Quotessence
Home / Topics / Stage Quotes

Stage Quotes

Browse 4875 quotes about Stage.

Related topics

Stage Quotes

“One of the reasons I sing so much about smoking or drinking isn't about the addiction, but more so that I'm trying to let people have a good time at my shows and forget their problems. Relax and enjoy. There's not certain religions or politics sold on them. Just come out, have a beer, have a laugh, good energy from stage and have a good time.”

“If I'm playing country, I gotta have my country hat and my cowboy boots. I gotta have a voice, and the third thing, I gotta have I guess a little music to keep me in the right mind, a little pre-show something to get ya going. Lots of AC/DC, or I'll sit on youtube and find all kinds of stuff before we take the stage to get pumped up.”

“I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.”

“I've got three sons, and two of them would absolutely hate being on the stage and never liked appearing in their school plays or musicals, but the middle one absolutely loves it and never shows any sign of nerves or pressure and really gets a kick out of performing. I think it depends entirely on the child. And that applies to anything whether it's sport or entertainment or music or film.”

“My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.”

“When Pixies broke up in 1993, I gave up the drums for the longest time. I hadn't been doing a lot, but I ended up attending a magic convention that initially got me interested. I took classes, bought videos, and practiced relentlessly. I began performing at parties and soon realized that developing an on-stage routine is often tougher than being a musician. I focused my act on magic that incorporated as much science as it did entertainment, which was really satisfying for me.”

“If one has to conform to a certain taste, he/she might lose his/her own individuality and imagination. But if you don't really care about winning competitions and think of them as chances to learn from the experience, they would become good ways to learn about others and yourself. Competitions are also stages where one becomes known to the public.”

“The earliest memories I have from my childhood are of my mum getting ready to go on stage. I must have been about five and I would watch her vomiting backstage on opening night, and then the next minute she became Isabella, the Queen of Spain. At the time I remember thinking, 'What kind of schizophrenic job is this?' Now it all makes sense.”

“There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.”

“The hardest thing was going through different stages of weight loss. At the beginning, it was easy to take off the weight with exercise and eating less but then you reach a point where 90 per cent of the weight loss is achieved purely through reducing your calorie intake. My goal was to lose four pounds per week. That worked well for the first few months but then things got tricky.”

“There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice.”

“My son is a great kid and does super well in school. I couldn't be prouder of him. What I tell him is, 'You don't want to just be known for being the son of a rich rock 'n' roll star.' I've seen a lot of kids like that. I want him to be happy, work hard and create his own thing. I tell him, 'You're not gonna be one of these kids up on stage playing with me. If you wanna have hits - write your own. Then we can play together.'”

“By writing a horror novel where this inexplicable disorder takes over in our ordered lives, you make order look better by comparison. But below that, there's a part of us that responds to the Who bashing their instruments to pieces on the stage. There's a very primitive part that says, "Do it some more."”

“Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.”

“I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."”

“I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.”

“I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.”

“If I feel really authentically in my body, then everything seems to click. But, sometimes I can only get into that, if the atmosphere is already conducive to that with the sound and all that stuff. There are moments where, as a performer, you're on stage and you feel like you're exactly where you're meant to be in the universe. It's a rare and beautiful thing when it happens.”

“I never met my theater fans. I'm out the stage door five minutes after the curtain goes up. So that's it. I don't even know who comes, but thank God they do come. I can't tell. I keep my head down. I don't meet them. The fans from "Harry Potter" are kids who stop me in the street. I love that. That's terrific. I was amazed how many do.”