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Stage Quotes

“It is a mistake to assume that government must necessarily last forever. The institution marks a certain stage of civilization-is natural to a particular phase of human development. It is not essential, but incidental. As amongst the Bushmen we find a state antecedent to government, so may there be one in which it shall have become extinct.”

“When people ask me if musical theatre should be taught in music colleges, I reply that there is no need. All anyone needs to study is the second act of La Boheme because it is the most tightly constructed piece of musical theatre that there is. It is practically director-proof: you can't stage it badly because it just works too well. If you can write La Boheme, you can write anything. I would also recommend studying Britten's Peter Grimes.”

“The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.”

“I have been fully involved in designing my stage shows; it's important to me to do something really unique and almost off-the-wall to bring the music and the visuals together. I love design and actually went to school for a bit for graphic design, so it isn't so much 'pressure' for me; it's a way to be creative, and I really enjoy it.”

“Dancing of late years has been degraded to the narrow limits and low professionalism of mere mechanical proficiency, associated with the most frivolous... phases of the stage. But this day is fading...We are turning our gaze inward, learning to seek there the divine sources of the dance, to the end that it may flower into new and more glorious forms of beauty and wealth”

“When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.”

“As any sin passes through its stages from temptation, to toleration, to approval, its name is first euphemized, then avoided, then forgotten. A colleague tells me that some of his fellow legal scholars call child molestation "intergenerational intimacy": that's euphemism. A good-hearted editor tried to talk me out of using the term "sodomy": that's avoidance. My students don't know the word "fornication" at all: that's forgetfulness.”

“And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.”

“You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.”

“You think about people like Hank Williams, who stood on that spot of wood, and Mr. Acuff, and, of course, George Jones. And just about anybody you can think of who has made country music has been on that stage. That's what makes you so nervous - to think about the historical part of the Opry and how it's played such a part in country music.”

“It's such an honor. I still get, I guess, starstruck, at the Opry. Because there's so much history here and there are so many legends that are still walking around backstage, so it's really an incredible, incredible experience for somebody like me that grew up listening to all of them. And to be able to share the stage with them is something that I treasure.”