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Chris Abani

Chris Abani Biography

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“The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.”

ThinkingKnowsWellsEndsStoriesHomeAmericaCultureNovelStreetsFashionWallTruth IsNewsWho I AmMagazinesWho We AreThe End Of The DayJournalPopular CultureStock ExchangeWall Street JournalFashion Magazines
Author:Chris Abani
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“I have not spoken in three years: not since I left boot camp. It has been three years of a senseless war, and though the reasons for it are clear, and though we will continue to fight until we are ordered to stop--and probably for a while after that--none of us can remember the hate that led us here. We are simply fighting to survive the war. It is a strange place to be at fifteen, bereft of hope and very nearly of your humanity. But that is where I am nonetheless.”

YearsHas BeensWarReasonRememberHateHumanityFightingThreeLeftClearStrangeCampsThree YearsBootsFifteenBereftStrange PlacesBoot Camp
Book:Song For Night
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“Sometimes we say we want an end to hate or racism or sexism. But we all participate in keeping these structures alive. If everyone decided to relinquish the past what would happen to people who feel that there hasn't been proper atonement made to them? And what happens to the person who feels that the constant atonement is their identity?”

PeopleIfsWantFeelsPersonsMadeEndsSometimesHappensPastHateAliveIdentityRacismDecidedStructureConstantSexismAtonement
Author:Chris Abani
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“Much of the image of the amazingness of America comes from the movies into other cultures. And it's much the same thing when you reverse it. Much of Africa is presented through poverty, through drought and war. [But] you're not presenting people, you're not presenting countries, you're not presenting complexity, and so people can't care about an amorphous mass called Africa.”

PeopleWarCountryCareAmericaCulturePovertyMassComplexityReversePresentingDroughtOther Cultures
Author:Chris Abani
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“We are hunting the demons that haunt others. We get a smell and off we go. And you know why, Sunil? You know why we are so good at hunting the demons of others? Because we are so good, gifted even, at stalking and evading our own. But all demons hunters think that they are really heroes, and you know what all heroes need?”

ThinkingKnowsNeedsHeroSmellDemonHuntingGiftedHuntersStalkingAnd Off
Book:The Secret History of Las Vegas: A Novel
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“The Internet is really our meeting place. We have this amazing listserv. Every time I log onto it I feel a sense of pride, because if you log on and say, "Oh I was just in San Diego and I was in a park and I saw a lion," the flurry of replies on average is just like--wow! All these existential questions about what it means to be an African, and never having seen a lion at home, but having seen a lion here. Everything you say turns into this real philosophical debate--it's incredible in so many ways. And it's an invigorating place to be.”

IfsWayFeelsMeanRealHomeTurnsSawsPrideInternetPhilosophicalMeetingsIncrediblesAverageDebateParksLionsWowExistentialInvigoratingSan Diego
Author:Chris Abani
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“The greatest thing about form and convention is that it saves you from having to reinvent the wheel. Now, whether you mount the wheel to a horse carriage or a Formula One racing car, make it plain or give it spinning rims, those are all craft decisions. But the fact of the wheel remains: it will turn if you set it down. That's what I mean about the beauty of the gifts genre can offer.”

IfsGivingMeanFactsFormTurnsDecisionCarOffersHorseRemainsCraftsGenreWheelsFormulasRacingConventionsSpinningCarriagesRace CarRimsFormula One
Author:Chris Abani
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“Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.”

ThinkingKnowsBookRealCountryFactsFacesCertainReadingFictionRiskDangerousChangedReaderRight NowChinaDeeperNonfictionOther CountriesPersecutionSeducingEthiopiaYou Have Changed
Author:Chris Abani
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“Since I hold no judgments against my characters, no matter how heinous they might seem, I present them as real people with their own moral centers. We might feel those moral centers are mis-calibrated, but they are there and are the rudders that propel them. This makes reading my work a visceral roller coaster, 'cause the reader must embark on the journey of the protagonist equipped only with his or her own moral center.”

PeopleFeelsRealMatterCharacterSeemsMightReadingCausesMoralJourneyReaderJudgmentProtagonistsRoller CoasterCoastersVisceralRudders
Author:Chris Abani
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“The truth is that History, with its imposing capital H, is simply the amalgamation of many quotidian lives lived in very ordinary ways. History is always personal. If you read Holocaust survivor or American slavery survivor narratives, you realize all too well that these great Historical moments were personal to someone at some time.”

IfsWayWellsMomentsRealizingTruth IsOrdinarySlaveryHistoricalNarrativeSurvivorHolocaustImposingAmerican SlaveryHolocaust SurvivorAmalgamationGreat Historical
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“If you encounter a human shadow burned permanently into the concrete in Hiroshima, you realize that this is the trace of a very ordinary person now elevated into the emblematic. Time, shame, complicity, or discomfort are the only things that make us pretend History is impersonal or far removed from the power and consequences of our every lived moment.”

IfsHumansPersonsMomentsRealizingOrdinaryShadowConsequenceShameEncountersConcreteBurnedDiscomfortHiroshimaComplicityOrdinary Person
Author:Chris Abani
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“All power within the microcosm of my world was held and wielded by people who look like me. Plus, I think Nigerians all have this sense that they are better than everyone, including white people. So I have the privilege of a certain distance. It may just be that. So in a sense, I can't claim that as any ability that I have, simply a matter of circumstance.”

PeopleThinkingWorldLooksMayI CanMatterCertainAbilityWhiteCircumstancesClaimsDistanceIncludingPrivilegeLike MePlusMicrocosm
Author:Chris Abani
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“I think that those of us who are ordinary disappear easily into the backdrop of life and we take things for granted. We often wake up in our lives and wonder how we got there. But the characters I create, the people I am drawn to, are quite extraordinary (and not always in wholesome ways), and they offer us the chance to understand who we really are and how we became who we are.”

PeopleThinkingWayCharacterChanceWonderOur LivesOffersOrdinaryWake UpExtraordinaryDisappearGrantedWho We AreBackdropTaking Things For Granted
Author:Chris Abani
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“Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.”

WayWarRealStoriesRealityHappensAgeActionLiteraturePowerfulAspectIdeologyMake SenseJustificationSentimentalNew AgeWorldviewJargon
Author:Chris Abani
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“Love is at once the most creative and yet simultaneously destructive force in the world, and thus, in our lives. And I don't mean the Hallmark sentimental type of love, although that is part of it. But a deeper obligation that we have to each other: the obligation to reflect our humanness at each other, to reflect back the things others show us and we, them.”

WorldMeanShowsForceLove IsCreativeOur LivesTypeDeeperObligationDestructiveSentimentalHallmarkHumannessTypes Of Love
Author:Chris Abani
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