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I Quotes

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All I Quotes

“In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.”

“In literature and in art, alike, this gloomy fashion of regarding Death has been characteristic of Christianity. Death has been painted as a skeleton grasping a scythe, a grinning skull, a threatening figure with terrible face and uplifted dart, a bony scarecrow shaking an hourglass - all that could alarm and repel has been gathered round this rightly-named King of Terrors.”

“In literature it is only the wild that attracts us. Dullness is only another name for tameness. It is the untamed, uncivilized, free, and wild thinking in Hamlet, in the Iliad, and in all the scriptures and mythologies that delights us, — not learned in the schools, not refined and polished by art. A truly good book is something as wildly natural and primitive, mysterious and marvellous, ambrosial and fertile, as a fungus or a lichen.”

“In little towns, lives roll along so close to one another; loves and hates beat about, their wings almost touching. On the sidewalks along which everybody comes and goes, you must, if you walk abroad at all, at some time pass within a few inches of the man who cheated and betrayed you, or the woman you desire more than anything else in the world. Her skirt brushes against you. You say good-morning, and go on. It is a close shave. Out in the world the escapes are not so narrow.”

“In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.”

“In Living in Spanglish I posit the coming of existence of this forwars-looking race that obliterates all races, stripping away Vasaconelos's petty resentment of Anglo culture and patronizing Euro-centrist, and acknowledge a cultural-economic inevitability that is hemispheric in nature. Note: Jose Vasaconelos wrote 1925 essay "La Raza cosmica" [The Cosmic Race] asserting, "Por mi raza hablara mi espiritu [The Spirit will speak through my race.”

“In living literature no person is a competent judge but of works written in his own language. I have expressed my opinion concerning a number of English writers; it is very possible that I may be mistaken, that my admiration and my censure may be equally misplaced, and that my conclusions may appear impertinent and ridiculous on the other side of the Channel.”

“In living through this great epoch, it is difficult to reconcile oneself to the fact that one belongs to that mad, degenerate species that boasts of its free will. How I wish that somewhere there existed an island for those who are wise and of good will. In such a place even I should be an ardent patriot!”

“In London - and forget those extra public pressures on politicians - the lovely old Sloane world of manor houses simply hasn't cut it since Big Bang in 1986, the point at which Mrs. Thatcher really started to achieve her ambition to make this country more like America - its ambition, economy, it's very tangible measures of success.”

“In London, Alexander knows, they like neither his sister nor himself. Society considers the Tsar silly and vain, a ballroom dancer with golden curls and a lorgnette up his sleeve, an aloof monarch who turns a deaf ear, as Napolean said of him at Erfurt, to anything he does not want to hear. In effect, when the Tsar turns an ear, it is only to favour the right, as he is quite deaf in the left. Yes, Alexander loves to dance, he is myopic, he turns a deaf ear. What of it?”

“In London I'm not seen in public. I don't go to award ceremonies or gatherings. I just don't go because I like my privacy. I like being with my family and I like being in their company. I work very hard and I don't have much time so I just want to be with my family or in the English countryside. I don't take holidays.”

“In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.”

“In London it had seemed impossible to travel without the proper evening clothes. One could see an invitation arriving for an Embassy ball or something. But on the other side of Europe with the first faint tinges of faraway places becoming apparent and exciting, to say nothing of vanishing roads and extra weight, Embassy balls held less significance.”