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Stage Quotes

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Stage Quotes

“Sometimes people that are very good at improvisation in life, meaning like stage improvisation, aren't good in films because you have to ultimately take a scene where it needs to go. It's not about just saying something that's funny. You can say something funny but if it's not on story or driving the scene to its end it's really not very helpful at all.”

“I would never discredit anyone that is working their way up on a show like "American Idol." I think they work so hard overcoming all of the obstacles to get on the show in the first place and then every week they are judged in front of all of America... I give them complete credit for getting up on stage... I think they deserve all the success that they get.”

“When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.”

“My general impression about people like Steve Gould and Carl Sagan and so on is that when they disappear as individuals and are no longer appearing on the stage and they are no longer writing, that their lifetime of acknowledgement by the general reading public is not very long... There were many people in the 19th century who were equally famous people who gave working man's lectures, supporters of Darwin, we as scholars know their names but the general public never heard of them.”

“I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.”

“In the United Kingdom at various stages, journalism has been the profession of gentlemen amateurs. And some of them even pride themselves on being amateurs. Their quality is not comparable with the quality of intelligence services even if most of them harbor a remarkable degree of corruption and incompetence.”

“I saw a video on YouTube of a girl who had very similar reactions to late-stage Lyme disease as I did. And I thought it was crazy. And when I saw her basically have a seizure on camera that looked very much like my seizure I felt, "Oh my god. That's me." And so it was really important to me, and I said to Sini, 'We have to find some way to not just talk about Lyme disease, but to show it.”

“So far I had been travelling alone with my handbook and my Western Railway timetable: I was happiest finding my own way and did not require a liaison man. It had been my intention to stay on the train, without bothering about arriving anywhere: sight-seeing was a way of passing the time, but, as I had concluded in Istanbul, it was an activity very largely based on imaginative invention, like rehearsing your own play in stage sets from which all the actors had fled.”

“Who I am on stage is very, very different to who I am in real life. But I don't see that having a sexy image when you are on stage means that you don't love God. No one knows what I'm really like from that. I like to walk around with bare feet and I don't like to comb my hair. I'm always so glammed up and so diva on stage and that's what they see. People don't understand that... No one knows my personal relationship with God and it's not up to me to prove that to anyone.”

“In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.”