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Hermann Hesse

Hermann Hesse Quotes

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Famous Hermann Hesse Quotes

“But all my life I have been as timid and as obstinate as a child. I was always waiting for my real life to take me by storm, make me rich and wise and bear me on its great wings towards some more adult happiness. But life in its wisdom quietly allowed me to go on. It sent me neither storms nor starts, but waited until I regained my patience and humility, and my pride was broken. It let me play out my comedy of pride and priggishness and watched and waited for the truant child to find its mother again.”

“And he had to say farewell to his hands, his eyes, to hunger and thirst, to love, to playing the lute, to sleeping and waking, to everything. Tomorrow a bird would fly through the air and Goldmund would no longer see it, a girl would sing in a window and he would not hear her song, the river would run and the dark fish would swim silently, the wind would blow and sweep the yellow leaves on the ground, the sun would shine and stars would blink in the sky, young men would go dancing, the first snow would lie on the distant mountains—everything would go on, trees would cast their shadows, people would look gay or sad out of their living eyes, dogs would bark, cows would low in the barns of villages, and all of it without Goldmund.”

“For him, behind every feeling and thought was the sense of the open door leading into nothingness. To be sure, he suffered from dread of many things, of madness, the police, insomnia, and also dread of death. But everything he dreaded he likewise desired and longed for at the same time. He was full of burning curiosity about suffering, destruction, persecution, madness and death.”

“If only there were a dogma to believe in. Everything is contradictory, everything is tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of world history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn't there any truth? Is there no real and valid doctrine?" Joseph Knect said to his Music Master "there is truth, my boy. But the doctrine you desire, absolute perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend rather, you should long for perfection in yourself. The deity is within you, not in ideas and books. Truth is lived not taught”

“Every age, every culture, every custom and tradition has its own character, its own weakness and its own strength, its beauties and ugliness; accepts certain sufferings as matters of course, puts up patiently with certain evils. Human life is reduced to real suffering, real hell, only when two ages, two cultures and religions overlap. A man of the Classical Age who had to live in medieval times would suffocate miserably just as a savage does in the midst of our civilization. Now there are times when a whole generation is caught in this way between two ages, two modes of life, with the consequence that it loses all power to understand itself and has no standard, no security, no simple acquiescence. Naturally, everyone does not feel this equally strongly. A nature such as Nietzsche’s had to suffer our present ills more than a generation in advance. What he had to go through alone and misunderstood, thousands suffer today.”

“What we think of as acts of cruelty are in reality nothing of the kind. Someone from the Middle Ages would still find the whole style of our present-day life abhorrent, but cruel, horrifying and barbaric in a quite different way. Every age, every culture, every ethos and tradition has a style of its own, has the varieties of gentleness and harshness, of beauty and cruelty that are appropriate to it. Each age will take certain kinds of suffering for granted, will patiently accept certain wrongs. Human life becomes a real hell of suffering only when two ages, two cultures and religions overlap. Required to live in the Middle Ages, someone from the Graeco-Roman period would have died a wretched death by suffocation, just as a savage inevitably would in the midst our civilisation. Now, there are times when a whole generation gets caught to such an extent between two eras, two styles of life, that nothing comes naturally to it since it has lost all sense of morality, security and innocence. A man of Nietzsche's mettle had to endure our present misery more than a generation in advance. Today, thousands are enduring what he had to suffer alone and without being understood.”

“The great majority of Castalians, the officials no less than the scholars and students, lived in their Pedagogic Province and their Order as if these constituted a stable, eternal, inevitable world. They knew, of course, that it had not always existed, that it had come into being slowly and amid bitter struggles in times of cruel distress; they knew it had originated at the end of the Age of Wars out of a double source: the heroically ascetic efforts of scholars, artists, and thinkers who had come to their senses, and the profound craving of the exhausted, bled, and betrayed peoples for order, normality, reason, lawfulness, and moderation.”

“I do want something more. I’m not content to be happy, that’s not what I’m cut out to be, not what fate intended for me. I’m destined to be the very opposite. I had more than my fair share of unhappiness but my unhappiness was stupid, barren... Because if I wanted to die, and I did, I ought not to have been so afraid of death. The unhappiness I’m in need of and longing for is different. It’s of a kind that will make me hunger for suffering and lust for death. That’s the sort of unhappiness, or happiness, I am waiting for. There is nothing wrong with this happiness. On the contrary, I love it, feel grateful for it. It’s as beautiful as a sunny day in a summer of rain. But I sense that it can’t last, so it is barren too, this happiness. It is satisfying, but satisfaction is not the nourishment I need. It’s enough to fill Steppenwolf’s stomach and send him to sleep, but it’s not the kind of happiness to die for. I am very satisfied with my happiness. It’s something I can live with for quite a while yet, but if it occasionally deserts me for an hour or so, allowing me to wake from my sleep and experience a longing for something, what I long for with all my being is not this happiness, not that it should last for ever. Rather, I long to experience suffering again, only more exquisitely, more richly this time. What I yearn for are the kinds of suffering that will make me ready and willing to die.”

“Înlăuntrul tău sălășluia o imagine pe care ți-o făcuseși tu despre viață, o încredere, o cerință anume, erai gata de fapte, erai gata să suferi, să te ssacrifici - pentru ca apoi, pas cu pas, să-ți dai seama că lumea nu cerea de la tine niciun fel de fapte și sacrificii sau ceva de genul ăsta, că viața nu e un poem eroic cu roluri de eroi și alte lucruri dintr-astea, ci un salon confortabil pentru oamenii cu obiceiuri burgheze, în care individul se declară pe deplin mulțumit dacă mănîncă și bea, dacă își soarbe cafeaua, dacă împletește ciorapi, joacă taroc și ascultă muzică la radio. Iar cine vrea altceva, purtînd în el însuși eroicul și frumosul, admirația pentru marii scriitori sau admirația pentru sfinți, nu-i decît un nebun și un fel de cavaler Don Quijote.”

“An enlightened man had but one duty--to seek the way to himself, to reach inner certainty, to grope his way forward, no matter where it led. The realization shook me profoundly, it was the fruit of this experience. I had often speculated with images of the future, dreamed of roles that I might be assigned, perhaps as poet or prophet or painter, or something similar. All that was futile. I did not exist to write poems, to preach or to paint, neither I nor anyone else. All of that was incidental. Each man had only one genuine vocation--to find the way to himself. He might end up as poet or madman, as prophet or criminal--that was not his affair, ultimately it was of no concern. His task was to discover his own destiny--not an arbitrary one--and live it out wholly and resolutely within himself. Everything else was only a would-be existence, an attempt at evasion, a flight back to the ideals of the masses, conformity and fear of one's own inwardness.”

“Voll Blüten steht der Pfirsichbaum nicht jede wächst zur Frucht sie schimmern hell wie Rosenschaum durch Blau und Wolkenflucht. Wie Blüten geh'n Gedanken auf hundert an jedem Tag -- lass' blühen, lass' dem Ding den Lauf frag' nicht nach dem Ertrag! Es muss auch Spiel und Unschuld sein und Blütenüberfluss sonst wär' die Welt uns viel zu klein und Leben kein Genuss.”

“Between the dark, heavily laden treetops of the spreading chestnut trees could be seen the dark blue of the sky, full of stars, all solemn and golden, which extended their radiance unconcernedly into the distance. That was the nature of the stars. and the trees bore their buds and blossoms and scars for everyone to see, and whether it signified pleasure or pain, they accepted the strong will to live. flies that lived only for a day swarmed toward their death. every life had its radiance and beauty. i had insight into it all for a moment, understood it and found it good, and also found my life and sorrows good.”

“But peace, too, is a living thing and like all life it must wax and wane, accommodate, withstand trials, and undergo changes. Such was the case with the peace Josephus Famulus enjoyed. It was unstable, visible one moment, gone the next, sometimes near as a candle carried in the hand, sometimes as remote as a star in the wintry sky. And in time a new and special kind of sin and temptation more and more often made life difficult for him. It was not a strong, passionate emotion such as indignation or a sudden rush of instinctual urges. Rather, it seemed to be the opposite. It was a feeling very easy to bear in its initial stages, for it was scarcely perceptible; a condition without any real pain or deprivation, a slack, luke-warm, tedious state of the soul which could only be described in negative terms as a vanishing, a waning, and finally a complete absence of joy. There are days when the sun does not shine and the rain does not pour, but the sky sinks quietly into itself, wraps itself up, is gray but not black, sultry, but not with the tension of an imminent thunderstorm. Gradually, Joseph's days became like this as he approached old age. Less and less could he distinguish the mornings from the evenings, feast days from ordinary days, hours of rapture from hours of dejection. Everything ran sluggishly long in limp tedium and joylessness. This is old age, he thought sadly. He was sad because he had expected aging and the gradual extinction of his passions to bring a brightening and easing of his life, to take him a step nearer to harmony and mature peace of soul, and now age seemed to be disappointing and cheating him by offering nothing but this weary, gray, joyless emptiness, this feeling of chronic satiation. Above all he felt sated: by sheer existence, by breathing, by sleep at night, by life in his cave on the edge of the little oasis, by the eternal round of evenings and mornings, by the passing of travelers and pilgrims, camel riders and donkey riders, and most of all by the people who came to visit him, by those foolish, anxious, and childishly credulous people who had this craving to tell him about their lives, their sins and their fears, their temptations and self-accusations. Sometimes it all seemed to him like the small spring of water that collected in its stone basin in the oasis, flowed through grass for a while, forming a small brook, and then flowed on out into the desert sands, where after a brief course it dried up and vanished. Similarly, all these confessions, these inventories of sins, these lives, these torments of conscience, big and small, serious and vain, all of them came pouring into his ear, by the dozens, by the hundreds, more and more of them. But his ear was not dead like the desert sands. His ear was alive and could not drink, swallow, and absorb forever. It felt fatigued, abused, glutted. It longed for the flow and splashing of words, confessions, anxieties, charges, self-condemnations to cease; it longed for peace, death, and stillness to take the place of this endless flow.”

“There is, after all, always something wonderful and touchingly beautiful about a young man, for the first time released from the bonds of schooling, making his first ventures toward the infinite horizon of the mind. At this point he has not yet seen any of his illusions dissipated, or doubted either his own capacity for endless dedication or the boundlessness of the world of thought.”

“Men of dreams, the lovers and the poets, are better in most things than the men of my sort; the men of intellect. You take your being from your mothers. You live to the full: it is given you to love with your whole strength, to know and taste the whole of life. We thinkers, though often we seem to rule you, cannot live with half your joy and full reality. Ours is a thin and arid life, but the fullness of being is yours; yours the sap of the fruit, the garden of lovers, the joyous pleasaunces of beauty. Your home is the earth, ours the idea of it. Your danger is to be drowned in the world of sense, ours to gasp for breath in airless space. You are a poet, I a thinker. You sleep on your mother's breast, I watch in the wilderness. On me there shines the sun; on you the moon with all the stars. Your dreams are all of girls, mine of boys—”

“Not everyone is allotted the chance to become a personality; most remain types, and never experience the rigor of becoming an individual. But those who do so inevitably discover that these struggles bring them into conflict with the normal life of average people and the traditional values and bourgeois conventions that they uphold. A personality is the product of a clash between two opposing forces: the urge to create a life of one's own and the insistence by the world around us that we conform. Nobody can develop a personality unless he undergoes revolutionary experiences. The extent of those experiences differs, of course, from person to person, as does the capacity to lead a life that is truly personal and unique.”

“I had often toyed with pictures of the future, dreamed of rôles which might be assigned to me—as a poet, maybe, or prophet or painter or kindred vocation. All that was futile. I was not there to write poetry, to preach or paint; neither I nor any other man was there for that purpose. They were only incidental things. There was only one true vocation for everybody—to find the way to himself. He might end as poet, lunatic, prophet or criminal—that was not his affair; ultimately it was of no account. His affair was to discover his own destiny, not something of his own choosing, and live it out wholly and resolutely within himself.”

“And mind you, Hermine, even though such abusive articles cannot annoy me any longer, they often sadden me all the same. Two-thirds of my countrymen read this kind of newspaper, read things written in this tone every morning and every night, are every day worked up and admonished and incited, and robbed of their peace of mind and better feelings by them, and the end and aim of it all is to have the war over again, the next war that draws nearer and nearer, and it will be a good deal more horrible than the last. All that is perfectly clear and simple. Any one could comprehend it and reach the same conclusion after a moment's reflection. But nobody wants to. Nobody wants to avoid the next war, nobody wants to spare himself and his children the next holocaust if this be the cost. To reflect for one moment, to examine himself for a while and ask what share he has in the world's confusion and wickedness-look you, nobody wants to do that. And so there's no stopping it, and the next war is being pushed on with enthusiasm by thousands upon thousands day by day. It has paralysed me since I knew it, and brought me to despair. I have no country and no ideals left. All that comes to nothing but decorations for the gentlemen by whom the next slaughter is ushered in. There is no sense in thinking or saying or writing anything of human import, to bother one's head with thoughts of goodness for two or three men who do that, there are thousands of papers, periodicals, speeches, meetings in public and in private, that make the opposite their daily endeavor and succeed in it too.”

“- ბატონებო! თქვენ წინაშეა ჰარი ჰალერი. მას ბრალად ედება მაგიური თეატრის ბოროტად გამოყენება. როცა მან ჩვენი მშვენიერი სურათების გალერეა ეგრეთ წოდებულ სინამდვილესთან გააიგივა და გათქვიფა, ხოლო სარკეში არეკლილი გოგონა ასეთივე არეკლილი დანით სასიკვდილოდ განგმირა, ამ საქციელით მან მარტოოდენ ჩვენი მაღალი ხელოვნება როდი შეურაცხყო! იგი არაიუმორისტული გზით შეეცადა ჩვენი თეატრი თვითმკვლელობის იარაღად გამოეყენებინა! ამიტომაც სასამართლომ ჰარელს მარადიული სიცოცხლის განაჩენი გამოუტანა. შემდგომ ამისა, მას თორმეტი საათის განმავლობაში ეკრძალება ჩვენს თეატრში შემოსვლა . ამასთან ერთად, ძალაში რჩება ბრალდებულისათვის გამოტანილი ერთჯერადი დაცინვის განაჩენიც. ბატონებო! გთხოვთ, აღასრულოთ! ერთი, ორი, სამი! მესამე თვლაზე ყველა იქ მყოფი თვინიერად ახარხარდა, ეს ციური დასის სიცილი იყო , ადამიანის ყურისათვის აუტანელი, არაამქვეყნიური და შემზარავი.”

“Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd.”

“The morning was a wretched time of day for him. He feared it and it never brought him any good. On no morning of his life had he ever been in good spirits nor done any good before midday, nor ever had a happy idea, nor devised any pleasure for himself or others. By degrees during the afternoon he warmed and became alive, and only towards evening, on his good days, was he productive active and sometimes, aglow with joy.”

“I thought of nothing but her. I expected everything from her. I was ready to lay everything at her feet. I was not in the least in love with her. Yet I had only to imagine that she might fail to keep the appointment, or forget it, to see where I stood. Then the world would be a desert once more, one day as dreary and worthless as the last, and the deathly stillness and wretchedness would surround me once more on all sides with no way out from this hell of silence except the razor.”

“...ծառուղու վերջում կանգնած էի ես` անվճռական վարանքին տրված,սևեռուն նայում էի սևակնած սաղարթի մեջ ու ագահ ընչաքաղցությամբ ներշնչում հողմահարության ու նեխումի թաց բուրմունքը,որին ինչ-որ բան արձագանքում ու ողջունում էր իմ մեջ: Օ՜,ինչ տհաճ համ ուներ կյանք...”

“He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life’s instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth.”