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Wonderful Quotes

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Wonderful Quotes

“I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.”

“I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.”

“At the other end of the scale I was there with a whole lot of young British athletes so I was getting to see them take their first steps on the international ladder. I'd like to think maybe in five years time I'll look back and I'll forget all about the lost luggage and I'll forget about the horrible hotel, but I'll remember these wonderful athletes stepping onto the track for the first time.”

“Preserve the core, and let the rest flux. In their wonderful bestseller Built to Last, authors James Collins and Jerry Porras make a convincing argument that long-lived companies are able to thrive 50 years or more by retaining a very small heart of unchanging values, and then stimulating progress in everything else. At times "everything" includes changing the business the company operates in, migrating, say, from mining to insurance. Outside the core of values, nothing should be exempt from flux. Nothing.”

“I spent the first few years of my life in a smallish community in Queens. Back in those early days, kids could roam the streets with relatively little supervision and one place I visited frequently was the local library. This particular branch was little more than a storefront but to me it was an alternative universe where I could explore my interests and receive kind, informative answers to my questions from the wonderful librarians.”

“From the perspective of someone with two grown and wonderful kids, that your instincts as parents are correct: a minute spent reading to your kids now will repay itself a million-fold later, not only because they love you for reading to them, but also because, years later, when they’re gone and miles away, those quiet evenings, when you were tucked in with them, everything quiet but the sound of the page-turns, will, seem to you, I promise...... sacred.”

“Europe has another meaning for me. Every time I mention that word, I see the Bosnian family in front of me, living far away from whatever they call home and eating their own wonderful food because that's all that is left for them. The fact remains that after fifty years, it was possible to have another war in Europe; that it was possible to change borders; that genocide is still possible even today.”

“I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, "Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award." I was in the back of this car, and I said, "Oh," and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it's been worth hanging around all these years.”

“As a kid, I just was a contract player at MGM Studios. They put me into goodness knows how many different roles.Some of them were wonderful and some of them were very just distasteful and awful because I was playing out of my age range and I was thoroughly uncomfortable, let's put it that way. So it took me many years to find my acting feet.”

“I had published a co-edited book with Oxford a decade ago, my first book actually. Years later I found myself having lunch with Lori Stone, who was an editor at Oxford at that time. We connected at a conference and over the course of lunch she told me about a wonderful new series she had just developed called Understanding Research.”

“My first memoir, 'Home,' was about my childhood, early training and formative years in the Theater, i am so pleased that my good friends at the Hachette Book Group have encouraged me to share the next phase of my life, beginning with my arrival in Hollywood and the wonderful movies and television programs I was asked to be a part of.”

“The lure in art collecting and its financial rewards, not counting for a moment its aesthetic, cultural and intellectual rewards, is like the trust in paper money: it makes no sense when you really think about it. New artistic images are so vulnerable to opinion that it wouldn't take much more than a whim for a small group of collectors to decide that a contemporary artist was not so wonderful anymore, was so last year.”

“For thirty years most interface design, and most comptuer design, has been headed down the path of the "dramatic" machine. Its highest idea is to make a computer so exciting, so wonderful, so interesting, that we never want to be without it. A less-traveled path I call the "invisible"; its highest idea is to make a computer so imbedded, so fitting, so natural, that we use it without even thinking about it.”

“The single greatest pleasure that I have in doing ('Bizarre Foods') is when I meet families with 6, 7, 8-year-olds, or teenagers, who say, 'It's something the whole family can watch, and it lets us show our younger children that one man's 'weird' is another man's 'wonderful,' and we all kind of live in the same place.' It's just the best part of my day.”

“It is way less certain to be a wonderful business in the future. The threat is alternative mediums of information. Every newspaper is scrambling to parlay their existing advantage into dominance on the Internet. But it is way less sure [that this will occur] than the certainty 20 years ago that the basic business would grow steadily, so there's more downside risk. The perfectly fabulous economics of this business could become grievously impaired.”

“To aspiring writers, I would tell them that we live in a wonderful time where you're able to make your work visible, easily. If you think about it, even ten years ago or twenty years ago, there was a middle man, there was a publisher, there were studios, there was this world of rejection letters. Now, we're in a place where we have the technology and the ability to go shoot our own movies or to put stuff on YouTube or a blog, if you're a writer, or self-publish.”

“It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.”

“I had been in Chicago for 22 years, and my wife and I didn't want to see another Chicago winter. Its a wonderful town but the winters are brutal. My wife and I are both east coast people and we wanted to live someplace a little bit warmer but didn't want to live way down south. So Delaware seemed like a good compromise.”

“Chronicle Books is a wonderful book company. I love how everything represents who I am. The Diva Rules! is not an autobiography in the sense that I am talking about my life but more about my journey as to where I am now. People told me I would never make it. I was staring in the face of adversity and did it anyway. I chronicle it through the years. It is about finding your strength.”

“If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.”

“Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation.”

“I received a wonderful email after I spoke at a school from a girl who'd lived in a war zone and endured horrors no human being should suffer, let alone a child. This young lady was fortunate to be bought to Britain and seemed to adjust well, but suddenly found herself falling off the rails and sliding into hell when I chatted to her. In her letter, she told me the difference that I'd made. She's now 20 years old and a fashion designer employing staff and she puts her work ethic down purely to talking to me. It's my most treasured letter.”

“It hit me that an Apache resistance would be a wonderful, you know, it would be a wonderful metaphor for Jewish-American soldiers to be using behind enemy lines against the Nazis because the Apache Indians... were able to fight off for decades both the Spaniards and the Mexicans and the U.S. Cavalry for years because of their - they were great guerrilla fighters. They were great resistance fighters. And one of their ways of winning battles was psychological battles.”

“Elderly people are like plants. Whereas some go to seed, or to pot, others blossom in the most wonderful ways. I believe beauty competitions should be held only for people over seventy years of age. When we are young, we have the face and figure God gave us. We did nothing to earn our good looks. But as we get older, character becomes etched on our face. Beautiful old people are works of art. Like a white candle in a holy place, so it the beauty of an aged face.”

“I looked at the pilgrims coming to America. In their first year, they decided to try a communist experiment. And the first year of the pilgrims, they established this socialistic concept: 'Well, we have all this land before us - let us all work it together.' Oh, how wonderful it sounded. 'Let us all work it together, and we will share in the produce of the land.' They almost starved to death! Almost half of them died, that very first year.”