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Stage Quotes

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Stage Quotes

“No matter where you are - whether you just won the lottery, or met the person of your dreams, or you're on stage and people are being supportive - whatever it is, you're still you. And whatever work you've done to be comfortable with yourself, you know, you're not really going to advance beyond that point unless you put in that work. There's no magic fix.”

“Wilderness appealed to those bored or disgusted with man and his works. It not only offered an escape from society but also was an ideal stage for the Romantic individual to exercise the cult that he frequently made of his own soul. The solitude and total freedom of the wilderness created a perfect setting for either melancholy or exultation.”

“Imperialism is capitalism at that stage of development at which the dominance of monopolies and finance capitalism is established; in which the export of capital has acquired pronounced importance; in which the division of the world among the international trusts has begun, in which the division of all territories of the globe among the biggest capitalist powers has been completed.”

“It's been an incredible few weeks for Emma Pooley, first winning three stages in the Giro Rosa to demonstrate that she's the best climber in the women's peloton, then lining up for La Course - a race she helped to make happen - on the Champs-Elyses. So, it may come as a surprise to hear that she will retire after the Commonwealth Games road race on Sunday.”

“It is then, we say, in the successive stages of his experience, that the believer sees more distinctly, and adores more profoundly, and grasps more firmly, the finished righteousness of Christ. And what is the school in which he learns his nothingness, his poverty, his utter destitution? The school of deep and sanctified affliction. In no other school is it learned, and under no other teacher but God. Here his high thoughts are brought low, and the Lord alone is exalted.”

“In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [...] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.”

“In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.”

“Kings ought never to be seen upon the stage. In the abstract, they are very disagreeable characters: it is only while living that they are 'the best of kings'. It is their power, their splendour, it is the apprehension of the personal consequences of their favour or their hatred that dazzles the imagination and suspends the judgement of their favourites or their vassals; but death cancels the bond of allegiance and of interest; and seen AS THEY WERE, their power and their pretensions look monstrous and ridiculous.”

“When I look over my past, I see that the stages in my life are like the phases of the moon. I've had periods where I was the waxing gibbous: fat with wealth and success. There have been other seasons when my happiness was like the waning crescent and I watched my joy fade away slowly, merging with the atmosphere around me as if it never existed. Then I felt as if I was left with nothing more than an illusion, but happiness returns in time and glows once more in corpulent fullness. It's time that makes the difference.”

“Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare , rise; I will not lodge thee by Chaucer or Spenser , or bid Beaumont lie A little further, to make thee a room; Thou art a monument, without a tomb, And art alive still, while thy book doth live, And we have wits to read , and praise to give .”

“Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed "the claims of the ideal." These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.”