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“I made a picture called Super Mario Bros., and my six-year-old son at the time - he's now 18 - he said, 'Dad I think you're probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros?' And I said, 'Well Henry, I did that so you could have shoes,' and he said, 'Dad, I don't need shoes that badly.'”

“Seminary also introduced me to the historical study of Jesus and Christian origins. I learned from my professors and the readings they assigned that Jesus almost certainly was not born of a virgin, did not think of himself as the Son of God, and did not see his purpose as dying for the sins of the world. .. I also found the claim that Jesus and Christianity were the only way of salvation to be troublesome.”

“In The Lost Message of Jesus I claim that penal substitution is tantamount to 'child abuse - a vengeful Father punishing his Son for an offence he has not even committed.' Though the sheer bluntness of this imagery (not original to me of course) might shock some, in truth, it is only a stark 'unmasking' of the violent, pre-Christian thinking behind such a theology.”

“I'm most proud of our son, having suffered several miscarriages before having him. As for the next mountain, it takes so much to maintain what's already going on that I don't have time to think about it. But I want some more seasons of the TV show, I'd like to write another book, and eventually, I'd like to retire and take vacations with my husband like my mom and dad do.”

“My parents had a sidewalk cafe: every Sunday there was an accordion player and apparently I went through the motions, squeezing a shoebox. One of the regulars in 'the cafe said to my father: "I think you should get your son an accordion-that's what he's trying to do, with that shoebox." So they got me a little cardboard diatonic accordion-I still have it. I started to play the National Anthem, and things like that. It seems I was musically gifted-but my parents just never pushed in that direction.”

“I'm a husband and a dad. Two thirds of my day is spent being that character. It's a huge part of my identity and why I pursue things I do. I'm interested in questions my son asks me, like, "Why do animals fight? Why do you have to leave us to go on the road?" Everything he asks gets me thinking. If I'm going to do this, sacrifice time with family and friends, sacrifice resources, I need to think carefully about what I going to say and how I'm going to say it.”

“One of the tracks that I have is Carl Philipp Emanuel Bach - by the way, that's Bach's second son - Emanuel Bach's variations on "Le Folie." You'll definitely hear - I mean, I think if we listen to, say, the last couple of minutes of that track, there's a wide range of colors that the harpsichord is capable of. And I think, you know, that gives lie to the assumption that it doesn't have that kind of variety. And I think it very much speaks for itself.”

“The director Denis [Villeneuve] is actually an actor (he's from Sons of Anarchy and he's a great character actor) and he's also a screenwriter (he wrote What Lies Beneath). It blows my mind to see when people from one sector move to another and excel. I think Sicario was one of the best directed and written films. It did get [a nomination for best] cinematography, though.”

“It's going to become clear that the impact of our policies rather than our way of life is what's attracting animosity and warfare on us. And I think there is going to be a surge from the bottom up that will begin to straighten things out. Because Americans, in the long run, are not going to want their daughters and their sons to die overseas so the al Saud family can continue raping Saudi Arabia's revenue.”

“Two sons, they'll both be presidents after they win their Nobel Prizes. And the daughters, they'll be prima ballerinas before they become the president of Princeton and start their Internet company. And I just started to think about What's the conventional load of those expectations you carry around? You have to pull them out one by one and smash them in the corner. You realize the pile is quite high. But in a way, it becomes oddly liberating to do that.”

“I think there's evil on both sides [of Syria], and I think that's one reason I don't want to be involved in civil war. I see things in personal terms. I just can't see sending one of my sons - or your son or daughter - to fight in a civil war, where on one side we have a dictator, who in all likelihood gassed his people.”

“I think rappers are the fall guy because some of us don't have the wits to point the finger back. The thing is when you take a whole generation and whip them out, string the mothers out and put the fathers in jail - the reason I know respect is because my father is the mediator between me and my grandfather. I'm the mediator between my son and my father because I'm old enough to understand where my father is coming from and young enough to understand what my kid is trying to do. When you whip out the mediator the kids run wild and the old people are scared of them.”

“Think about all of the families where the father is a doctor and the son is a doctor or generations of coal miners. Why did they go into that line of work? Because that's what they were taught. Or was it in their genes? It's not an either/or question. It's both. I was inclined in that way. I was sensitive to music and poetry, and it was around me growing up.”

“The New Testament writers I think conceive of their inspired Scripture writings as flushing out, bringing to articulation, expounding and so on the climactic revelation in the son, but this in self-conscious fulfillment of the promises and covenants that were already made to God's chosen people in Old Testament times.”

“Like the guy I was dating. White, liberal, educated. I went to meet his family and I think that they probably didn't know they had a problem with it until he walked in with me. And they definitely had issues. Mom had issues with it. Could not, didn't want to see her son. And I don't think she had anything against me. But it was about her son bringing me home. And I felt that for the first time. I was like, 'Wow, that's deep.' It's really simple: I don't fit their picture.”

“Before I began The Cider House Rules, I thought I wanted to write about a father-son relationship that was closer, more conflicted, and ultimately more loving, than most. Then I began to think of a relationship between an old orphanage director and an unadoptable orphan - a kid who goes out into the world and fails and keeps coming back, so that the old guy ends up with someone he's got to keep.”

“It was really just the name that inspired me: Rainsboro. It's located near Rocky Fork State Park. I have probably driven through that little place a thousand times, but, in that weird way my mind works sometimes, one particular evening it just hit me the right way, I guess. Created a mood more than anything else. And then I started thinking about a woman and her young son who end up there.”

“The Prodigal Son story is, I think, the greatest short-story ever written. It has such drama in it, such great characters, it's so clear and concise, and it's entertaining in the sense that everyone can relate to it. But you have no doubt what our Lord was trying to communicate in the heart of that story. So the truth was not sacrificed on the altar of entertainment in that case. And it can be.”

“I think basically what The American People is about is that we've been here from the very beginning, and that has never ever been acknowledged in the history books. John Winthrop wasn't off the boat ten seconds before he passes a law that homosexuals should be hanged. And then he hung 'em, including an attempt to hang his own son when he found out he was gay.”

“One night my son was downstairs studying, and he had been up so late all that week, and my husband said, "I feel so sorry for him." I said, "Look, if he's going to become a surgeon" - he is studying to be a doctor - "he's going to have his hard times. I feel sorry for him too, but if he lives in this world he's going to have more hard times. He's going to stay up some more nights." I think we can't shield them from the hard times, even though we'd like to. I say to the children that I teach and to my own - I can't test the ground for you and tell you that's a safe step there.”

“It would be great for everyone to grow up like I grew up, where everyone had a job. It would be nice for everybody. I'm the son of a "legal" immigrant. I think it would be nice for everyone to get back to work. Get rid of homelessness. People could work. I think if people give Donald Trump a chance, he'll do great.”

“When one is that powerful and one think life will last like that forever, it is simply the most ephemeral thing. I don't think these sons and daughters of drug dealers are contributing to a lasting peace nor to human values that add to our society. They're delivering the message of riches and power that comes at the cost of people's lives and health and they incentivize young people to follow this model.”