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Talking Quotes

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Talking Quotes

“I'm sorry, was that homophobic? No--I think it was, 'cause I hear that a lot. Dave, What?, You're talking about being gay. You probably secretly are gay. And I'm like listen voice in my head, I'm not! HOW DO YOU KNOW YOU WOULDN'T LIKE IT? HOW DO YOU KNOW YOU WOULDN'T LIKE IT? I know I wouldn't like it, other scarier voice in my head! 'Cause one time while making a sandwich, a cucumber went up my ass. Three times.”

“You're talking to a modern, nice, affable German person and they're saying to you something like 'You know, vell, it's a critical time now for Germany within Europe, also globally, economically ve are pretty good, ve have been better. But ve are very vibrant in the theater and arts...' and all the time you'll be listening to this, you're thinking Mmm, yeah, mmm... Hitler, Hitler, Hitler, Hitler, Hitler.”

“Probably the only thing that isn't great is the time when I know I'm very close to finishing the actual writing of the story and I'm overcome by this sense of loss. I think it's because I know I won't be "talking" to the main character anymore, it's sort of like what you feel when you know a friend is moving away and you probably won't be seeing her again.”

“I've been mayor so I believe there is something else for me. I don't know what that is yet, but I definitely have a testimony now brother! As far as talking to young couples, talking to brothers who are strong, they have it going on, they know exactly what they want to do, how they want to do it but they don't have any God in their life. They don't really move by a spirit. They are not really connected to the community. There is a testimony in here somewhere that I think I can share but I don't know.”

“It doesn't matter if you're talking to a communist or a fascist if you say, do you want a good future for your kids? Well they're all going to say yes. Well do you think that money should be spent efficiently? Yes. Al of these things, everyone agrees on them but the way that we discuss them and the language that we use we hold different definitions for.”

“If you've done your preparation and you know the team of people that you're working with, then it makes life an awful lot easier. I still get nervous all the time. I think the best thing to do is to take a deep breath, make it simple, know what you're talking about, don't try and be fancy, don't try and be clever and just enjoy the experience.”

“Leading up to a live event you need to do your homework and go to bed early. Sometimes it's very tempting to go out with everybody else, They're all going to a party or going out for a nice meal and you think 'oh well I'd like to go', but sometimes you think 'no, if I'm going to be sitting in front of a camera under a light in everybody's home tomorrow I don't want big bags under my eyes and not really know what I'm talking about'.”

“I think that what I was talking about was that as a woman growing up in a Mormon tradition in Salt Lake City, Utah, we were taught - and we are still led to believe - that the most important value is obedience. But that obedience in the name of religion or patriotism ultimately takes our souls. So I think it's this larger issue of what is acceptable and what is not; where do we maintain obedience and law and where do we engage in civil disobedience - where we can cross the line physically and metaphorically and say, "No, this is no longer appropriate behavior."”

“It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.”

“I think it was the perfect gestation time for this particular piece [ Sounds Like Me: My Life (So Far) in Song]. One of the songs that I considered talking about was "Manhattan," because it was chronicling the end of a long relationship that was part of the reason why I moved from Los Angeles to New York, which was such a life-changing decision. I don't regret that it's not in there, but that's one that I considered diving into, and I have little piecemeal snippets of writing about that floating around”

“Trees are very good friends. Firm friends. My five year olds tree could be relied upon to be there next day, uncritical and protective. And think of trees contribution to our lives. They provide boats, buildings, paper, furniture and, for clog-wearers, footwear. As well as contributing toothpicks and chopsticks they give little birdies somewhere comfy to sit. Best of all, they help produce breathable air and lock up that naughty carbon. Why is why I am talking to the Greens about giving trees the vote.”

“my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.”

“A favorite science fiction writer of mine is William Faulkner! It was an idea that came to me once, years ago, and I've never quite been able to shake it. This is facetious, on one level at least. There are telepaths in As I Lay Dying. But I think the most compelling thing for me is there are moments with him where I just feel these are not humans talking to each other. These are some hyper-intelligent, yet-to-be-born organisms. The way they look at the past without having any loss of knowledge – everything that ever happened is still here.”

“I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.”

“I hear actresses talking about this all the time - this idea that you sit in meetings and the studio says, "Well, you can't do that because the audience won't like that. They won't root for you. It's not sympathetic." I think that we've been served this one dish for so long that we believe that it's all that audiences want, but when we test them or throw something out there that has some truth to it, they seem to always respond.”

“The difference is in Hostel it's in the theatre - it's in public but it's in a private place. You have to actively make a choice to want to go see it. It's not being forced on anyone. Whereas 24 you can be flipping channels and it's right there in your living room. Anyone has access to that. But that just shows how mainstream it is and how people are seeing this stuff on YouTube. People are scared of it. This is a subject matter that everyone's talking about and everyone's thinking about, particularly in American culture.”

“I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.”

“We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.”

“I think that one of the many advantages of death accruing over a long period of time is that you do have time to meet a lot of other people who are going through similar situations and one of the great delights of our life actually was sitting around in labs waiting for the results of tests and talking to other people who were waiting to find out whether their cancer numbers were going in the right direction or not.”

“...By a 'silly' theory I mean one which may be held at the time when one is talking or writing professionally, but which only an inmate of a lunatic asylum would think of carrying into daily life. ... It must not be supposed that the men who maintain these theories and beliefs are 'silly' people. Only very acute and learned men could have thought of anything so odd or defended anything so preposterous against the continual protests of common sense.”