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“And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.”

“It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.”

“When we were kids, you picked up a little paper and put it on a stick; and when you waved it back and forth, you understood the power of air underneath the wings. In that way, a child begins to understand abstraction, poetry, metaphor, symbolism. You play with the materials you have and use your imagination to make them into something else. That what's so sad about having everything on a little screen - it's not physical and dimensional, and that seems backward.”

“Let's start with the black glove. We felt it necessary being the fact that the Olympic Games, for the first time ever [in 1968], had been televised worldwide. The second thing is the fact that it was in Technicolor. Never had the games been shown in color before.We wanted it to be understood that we were representing America, but we were representing Black America in particular, so that's why we put the black glove on.”

“[Lost of the absolute] is in this sense that ''I no longer know what to do with my life" must be understood. Critics have been mistaken about the meaning of this phrase, seeing in it a cry of despair as in Simone de Beauvoir's "I have been cheated." When she uses this word it is to indicate that she claims from life an absolute which she cannot find there.”

“My mother and I definitely got to a point where we had to have a real conversation and talk woman to woman, or daughter to mother, friend to friend - just off the record, clear the air and communicate. I didn't want to drive my mama crazy, but at the same time, I had to do, I had to learn, I had to grow and she understood that. She knows me better than anyone else on the planet so I tried to think about that.”

“From the time I first understood economic principles, I was always concerned also that any system be operated on an efficient basis, which meant decentralization because knowledge is not concentrated anywhere. It's based on motivation, and so these are the advantages of, say, the cautious case for capitalism, that the market system is efficient.”

“I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.”

“It was when Boston invited us to do a parade one November, and I was the only [Star Wars] cast member skeptical of the willingness of people to come out to see us five actors drive by in antique cars in the Boston rain. Well, it was the first time I really understood the show's popularity.”

“Many people, including myself, thought of Jobs as an inventor, an Edison-like figure, but he wasn't. I did a documentary on James Brown recently; and, oddly, I found a lot in common between Jobs and Brown. Jobs was also a fantastic performer, put on an extraordinary live show at his product launches, but he could also be ruthless, cruel and totally self-aggrandizing. And just as Brown surrounded himself with the very best musicians, Jobs understood the importance of hiring the absolutely most talented people and knew how crucial they were to the success of what he was trying to do.”

“I teach art at a famous art school, and yet I don't have really the least notion what post-modernism means, but we have people in the letters and science department that understand it quite well and the students go there if they want to understand what this term that is being bandied about is all about, but I've never understood it.”

“Men are enforced into a kind of silence about their gender; they're supposed to not think of it as a performance. That's the definition of manliness - that it's not a performance; it's being yourself, authentic. Whereas women have understood gender as performance. Men have not yet made that quantum leap, or rather they're making it in many ways, they're not thinking about it.”

“Common sense, to me, is simple. And I've never understood why there aren't a lot of people trying to figure out how the United States became this special place and then try to replicate it around the world, because that's the solution to the human condition. The solution to poverty, the solution to misery, the solution to backwards living is the United States of America. Why not learn how that happened, learn why and how we happened. What is it that made it special?”

“If I had the good fortune of having the ability to influence people all over the world every time I spoke, I would do my best to make sure people understood why the United States of America is special, and then I would suggest that everybody who wants to come here, "I don't blame you, fine and dandy, there's a legal mechanism for this. We're not denying people the right to come to our country. There's a legal way to do it." That's another thing people forget.”

“The old battle between Christian Democrats and Social Democrats is now meaningless, not least because the social structures that underlay those parties, the church and the unions, have faded away. Nationalists and populists understood this change earlier; now the rest of the political world needs to understand that the political lines have been redrawn and it's time to change.”

“Fanon calls his ideology a new humanism, not only in contrast to the elite humanism of the West, but also on the axiom that the wretched of the earth, understood socially, think and thus must be a basis of a new politics. This, of course, is not achieved immediately, but it must become an explicit element of the struggle for liberation.”

“The thing that would probably surprise most people was that Dr. Martin Luther King was a very reluctant leader. He felt very shocked at times that he had been chosen for this path, but he also understood that he was chosen for this path. He had several moments of acute doubt as to if he was up for the task - when people were injured in the protests he took it very personally, let alone when they were killed.”

“In the founding days of the Constitution, the purpose of the media was to make sure that powerful government officials were held accountable. It really was. I mean, it was founders who hated the media like everybody else hates the media, but they understood the role they played. This media long ago when it comes to Hillary Clinton/Bill Clinton and the Democrat Party? No, no, no, no. They're the Democrat Party now. There is no media.”

“I never understood liberal Jews blaming Israel, you know, supporting Palestinians. I've never understood it, until I spoke once to a man named Norman Podhoretz, and he said to me, "Many of you refer to liberal Jews that way. They're not Jews. They are liberals. Liberalism is what is first and foremost in their identity. The fact that they are Jews is not paramount or prominent. It's secondary - and, in many cases, even tertiary - to their identity."”

“The way I understood purgatory - and maybe you've got a different version - but in Chicago in the '70s, the idea was it was like detention. You had screwed up and you go over there in purgatory and you sit there until the end of days and then we'll decide. You'd made your mistake, and you were in prison, and it's not terrible and it's not great, and you feel a little crappy because you were not in the presence of God.”

“To the extent that I've ever understood postmodernism - and I'm sure there are people out there who do, but I'm not one of them - one of its distinguishing traits is the story's awareness of its own artifice, and how that awareness becomes part of the story. And if that's right, then I have no idea how I ever got lumped into postmodernism except that I believe, since I was first published, people just haven't quite known where else to put me.”

“I remember it made me feel better because so many of my friends at school. Were doing that stuff and doing that stuff on sleep overs. But I just didn't feel ready. It wasn't like I had any judgment of it being two women. It would have scared me as much if not more. I was like a three month period in which all the words sleep over was code for was "let's get together and touch each other's vaginas." and I was. Haunted. And I remember going home and feeling like I couldn't tell my mother even though she would've understood and probably laughed.”

“If you start with the idea that you are going to be writing about a night in a graveyard, and that there are only a few living people in that frame, all sorts of interesting and difficult technical problems arise. And then form - new form, or experimental form - might be understood as just trying to tell that story most movingly and efficiently.”