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Shots Quotes

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Shots Quotes

“I have myself always been terrified of plagiarism - of being accused of it, that is. Every writer is a thief, though some of us are more clever than others at disguising our robberies. The reason writers are such slow readers is that we are ceaselessly searching for things we can steal and then pass off as our own: a natty bit of syntax, a seamless transition, a metaphor that jumps to its target like an arrow shot from an aluminum crossbow.”

“With chemical film, it was possible to alter photographs, but you had to be an expert. That's not true any more. The LA Times fired a photographer at the beginning of the Iraq War for editing two shots together. Photography is crumbling. Certainly it is for the newspapers a bit now, isn't it? There will be painting again, absolutely!”

“I can't abide to see men throw away their tools i' that way, the minute the clock begins to strike, as if they took no pleasure i' their work, and was afraid o' doing a stroke too much.... I hate to see a man's arms drop down as if he was shot, before the clock's fairly struck, just as if he'd never a bit o' pride and delight in's work. The very grindstone 'ull go on turning a bit after you loose it.”

“When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.”

“There's over 100 species of lemurs. Each is a little bit different in their social structure except for one thing: they are all female dominant. The females are the leaders. They are the ones that call the shots. When you watch a group, you can see the females are the first one to say “We’re going to move.” Then she moves off and everybody just follows.”

“Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.”

“The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.”

“We rehearsed for a bit for an Indie film, which is kind of unusual, we had a week of rehearsals before we actually shot the films so we were able to really break down the script and kind of work through all of the improvisational things that he wanted to do, so he had a chance to really feel his way through before we actually shot it and I think that helped a lot.”

“The first scene I shot on The Originals was the one with Phoebe, Charles (Michael Davis), and Andy Lees when we are plotting our plan and surveying the map and plotting our grand "break in." It was a relatively light scene which was nice because I was able to warm up a bit and get comfortable with being around the new crew. They were all very kind and helpful and I felt pretty at home after a few takes.”

“I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.”

“I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.”

“I really hate Squires. (Syra) (She pulled another flat bolt out and loaded it, then shot it at Otto. Moving so fast he could hardly be seen, the Squire turned around and caught it without flinching. He held the bolt up to his nose and inhaled it lovingly.) Mmm. Rose. My favorite. (Otto) Perhaps we should leave you two alone. (Jess) Yeah, this does remind me a bit of the mating rites of the mean and the surly. (Allen)”

“Who else is going?" I asked. He shrugged. "Just you and me." My mood promptly shot up past 'cheerful' and went straight to 'estatic.' Me and Dimitri. Alone. In a car. This might very well be worth a surprise test. "How far is it?" Silently, I begged for it to be a really long drive. Like, one that would take a week. And would involve us staying overnight in luxury hotels. Maybe we'd get stranded in a snowbank, and only body heat would keep us alive. "Five hours" "Oh." A bit less than I'd hoped for. Still, five hours was better than nothing. It didn't rule out the snowbank possibility, either.”

“Oh, man," Xavier groaned. "See what you've done--now I'm stressing." "You can't! You're the stable one!" Xavier laughed and I realized his distress had been feigned to illustrate a point. He wasn't worried in the slightest. "Just relax. Go and run a bath or have a shot of brandy." "Okay." "That second bit was a joke. We both know you can't hold your liquor.”

“Go out and ask her into the alley.” Clay looked at Jeremy as if he’d just been told to dance the rumba on a public thoroughfare. I bit back a laugh. “Just walk over to her and point at the alley. Maybe say…I don’t know…something like ‘fifty bucks.’ ” I looked at Jeremy. “Does that sound right? Fifty?” His brows shot up. “Why are you asking me?” “I wasn’t—I just meant, as a general…” I threw up my hands. “How am I supposed to know how much a hooker costs?”

“Wooo!’ he said, slamming his shot glass down and coughing a bit. ‘That’s good stuff.’ I agreed heartily. ‘Shall we do another one?’ I asked. ‘Oh no,’ Jesus said quietly, his eyes growing round. ‘This is one of those situations where I have to stop and ask myself, what would I do?”

“That is my most comfortable place: close-up beauty shots! I also love to stand and speak in front of people. I can get a bit nervous while I'm speaking, but I love to touch others with my message. TV hosting with a teleprompter is also a comfort zone. I love to nail the copy quickly with the right expression and facial expression. Delivery is key!”

“You are such a chick." I widened my eyes in mock surprise. "No way. Are you sure?" Sighing again, he rubbed at the tattoos on his wrist. "Mackenzie was right. You aren't slayer material." Before he had time to register my intentions, I threw a punch. My sore, swollen knuckles slammed into his cheekbone, thrusting his head to the side. Pain shot up my arm, but I bit my tongue to stop a moan. "You were saying?" He popped his jaw, rubbed at the reddening skin-and slowly grinned. "Okay, so now I understand why Cole likes you. You're worse than Kat.”

“A campaign, like a brand, is not just a number of bits put together - a claim here, a pack shot there, a reason why somewhere else. If we try to produce it by the atomistic approach, we will end up with a sort of Identikit brand. It will be a perfect description of the structure of the brand, as the Identikit can describe the contours of the face. But it won't be the same thing. The brand will never come to life.”