirely different way and I have respect for what he does and how he composes shots. So that was what was completely fascinating.” WayDoeDifferentShotsDifferent WaysFascinatingFilmmakingWiser Author:Denzel Washington
“Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.” WayKindDifferentAgeYoungNextPowerfulPiecesShotsCamerasDifferent KindsPeterGroundedYoung AgeAprilVery Powerful Author:Katie Holmes
“The more educated you get, the better shot you have to get it right, but if you're really trying something different, it's a challenge every time.” IfsTryingDifferentChallengesShotsEducatedTrying Something Author:David Copperfield
“["Where the Buffalo Roam" is] horrible pile of crap. [Bill] Murray did a good job. But it was a bad script. You can't beat a bad script. It was just a horrible movie. A cartoon. But Bill Murray did a good job. We actually wrote and shot several different endings and beginnings and they all got cut out in the end. It was disappointing.” DifferentEndsJobsCuttingBeatsShotsBillsScriptsHorribleCrapCartoonGood JobDisappointingBuffalo Author:Hunter S. Thompson
“I admit that living in Nigeria sounds romantic, but Africa isn't America by a long shot. It's a different world and a different place in time...” WorldLongDifferentAmericaSoundShotsDifferent PlaceNigeriaDifferent WorldsLong Shots Author:Esther Rolle
“I found out about it probably 9 - 10 months before we shot the film [Don't Kill It] because it was postponed a couple of times, which was actually a good thing because once it all finally came together, I had to get in there and roll off different pages of dialogue and monologues pretty quickly.” DifferentTogetherFilmFoundMonthsCouplePagesShotsGood ThingsDialogueMonologues Author:Dolph Lundgren
“Women in America work so hard and not all of them get their shot. And I feel like I worked hard, but I also got my opportunity, which puts in a different category of blessings.” FeelsDifferentHardAmericaOpportunityBlessingShotsCategories Author:Kellyanne Conway