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Stage Quotes

“I don't think that Mitt Romney can legitimately say that he learned anything about how to create jobs in the LBO (leveraged buyout) business. The LBO business is about how to strip cash out of old, long-in-the-tooth companies and how to make short-term profits. All the jobs that he talks about came from Staples. That was a very early venture stage deal. That, you know they got out of long before it got to its current size.”

“Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.”

“No, there are no long stages of preparation through which you must pass; all things are now ready; there is nothing to hinder you from becoming a Christian this very hour. And, if any of you have been trying to make yourself better until you are weary and discouraged in the work, all you have to do is to put it into stronger hands.”

“When modernist poetry, or what not so long ago passed for modernist poetry, can reach the stage where the following piece by Mr. Ezra Pound is seriously offered as a poem, there is some justification for the plain reader and orthodox critic who shrinks from anything that may be labelled 'modernist' either in terms of condemnation or approbation. Better he thinks, that ten authentic poets should be left for posterity to discover than one charlatan should be allowed to steal into the Temple of Fame.”

“Grief is not just a series of events, stages, or timelines. Our society places enormous pressure on us to get over loss, to get through grief. But how long do you grieve for a husband of fifty years, a teenager killed in a car accident, a four-year-old child: a year? Five years? Forever? The loss happens in time, in fact in a moment, but its aftermath lasts a lifetime.”

“And pomp, and feast, and revelry, With mask, and antique pageantry, Such sights as youthful poets dream On summer eves by haunted stream. Then to the well-trod stage anon, If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child, Warble his native wood-notes wild, And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out.”

“I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.”

“My metaphor for acting in movies - not on stage because it's completely different on stage - is to put colors on an easel for the director to paint his own painting with in the editing room, long after I've left. You buy me for red and black, so I better give you really great red and black, but if I can give you purple, pink, green and brown too, I will.”

“Unlike Hegel's progress model of history, which moves by stages, each containing its own logic of growth and decline, the economic model develops as the simple function of one money-variable over time, with a long-term trend which increases monotonically.”

“The time must come to all of us, who live long, when memory is more than prospect. An angler who has reached this stage and reviews the pleasure of life will be grateful and glad that he has been an angler, for he will look back on days radiant with happiness, peaks of enjoyment that are no less bright because they are lit in memory by the light of a setting sun.”

“I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.”

“To come out here and play on Woodstock grounds, first year ever headlining on the main stage there's nothing more iconic. [Mysteryland] is one of those festivals that holds down the legacy of dance music it's been around for so many years. It's been part of what we do for so long. It kinda makes sense to bring the tradition over here to America. The festival grounds of Woodstock, that's pretty epic.”

“However long the horror continued, one must not get to the stage of refusing to think about it. To shrink from direct pain was bad enough, but to shrink from vicarious pain was the ultimate cowardice. And whereas to conceal direct pain was a virtue, to conceal vicarious pain was a sin. Only by feeling it to the utmost, and by expressing it, could the rest of the world help to heal the injury which had caused it. Money, food, clothing, shelter - people could give all these and still it would not be enough; it would not absolve them from paying also, in full, the imponderable tribute of grief.”

“Little Jimmy Dickens has long been a musical hero of mine and one of the finest entertainers to ever step on any stage. I was deeply honored to call him a friend and will always remember the time I got to spend with him. The music world has lost one of our greatest treasures. Rest in peace, my little friend. You were loved by so many of us!”

“My general impression about people like Steve Gould and Carl Sagan and so on is that when they disappear as individuals and are no longer appearing on the stage and they are no longer writing, that their lifetime of acknowledgement by the general reading public is not very long... There were many people in the 19th century who were equally famous people who gave working man's lectures, supporters of Darwin, we as scholars know their names but the general public never heard of them.”

“The two big mistakes were the belief in a sky god - that there's a man in the sky with 10 things he doesn't want you to do and you'll burn for a long time if you do them - and private property, which I think is at the core of our failure as a species. That's the source of my indignations, my dissatisfactions, however it comes out on the stage. I feel betrayed by the people I'm part of, these creatures, these magnificent creatures.”

“Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes, does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if 'A Midsummer Night's Dream' was really a dream?”

“Adolescence has been recognised as a stage of human development since medieval times--long, long before the industrial revolution--and, as it is now, has long been seen as a phase which centers on the fusion of sexual and social maturity. Indeed, adolescence as a concept has as long a history as that of puberty, which is sometimes considered more concrete, and hence much easier to name and to recognize.”

“I have a great deal of respect for the craft, I don't know how much respect it has for me. But it's a precision process. Doing it on stage would be, I think, terrifying. Doing it on film has its own difficulties, because film is not conducive to spontaneity. You might have a run through and get a few chuckles at eight o'clock in the morning, but you don't keep laughing at the same thing all day long.”