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Sylvia Plath

Sylvia Plath Quotes

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Famous Sylvia Plath Quotes

“Dodo Conway was a Catholic who had gone to Barnard and then married an architect who had gone to Columbia and was also a Catholic. They had a big, rambling house up the street from us, set behind a morbid façade of pine trees, and surrounded by scooters, tricycles, doll carriages, toy fire trucks, baseball bat, badminton nets, croquet wickets, hamster cages and cocker spaniel puppies--the whole sprawling paraphernalia of suburban childhood.”

Childhood
Book:the bell jar
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“THE MOON AND THE YEW TREE This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs on my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy, spiritous mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names. The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over the cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness -- blackness and silence. --written 22 October 1961”

ArielSylvia PlathThe Moon And The Yew Tree
Book:Ariel
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“You say you want more sleeping pills?" "Yes." "But the ones I gave you last week are very strong." "They don't work any more." […] "What seems to be the matter?" Teresa said then. "I can't sleep. I can't read." I tried to speak in a cool, calm way, but the zombie rose up in my throat and choked me off. I turned my hands palm up. "I think," Teresa tore off a white slip from her prescription pad and wrote down a name and address, "you'd better see another doctor I know. He'll be able to help you more than I can." I peered at the writing, but I couldn't read it. "Doctor Gordon," Teresa said. "He's a psychiatrist.”

StrongZombiePillsPsychiatrySleepingDoctorCan T SleepCan T Read
Book:the bell jar
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“Of course, you have another year at college yet,' Jay Cee went on a little more mildly. 'What do you have in mind after you graduate?' What I always thought I had in mind was getting some big scholarship to graduate school or a grant to study all over Europe, and then I thought I'd be a professor and write books of poems or write books of poems and be an editor of some sort. Usually I had these plans on the tip of my tongue. 'I don't really know,' I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew it was true. It sounded true, and I recognized it, the way you recognize some nondescript person that's been hanging around your door for ages and then suddenly comes up and introduces himself as your real father and looks exactly like you, so you know he really is your father, and the person you thought all your life was your father is a sham. 'I really don't know.”

MiseryGraduationBad Faith
Book:the bell jar
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“Of course, you have another year at college yet,' Jay Cee went on a little more mildly. 'What do you have in mind after you graduate?' What I always thought I had in mind was getting some big scholarship to graduate school or a grant to study all over Europe, and then I thought I'd be a professor and write books of poems or write books of poems and be an editor of some sort. Usually I had these plans on the tip of my tongue. 'I don't really know,' I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew it was true. It sounded true, and I recognized it, the way you recognize some nondescript person that's been hanging around your door for ages and then suddenly comes up and introduces himself as your real father and looks exactly like you, so you know he really is your father, and the person you thought all your life was your father is a sham. 'I don't really know.”

MiseryGraduationBad Faith
Author:Sylvia Plath
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“From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, another fig was a famous poet and another fig was a brilliant professor, ... I wanted each and everyone of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

Decision MakingDilemmasTime Pressure
Book:the bell jar
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“Later Buddy told me the woman was on a drug that would make her forget she'd had any pain and that hen she swore and groaned she really didn't know what she was doing because she was in a kind of twilight sleep. I thought it sounded just like the sort of drug a man would invent. Here was a woman in terrible pain, obviously feeling every bit of it or she wouldn't groan like that, and she would go straight home and start another baby, because the drug would make her forget how bad the pain had been, hen all the time, in some secret part of her, that long, blind, doorless and windowless corridor of pain was waiting to open up and shut her in again.”

Maternity
Book:the bell jar
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“Também lembrei de Buddy Williard dizendo com uma voz sinistra e sabichona que depois que tivéssemos filhos eu me sentiria diferente e não mais teria vontade de escrever poemas. E me ocorreu que talvez fosse verdade aquela história de que casar e ter filhos era como passar por uma lavagem cerebral, e que depois eu que você ficava inerte feito um escravo num pequeno estado totalitário.”

FeminismoFeminist Literature
Book:the bell jar
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“There are times when a feeling of expectancy comes to me, as if something is there, beneath the surface of my understanding, waiting for me to grasp it. It is the same tantalizing sensation when you almost remember a name, but don't quite reach it. I can feel it when I think of human beings, of the hints of evolution suggested by the removal of wisdom teeth, the narrowing of the jaw no longer needed to chew such roughage as it was accustomed to; the gradual disappearance of hair from the human body; the adjustment of the human eye to the fine print, the swift, colored motion of the twentieth century. The feeling comes, vague and nebulous, when I consider the prolonged adolesence of our species; the rites of birth, marriage and death; all the primitive, barbaric ceremonies streamlined to modern times. Almost, I think, the unreasoning, bestial purity was best. Oh, something is there, waiting for me. Perhaps someday the revelation will burst in upon me and I will see the other side of this monumental grotesque joke. And then I'll laugh. And then I'll know what life is.”

LifeUnderstandingRestlessness
Book:The Unabridged Journals of Sylvia Plath
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“And heart's frosty discipline Exact as a snowflake. But here–a burgeoning Unruly enough to pitch her five queenly wits Into vulgar motley– A treason not to be borne. Let idiots Reel giddy in bedlam spring: She withdrew neatly. And round her house she set Such a barricade of barb and check Against mutinous weather As no mere insurgent man could hope to break With curse, fist, threat Or love, either.”

LoveAloneSpinsterIndependent Womenendence
Author:Sylvia Plath
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“With me, the present is forever and forever is always shifting, flowing, melting. This second is life. And when it is gone it is dead. But you can’t start over with each new second. You have to judge by what is dead. It’s like quicksand…hopeless from the start. A story, a picture, can renew sensation a little, but not enough, not enough. Nothing is real except the present, and already, I feel the weight of centuries smothering me. Some girl a hundred years ago lived as I do. And she is dead. I am the present, but I know I, too, will pass. The high moment, the burning flash, come and are gone, continuous quicksand. And I don’t want to die.”

Life
Book:The Unabridged Journals of Sylvia Plath
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“I am as happy here as I have ever been in my life: Ted and I take a long walk each day up to the moors (It’s generally rainy, or at least overcast) and never have I loved country so! All you can see us dark hills of heather stretching toward the horizon, as if you were striding on top of the world; last night at sunset the horizontal light turned us both luminous pink as we hiked in waterproof boots in the wuthering free wind, starting up rabbits that flicked away with a white flag of tail, staring back at the black-faced, gray furred moor sheep that graze, apparently wild, and with their curling horns looking like primeval yellow-eyed druid monsters. I never thought I could like any country as well as the ocean, but these moors are really even better, with the great luminous emerald lights changing always, and the animals and wildness. Read “Wuthering Heights” again here, and really felt it this time more than ever. --from a letter to her mother Aurelia Schober Plath, written on 11 September 1956”

Sylvia PlathYorkshireWuthering HeightsTed Hughes
Book:Letters of Sylvia Plath, Volume I: 1940-1956
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“Where will the careless conglomeration of environment, heredity, and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily—and now I am I because of that. It was inestimably important for me to look back at the lights of Amherst town in the rain, with the wet black tree-skeletons against the liquid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one—not at all.”

Page 25
Book:The Unabridged Journals of Sylvia Plath
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