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I Quotes

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All I Quotes

“In the APS (American Physical Society) it is ok to discuss whether the mass of the proton changes over time and how a multi-universe behaves, but the evidence of global warming is incontrovertible? The claim (how can you measure the average temperature of the whole earth for a whole year?) is that the temperature has changed from ~288.0 to ~288.8 degree Kelvin in about 150 years, which (if true) means to me is that the temperature has been amazingly stable, and both human health and happiness have definitely improved in this 'warming' period.'”

“In The Archangel Raphael Leaving Tobias' Family, Rembrandt leaves dirt on the shadowed soles of Raphael's feet as he flies off, illuminated in glory. Passing by the painting, one sees the dramatic action, the melodramatic emotions, and the re-created narrative events of the Bible. Slowed down a bit, the viewer sees light across a large muscular calf, a strong and sharply shaped ankle, and then dirty feet. The angel who tells us he only pretended to eat - this to explain away all traces of his apparent earthliness as a fallen creaturely being - is here on the canvas with dirty feet, carrying soil, the created, to the creator. Van Gogh had rightly said there are mysteries in these paintings. They are mysteries of device and design, not of messianic significance. They require a docent and not a priest, a creative critic to guide the view of specific images, not a guardian of mysteries and master of their enigmatic authority. Dirty feet on the soles of an archangel famous for his annunciations give the viewer a point of view on the inescapably human nature of the narrated God. Raphael may no eat. He may believe he creates an illusion to satisfy the religious desire for mythological consistency, but even archangels deceive themselves as well as others. Humans sometimes do the same in inventing the transcendence they need or think they want - creating a regime from which the priestly classes rule, even theorizing the alienation of the divine. Deceit is an essential device of cultural adaptation. It constructs needed beliefs that at high and low levels of thought or action complement their existence with modes of self-defense, which protect them from not only needed analysis but also the importance of failure.”

“In the architecture of their life some may display Potemkin happiness in view of hiding the dark features of their fair weather relationship, preferring to set up a window dressing of fake satisfaction rather than being rejected as emotional outcasts. ("Absence of beauty was like hell")”

“In the ardor of his enthusiasm, a youth set forth in quest of a man of whom he might take counsel as to his future, but after long search and many disappointments, he came near relinquishing the pursuit as hopeless, when suddenly it occurred to him that one must first be a man to find a man, and profiting by this suggestion, he set himself to the work of becoming himself the man he had been seeking so long and fruitlessly.”

“In the area of international security, taking into account that the United States and Russia are the largest nuclear powers: We are ready to jointly work to strengthen the non-proliferation regime for weapons of mass destruction and their means of delivery. We are ready to work together, and much closer than before, on the problem of fighting terrorism, international terrorism, and here we certainly have vast opportunities.”

“In the area of Middle East Studies, you can always count on getting funding if your research is about minorities being treated horribly by ‘authoritarian regimes’ that the West want to topple, women oppressed and forced to wear the hijab, masculinity and femininity, gays are oppressed, refugees (provided that they are seeking safety in the West and running from a ‘dictator’ the West wants to topple), and so on. The pattern and the intentions are clear to a vigilant observer. What all such topics have in common is not that they are not important or need attention (they are so on both counts), but that their function is to maintain the West’s colonial and racist gaze on the rest of the world, which, in turn, serves the West’s hegemony and control over others. Furthermore, the single thread that connects the topics above is that they all practically open the door for Western intervention in the region under the pretext of ‘salvaging’ this cause or that group of people.”

“In the arithmetic of love, one plus one equals everything, and two minus one equals nothing.”

“In the Army of the Shenandoah, you were the 'First Brigade!' In the Army of the Potomac you were the 'First Brigade!' In the Second Corps of this Army, you are the 'First Brigade!' You are the 'First Brigade' in the affections of your general, and I hope by your future deeds and bearing you will be handed down the posterity as the 'First Brigade' in this our Second War of Independence. Farewell!”

“In the army we are drilled into execution and then supervision, to make sure everything goes the way you planned it. But there is another thing that we do in the military, that I think perhaps isn't done enough in corporate life: As soon as you have made that decision, you start on the contingency planning. Because there is, as we like to say, a thinking, breathing enemy out there, who is not going to let you do just what you want.”

“In The Art and Aesthetics of Boxing, David Scott addresses the daunting task of establishing a groundwork for the aesthetics of boxing-and succeeds with consummate authority. . . . In Scott's incisive blend of art history, sociology, and sports writing, he makes a daring and original statement about fighters and the artists who enshrined them.”

“In The Art of Connection, you will learn simple, yet powerful ways to build trust and rapport for connecting with ease. By being personable and friendly, you will receive more positive and welcoming reactions.”

“In the Art of Dreaming Don Juan tells Carlos, "... most of our energy goes into upholding our importance... if we were capable of losing some of that importance, two extraordinary things would happen to us. One, we would free our energy from trying to maintain the illusory idea of our grandeur; and two we would provide ourselves with enough energy to ... catch a glimpse of the actual grandeur of the universe."”

“In the art of teaching, we recognize that ideas and insights need to cook over a period of time. Sometimes the student who is least articulate about expressing the ideas is in fact the one who is absorbing and processing them most deeply. This applies as well to our own private learning of our art form; the areas in which we feel most stuck and most incompetent may be our richest gold mine of developing material. The use of silence in teaching then becomes very powerful.”