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Sight Quotes

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Sight Quotes

“Allowing the fly to sink to the fish's level, the angler makes a retrieve. The fly comes directly at the fish, which suddenly sees its approach. As the small fly get nearer, the fish moves forward to strike, but the tiny fly doesn't flee at the sight of the predator. Instead it continues to come directly toward the fish. Suddenly the fish realizes intuitively that something is wrong(its never happened before), so it flees until it can assess the situation. An opportunity for the angler has been lost.”

“The eyelids confess, and reject, and refuse to reject. They have expressed all things ever since man was man. And they express so much by seeming to hide or to reveal that which indeed expresses nothing. For there is no message from the eye. It has direction, it moves, in the service of the sense of sight; it receives the messages of the world. But expression is outward, and the eye has it not. There are no windows of the soul, there are only curtains.”

“When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.”

“It is a damned sight easier to start wars than to end them. This truth has been stated for as long and as often as it has been ignored. High time and thank God, we are at least moving toward de-escalation in Vietnam. The road to extrication will be long, painful, bitter. But it must be trod. We are so bogged down in Vietnam that we cannot respond effectively anywhere else in the world to a military power play except through atomic bombardment.”

“I have seen lonely people of advancing age, yet as constant as angels, keeping faith to those they loved who fell in wars that current generations, not having known them, cannot even forget. The sight of them moving hesitantly among the tablets and crosses is enough to break your heart.”

“Magic is a combination of art and science. It's an art because of the traditional parts of things, the graceful gestures, the sonorous invocations, the use of colour, sight, sound, all of these things make it very much an art form. Yet it is also a science as well because we expect something to come of what we do. Using and creating these almost dreamlike inner landscapes in which we can live, move, and have our being.”

“People who write about issues like poverty or terrorism are a part of the elite, and the distance between the elite and nonelite is growing very fast. You can move around the world but meet only people who speak your language, who share the same ideas, the same beliefs, and in doing so you can lose sight of the fact that the vast majority of the world does not think or believe in or speak the everyday discourse of the elite.”

“We have to start thinking of America as a family. We have to stop screeching screeching at each other, stop hurting each other, and instead start caring for, sacrificing for and sharing with each other ... We cannot move forward if cynics and critics swoop down and pick apart anything that goes wrong, to a point where we lose sight of what is right, decent and uniquely good about America.”

“Discovery is adventure. There is an eagerness, touched at times with tenseness, as man moves ahead into the unknown. Walking the wilderness is indeed like living. The horizon drops away, bringing new sights, sounds, and smells from the earth. When one moves through the forests, his sense of discovery is quickened. Man is back in the environment from which he emerged to build factories, churches, and schools. He is primitive again, matching his wits against the earth and sky. He is free of the restraints of society and free of its safeguards too.”

“I think its a fundamental feature of images that they move from one medium to another. And this has become hyper-evident in our time with the computer, which is a kind of master-medium also and allows us to transfer data of all kinds from one platform to another, turning sounds into sights or language into image. The computer has made something that is very old evident in a new way.”

“She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.”

“This is a valley of ashes--a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight.”

“In My Secret Life" "I saw you this morning, you were moving so fast. Can't seem to loosen my grip On the past. And I miss you so much, there's no one in sight. And we're still making love In my secret life. I smile when I am angry, I cheat and I lie, I do what I have to do to get by, In my secret life.”

“Maybe we should have gone with him," he said, a few minutes after his friend was lost to sight. "Three of us would make four times the noise he will," Halt said. Horace frowned, not quite understanding the equation. "Wouldn't three of us make three times the noise?" Halt shook his head. "Will and Tug will make hardly any noise. Neither will Abelard and I. But as for you and that moving earthquake you call a horse..." He gestured at Kicker and left the rest unsaid.”

“It’s not like love at first sight, really. It’s more like… gravity moves. When you see her, suddenly it’s not the earth holding you here anymore. She does. And nothing matters more than her. And you would do anything for her, be anything for her… You become whatever she needs you to be, whether that’s a protector, or a lover, or a friend, or a brother.”

“I drove off, with my friends watching me go, all of them grouped on Lissa's hood. As I pulled onto the road, I glanced into the rearview and saw them: they were waving, hands moving through the air, their voices loud, calling out after me. The square of that mirror was like a frame, holding this picture of them saying good-bye, pushing me forward, before shifting gently out of sight, inch by fluid inch, as I turned away.”

“And even if these scenes from our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not.”

“Momma said that ghosts couldn't move over water. That's why Africans got trapped in the Americas.. They kept moving us over the water, stealing us away from our ghosts and ancestors, who cried salty rivers into the sand. That's where Momma was now, wailing at the water's edge, while her girls were pulled out of sight under white sails that cracked in the wind.”

“If I were to choose the sights, the sounds, the fragrances I most would want to see and hear and smell--among all the delights of the open world--on a final day on earth, I think I would choose these: the clear, ethereal song of a white-throated sparrow singing at dawn; the smell of pine trees in the heat of the noon; the lonely calling of Canada geese; the sight of a dragon-fly glinting in the sunshine; the voice of a hermit thrush far in a darkening woods at evening; and--most spiritual and moving of sights--the white cathedral of a cumulus cloud floating serenely in the blue of the sky.”

“The key is to listen to your heart and let it carry you in the direction of your dreams. I've learned that it's possible to set your sights high and achieve your dreams and do it with integrity, character, and love. And each day that you're moving toward your dreams without compromising who you are, you're winning.”

“We must move past indecision to action. We must find new ways to speak for peace in Vietnam and for justice throughout the developing world, a world that borders on our doors. If we do not act, we shall surely be dragged down the long, dark, and shameful corridors of time reserved for those who possess power without compassion, might without morality, and strength without sight.”

“When you really love someone, you think about him all the time. No matter where you are or what you're doing, he never completely leaves your thoughts. When you're apart, you want to be with him. When you're together, you're conscious of every move he makes, every word he says, and every breath he takes. Just the sight of him makes your heart race and your mouth go dry. And when he touches you, the rest of the world disappears.”

“Perfectionism has nothing to do with getting it right. It has nothing to do with fixing things. It has nothing to do with standards. Perfectionism is a refusal to let yourself move forward. It is a loop-an obsessive, debilitating closed system that causes you to get stuck in the details of what you are writing or painting or making and to lose sight of the whole.”