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“Here's the analogy. If my body were a car, I'd be thinking about trading it in around now. I would like to upgrade. I would be actually on the lot somewhere and some guy with a loud sports jacket would be sizing me up...kinda lookin' around goin--maybe kickin my knees. Looking behind me going: That looks a little bashed in back there...Yeah. You mind if I check under the hood?" 'Well yes I do! Thank you very much.”

“Losing builds character. So, if you're the loser in your family, don't worry. 'Cos twenty years form now, that perfect can do no wrong brother of yours is going to show up at your house, bald, fat, divorced, with six kids who all hate him and he's going to ask you for money. And because of your character, you're going to look him right in the eyes and you're going to say, You know what, I'll give you some money. If you mow my lawn and detail my car. Oh yeah, then you can shampoo the tail. Loser.”

“I was driving in Manhattan. There's traffic, nobody's moving... The guy behind me is honking just at me. He kept yelling at me. I decided that I'm gonna argue with this guy, but I'm gonna argue about something else. I'm not having his argument; I'm having mine. So, he's like, 'Go!' And I go, 'Well give me back my jacket!' And he stopped. I was like, 'Yeah, you got my jacket! Give it back! I said you could borrow it, not have it! You're stretching it out, you fat pig! Give it back, now!' He got back in his car, and he locked his doors.”

“A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.”

“My first film I made, "Permanent Vacation," we shot in 1979 for like $12,000, part of which I got a fake car loan for that Amos Poe told me you could do that. And, yeah, I had no idea what I was doing. It was just like, well, we're going to try and do this. Partly because I had been following Amos Poe and Eric Mitchell around for about a year, and I worked on some of Eric's films as a sound recordist and stuff.”

“I was lucky I survived the motorcycle accident because I - bike went under the car. I flew out about 20 or 25 feet. I didn't have a helmet on. I hit my head on the pavement and knocked myself out, gave myself a brain concussion, screwed up my left leg. And I was - I was lucky then that I didn't get killed because I didn't have any protective clothing on whatsoever. And I took a pretty good beating. But, yeah, such was the nature of the day when the barber was called and Samson's locks were trimmed.”

“We got Sally Field onboard [in Smokey and the Bandit] and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.”

“Lights! Lights would be very good right now! (Amanda) Since they hurt my eyes to the point I can barely see, no they wouldn't. Trust me. (Kyrian) Trust you, my left foot! I'm not immortal over here! (Amanda) Yeah, well, in a bad enough car wreck, neither am I. (Kyrian) I really hate your sense of humor. (Amanda)”

“One of the men gave Butch a bunch of volts with a stun gun. The Rangeman didn’t move fast enough, and Butch grabbed the gun and threw it across the room. “Hunh,” Rangeman guy said. “Yeah,” I said. “Been there, done that.” “Are you sure he’s human?” “Maybe you could hook a chain to the FlexiCuffs on his ankles and drag him behind your car,” I said. “We tried that once, and Ranger didn’t like it,” the guy said. “You do something twice that Ranger doesn’t like, and you’re out of a job and damaged.”

“Do you know where Jason is?” she asked Dmitri when they exited the morgue. Dmitri pressed the car remote to unlock the flame red Ferrari parked in the employees-only lot. “Tired of your Bluebell already?” A tendril of champagne circled around her senses, cut with something far harder. Never had she felt that harsh edge in Dmitri’s scent. She pitied the woman he took to his bed today. “Yeah, that’s it. I’m building a harem.”