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“Today enormous effort goes into convincing the American public that we're just consumers of media manipulation and sound-bites and spin doctors. That we care only about ourselves, money, and stuff. That acting out of passion and conviction doesn't make a difference. But all history shows that it does.”

“Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.”

“I don't Twitter. I can't even remember my password name. I have problems with electronics, so what I've done is hire a young man out of college, whose very fingers are the extension of computer keys, and he Twitters. He does the mechanics, but I very carefully modulate what is said and have used Twitter to publicize stuff, have conversations and instigate competition.”

“You aren't always going to make stuff that everybody does. The sooner that you just realize that and accept that, the better. At best, hopefully, you will like it, every time, and that might not even happen. It's the nature of your work. It's just what comes with it. So, it makes it easier to deal with anybody criticizing you or anything thinking you're wonderful when you realize that you just need to focus in this one area, which is your creative fulfillment and enjoyment.”

“The verb 'to darn' is explained in my pocket dictionary as follows: 'To mend by imitating the texture of the stuff, with thread and needle.' But this definition does not correspond to the work accomplished by good Chinese housewives. When they mend a sock, they do not try 'to imitate the texture of the stuff'. Their art makes no attempt at concealment: it even takes a certain pride in revealing itself.”

“Why, then, does water-form the very basis of life in all life's various manifestations? Because water embraces everything is in and all through everything; because it rises above the distinctions between plants and animals and human beings; because it is a universal element shared by all; itself undetermined, yet determining; because, like the primal mother it is, it supplies the stuff of life to everything living.”

“The truth is that art does not teach; it makes you feel, and any teaching that may arise from the feeling is an extra, and must not be stressed too much. In the modern world, and in Canada as much as anywhere, we are obsessed with the notion that to think is the highest achievement of mankind, but we neglect the fact that thought untouched by feeling is thin, delusive, treacherous stuff.”

“It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur" - although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony - or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do - though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!”

“I was lucky enough to go to college for four years. At what was supposedly a hippie school with no tests and no grades, blah blah blah, I wasn't learning that. I was taking photography classes. That stuff just wasn't talked about. It was like, "Does this picture have the right about of grey in it?" It wasn't even an art school. It was a state-run school.”

“My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'”

“As far as the hate, it makes me laugh. Everybody is a critic. Every critic I've ever had, they weren't wrestlers. Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.”