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“I certainly used to wish that I was skinny, lighter-skinned, with long, pretty hair. But only because I used to get made fun of for being the absolute opposite. I didn't see all of that stuff as the American Dream. I just wanted to look normal. Now that I'm older, I really do feel like I am a beautiful girl.”

“Things are so busy and so quick, and there’s so much going on, you have to realise the time when you have to take a step back, take a breath and really think back to where you come from. I’m from a very, very rural place. There’s really nobody out there, just roads and farms. I had a long transition to get to where I am now. I moved away when I was young, when I was about 19. I’d literally come from an area with dirt roads and stuff like that, right to the centre of a city of about five million people. It’s been great. I’m based in New York and every day it's amazing.”

“All one has to do to get one's stuff in the Congressional Record is to find a stenographer that can stay awake long enough to take it down. Then you mark in the 'Applause' and 'Laughter' parts yourself.”

“We could tell them [alien civilization] things that we have discovered in the realm of mathematical physics, but there is stuff that I would like to know. There are some famous problems like how to bring gravitation and quantum physics together, the long-sought-after theory of quantum gravity. But it may be hard to understand the answer that comes back.”

“If I had to spend equal time doing paintings, and equal time going to galleries and doing art business, and equal time making music, and equal time going to record companies, or to the publicist or to the lawyer, forget it. It would take four times as long to do all that stuff. Unless I had a patron. That's why Leonardo da Vinci was successful. He had the Medicis, right?”

“The fellows who amuze me are the Albanians. An Albanian on the mash is almost exactly like the medieval swells of the Italian frescoes & the first ones we met quite startled us. They wear the tight-fitting trunk hose made of woolen stuff hooked up the back of the leg. It is white with long black stripes of embroidery down the leg & at the top in front the shirt is pulled through slashes. They are long slim chaps with dandy little moustaches & are most theatrical in effect.”

“Imagine that -- a country that's supposed to be a democracy, supposed to be for freedom and all of that kind of stuff when they want to draft you and put you in the army and send you to Saigon to fight for them -- and then you've got to turn around and all night long discuss how you're going to just get a right to register and vote without being murdered. Why, that's the most hypocritical government since the world began!”

“I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph—each sentence, even—as I go along.”

“It's interesting how many science fiction writers get going when they are very young. I was on a program with Greg Bear and he mentioned that he had gotten started writing when he was eight. And I began writing when I was 10. I think we're influenced by the stuff, we find it and we love it and we're influenced by it....I know I collected my first rejection slip when I was 13, and I went on collecting them for a long time after that.”

“When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.”

“I get guilty when I spend money on silly things like clothes and stuff. Having experienced a completely different extreme of wealth, and I don't mean me being poor or rich, I mean knowing that 40 quid that gets spent on a pair of shoes could go a long way for a family in Georgia for a week or even a month, having experienced that, you're a bit more [guilty].”

“I think Bergman's films have eternal relevance, because they deal with the difficulty of personal relationships and lack of communication between people and religious aspirations and mortality, existential themes that will be relevant a thousand years from now. When many of the things that are successful and trendy today will have been long relegated to musty-looking antiques, his stuff will still be great.”

“We want stuff done right. As long as it's my team, I'll voice my opinion. Yep, it's my team. You media guys might give it to him, like you've given him everything else his whole lifetime, but this is the Diesel's ship. And if we're not right, I'm going to go out there and try to get it right... Just ask Karl and Garywhy they wanted to come here. It was because of one person, not two. One.”

“The action stuff takes a long time but when you're there and you're doing it and you go into that take and you run and everything is blowing up around you and you're diving onto something it's actually incredibly thrilling and you feel like a kid again. Like a kid, who used to play and pretend all those things would happen and now they're actually happening.”

“It turns out there's only one thing that capuchins really, really love - and that's sweet stuff. If you give them a big vat of say, marshmallow fluff, and you let them go at it, what they'll do is eat their body weight in marshmallow fluff, walk away, they'll vomit, and they'll come back and eat their body weight again. And they'll vomit. And they'll do that for as long as there is marshmallow fluff out there. They love marshmallow fluff.”

“At the heart of good education are those gifted, hardworking, and memorable teachers whose inspiration kindles fires that never quite go out, whose remembered encouragement is sometimes the only hard ground we stand upon, and whose very selves are the stuff of the best lessons they ever teach us. Most of us, no matter how long ago it's been, can name our kindergarten teacher. Our first music teacher. Our junior high algebra teacher. Good teachers never die.”

“Harold Ramis really got my career going and was a friend for a long time. I was doing a play in L.A., and he came to see it a few times and recommended me to Ivan Reitman for Ghostbusters 2. Six months later, I quit real estate and was acting for good, and it was really because Harold took an interest in me and made a phone call and did stuff that people don't usually do, even if they like somebody.”