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A Quotes

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All A Quotes

“Abstract: Careful review of a vast array of relevant evidence clearly leads to the conclusion that some unidentified flying objects are intelligently controlled vehicles whose origin is outside our solar system. All the arguments against the extraterrestrial origin seem to be based upon false reasoning, misrepresentation of evidence, neglect of relevant information, ignorance of relevant technology, or pseudo sophisticated assumptions about alien appearance, motivation, or government secrecy...”

“Abstraction automatically gives rise to optimized solutions within the universal set of all possible solutions, as has been shown in this book. It is these optimized solutions that make up and drive the non-abstract parts of the world, while the non-optimized solutions remain ‘hidden’ from the material world, inside the abstract world. Starting from a basis of no postulation, we build our theory. As we go on piling up possibilities, we come to a similar basis for understanding the four non-contact forces of nature known till date. The difference in ranges of these forces is explained from this basis in this book. Zero postulation or abstraction as the basis of theory synthesis allows us to explore even imaginary and chaotic non-favoured solutions as possibilities. With no postulation as the fundamental basis, we are thus able to pile up postulated results or favoured results, but not the other way round. We keep describing such implications of abstraction in this book. We deal with the abstraction of observable parameters involved in a given system”

“Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes. It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity. That sort of turned me on.”

“Abstraction, like poetry, does not dictate a clear narrative but rather, quietly offers a fragment, a piece of a mysteriously familiar narrative. In my paintings, there has continued to be a paring down of recognizable natural forms, which now have given way to a personal abstract vocabulary of shapes, colors and forms. The prominent use of abstraction has allowed me to distill and better communicate my emotions and ideas about life, nature and our respective place within it”

“Absurd, irreducible; nothing — not even a profound and secret delirium of nature — could explain it. Obviously I did not know everything, I had not seen the seeds sprout, or the tree grow. But faced with this great wrinkled paw, neither ignorance nor knowledge was important: the world of explanations and reasons is not the world of existence. A circle is not absurd, it is clearly explained by the rotation of a straight segment around one of its extremities. But neither does a circle exist. This root, on the other hand, existed in such a way that I could not explain it.”

“Absurdism, like methodical doubt, has wiped the slate clean. It leaves us in a blind alley. But, like methodical doubt, it can, by returning upon itself, open up a new field of investigation, and in the process of reasoning then pursues the same course. I proclaim that I believe in nothing and that everything is absurd, but I cannot doubt the validity of my proclamation and I must at least believe in my protest.”