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I Quotes

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All I Quotes

“In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")”

“In her final months Princess Diana was being shat upon by the tabloids -- basically for sleeping with an Arab. When she died, these same papers were astonished by the millennial wave of emotionalism that swept the country ... One paper had a print-ready story about what a slag the Princess was, and they had to pull it at the last moment. It was replaced with an image of Diana as an angel, ascending to heaven.”

“In her first major clash with the English before the walls of Orléans, Joan was injured by an arrow that penetrated the seams of her armor and drove through her chest so far that the point protruded out of her back. When the battlefield medics were debating how to best help her, she simply pulled the arrow out with her own hand. (Now there’s a leadership challenge!)”

“In her head, Aru had envisioned this epic leap where she soared through the air on the shield and pinned someone with her lightning bolt. In reality, she just slid forward and crashed into the back wall with a loud thud. Mini dropped her shield and Brynne ran to her. "What the heck was that?" demanded Boo. Aru groaned. "I don't know....It worked in Wonder Woman." "Are you Wonder Woman?" "I...am facedown in a pile of shame.”

“In her heart, she carries a river of memories, Those unforgotten years, weaving through time. In her eyes is the light of those unerased days, strong as stars in the sky. When wild winds blow, Wild is she, as memories escort her on the dance floor of meadows. Her songs that touched the earth, are woven from the lyrics of the dust where her loved ones are now asleep. So she carries it, a river of memories, the living walkway, the ripples of light between what once was and what now is.”

“In her heart, she still waited for Noin to extend his hand to her before everything ultimately came to an end. She pushed such a miserable wish to the back of her mind, putting a lid on it. Revenge and wishes were different. ‘Who would save you’; ‘who would kill you’— —it all came down to that.”

“In her inmost heart Lily knew it was not by appealing to the fraternal instinct that she was likely to move Gus Trenor; but this way of explaining the situation helped to drape its crudity, and she was always scrupulous about keeping up appearances to herself. Her personal fastidiousness had a moral equivalent, and when she made a tour of inspection in her own mind, there were certain closed doors she did not open.”

“In her loneliness, Lee collected a legion of animals in her room, where she left the window open to let them come and go. There were barn kittens and baby mice and tiny raccoons and little possum. They always grew up and eventually left her, but she was okay with that. Sometimes she'd see them in the woods months or years after, and they'd make eye contact, and an understanding would pass between them. It was the type of memory that she questioned now, skeptical of its plausibility. Yet, she could still remember the feeling of falling asleep with quivering fur against her cheek.”

“In her memoir, Anne Robinson recounts the wake-up call which motivated her to stop drinking. Leaving her eight-year-old daughter alone in their car while she went to buy liquor, she returned to find her daughter with tears running down her cheeks. The guilt and horror Ms. Robinson felt at this sight jolted her into sobriety.”

“In her mind, the ground rumbled and split open revealing the edge into a dark abyss. The shadows were always calling to her. Laughing at her. The familiar strains of loneliness flared under their torment. Drawing in a deep breath, she screamed to the black, “You’re not allowed to hurt me and know it!” Her voice echoed off the earthen walls and whispered back, “Be free. Be fearless.”

“In her mind the U.S. was nothing more and nothing less than a país overrun by gangsters, putas, and no-accounts. Its cities swarmed with machines and industry, as thick with sinvergüencería as Santo Domingo was with heat, a cuco shod in iron, exhaling fumes, with the glittering promise of coin deep in the cold lightless shaft of its eyes.”

“In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass.”

“In her naïve imaginings, he had been like the tortured hero of a gothic romance, possessing a heart filled with dark passions borne from even darker tragedies. His gregarious charm was belied only by the shadows in his eyes, and in their clear amber depths she had thought she had seen a Byronic torment to which she might pose the balm. And she had been right about all of that, save for one crucial thing: He was not the hero. He was, in fact, the villain.”

“In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.”

“In her opinion, the parrots were annoying arrogant. You could buy the most beautiful one in town, she observed, but that won't make it love you. You could feed it, care for it and exclaim over its loveliness, but there was nothing to guarantee that it would stay home with you. There had to be a lesson in there somewhere.”

“In her own fumbling way, she’d reminded him he was just a man, fallible, needful, a member of the supremely imperfect human race…and shamefully undeserving of what she had to offer. Looking at Billie, touching her, tasting her, had filled him with a wanting fiercer than any he’d known. For the first time, he was faced with something he couldn’t truly have, because of what he’d become.”

“In her presence, I was reminded again of why I was an anoretic: fear. Of my needs, for food, for sleep, for touch, for simple conversation, for human contact, for love. I was an anoretic because I was afraid of being human. Implicit in human contact is the exposure of the self, the interaction of the selves. The self I'd had, once upon a time, was too much. Now there was no self at all. I was a blank.”

“In her satiric play Songs of the Dragons Flying to Heaven, the playwright Young Jean Lee said: "The reason why so many white men date Asian women is that they can get better-looking Asian women than they can get white women because we are easier to get and have lower self-esteem. It's like going with an inferior brand so that you can afford more luxury features. Also, Asian women will date white guys who no white women would touch.”

“In her search for solutions [to high conflict], [Amanda] Ripley shows that the process of escaping these situations usually involves five steps. Participants in the conflict, she suggests, need to “investigate the understory” that made them so invested in the first place. They should “reduce the binary,” recognizing that they may share more values and interests with their adversaries than they realize. They must “marginalize the fire starters,” ceasing to listen to those who seem to get a thrill out of the fight. They should “buy time and make space,” stopping themselves from escalating when they feel triggered. Most important, they need to “complicate the narrative,” recognizing that any story in which one side consists of pure heroes and the other of cartoonish villains is unlikely to be altogether accurate.”