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Singing Quotes

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Singing Quotes

“My definition [of genius] would be about being completely involved in your art form. So that's outside of sciences. Within the arts it's about taking people on a journey, being able to involve me completely-whether you're singing a song, whether it's in the theater, whether you're dancing-if you can make me forget I'm sitting in a seat, that's my definition of genius.”

“I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.”

“My parents aren't artists or anything, but growing up in Wales, especially in a Welsh language school and community, they have this thing called the Eisteddfod where people compete in singing and acting and dancing and oratory all sorts of things. From a very young age, it's been a part of my upbringing.”

“I used to get upset with the word Bollywood, and what it means in the West. The stereotype of us being dancing, singing, puppet showgirls. Indians are nearly one fifth of the world's population; we have one of the most prolific film industries in the world. When people used to ask me about it, or replicate what they think is Bollywood dancing, thinking that they're being funny, I used to get offended. But now I show them the stuff we do.”

“I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.”

“One night as I girl I spied my grandma and one of her sisters outside, holding hands and singing, "Sprites of the night are we, are we. Singing and dancing joyfully." It was witchy and wonderful because it meant there was power in joy. They were not afraid of the night because they were giggling. I am very interested in finding the surprising boundaries, for instance, where do joy and fear meet?”

“The fabrics I've used in my work are satin and sateen. Sateen is very glossy and far from luxurious. Bright solid colors with too much sheen seem gaudy, pathetic and nostalgia-inducing. Such fabrics are reminiscent of the power of chaos in a shaman's space: overabundant offerings of food on alters, kitschy decorations, provocative shades, vigorous dancing, plaintive singing, absurd fits of crying and laughing, and self-abandonment.”

“And I'm going to tell the truth: I didn't like that Sean Penn movie Into the Wild so much. Yes! I know it was critically acclaimed. I know it won all these awards! It's very sad that a boy is dead and all. But I thought the movie Enchanted, with the singing princess and the chipmunk and the people dancing in Central Park, was cuter. So there!”