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I Quotes

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All I Quotes

“I did all the usual things. I think I did everything that everybody else does. I did auditions. I went to see people. I went to see the right people in some instances, the wrong people in others. The wrong time in others. The right time in others. Nothing seemed to make any difference. I quit 5 times! I always went back to try again when circumstances came around to it.”

“I did all this stuff that was illegal when I was a kid. I drank beer when I was 15. I smoked cigarettes when I was 13. I drove to New York City when I was 14 - don't tell my son. Those things were against the law, but I did them anyway. I didn't become a heroin addict, although I probably could have gotten heroin somehow. I don't think my son would buy heroin at any price. He knows what it is, and he knows how stupid it is.”

“I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.”

“I did an action series back in '97, and did very intense training; weapons, knives, hand-to-hand combat. The more an actor trains in that way, the more we can do on screen and the better it looks. Nowadays, they want the actors to do as much as possible and stunt doubles are primarily used for the dangerous things that aren't covered by insurance.”

“I did an embed in Afghanistan on the Pakistan border in 2008. One of the things you realize when you're talking to low-ranking enlisted men is that no one listens to them. So when I showed up they loved having someone to talk to. That's a real privilege for me. The guys on the ground are the guys I care about. I've had the most satisfaction telling their stories. There is trust and there is stuff that you learn to hold back, especially when you're dealing with younger guys or lower ranking officers. That's different from the top brass who are basically just politicians anyway.”

“I did an event in Washington, and it was like we lifted a sea.Immediately after [9/11], there was a stunned shock - kind of this feeling of "What do we do now?" I started performing, and there was a catharsis in the laughing. People started to be able to laugh again. Laughter can be many things - sometimes a medicine, sometimes a weapon, depending on.”

“I did an expose of an institution for the population with developmental disabilities, and the institutions were closed as a result of the expose. Now the developmentally disabled are cared for in small community-based residences, and I've been working very hard over the decades to open as many of them as I can.”

“I did answer all of the questions put to me today, ... Nothing in my testimony in any way contradicted the strong denials that the president has made to these allegations, and since I have been asked to return and answer some additional questions, I think that it's best that I not answer any questions out here and reserve that to the grand jury.”

“I did answer. I said a little. I'm afraid of what you can do. I mean, I feel safe with you, though. I know you’d never hurt me.” I take her face in my hands. It’s too familiar, too affectionate, too soon. I can’t help it, though. “Just the opposite. I will protect you. From others and from yourself. Always.” “Why?” Barely audible. “Because I want to. Because…” I struggle to find the right words. “Because you deserve it, and you need it.” “No, I don’t.”

“I did attempt to find out if there were any secret government documents that revealed things. If there were, they were concealed from me too. And if there were, well I wouldn't be the first American president that underlings have lied to, or that career bureaucrats have waited out. But there may be some career person sitting around somewhere, hiding these dark secrets, even from elected presidents. But if so, they successfully eluded me...and I'm almost embarrassed to tell you I did (chuckling) try to find out.”

“I did Barbie’s dream as a one-off thing, but I found it haunting me; I kept having an image in my head of Martin Tenbones getting killed in real New York. Still, that would’ve been the end of it...except, by a wild coincidence, a short time later I received a postcard from Jonathan Carroll. He wrote that he’d been following my graphic novel Signal to Noise—which was being serialized in The Face magazine at the time—and he was finding a number of very scary similarities between my story and his as yet unpublished novel, A Child Across the Sky. He concluded, “We’re like two radio sets tuned to the same goofy channel.” I wrote back and said, “I think you’re right. What’s more, I abandoned a whole storyline after reading Bones of the Moon, but I keep thinking I ought to return to it.” Jonathan then sent me a wonderful letter with this advice: “Go to it, man. Ezra Pound said that every story has already been written. The purpose of a good writer is to write it new. I would very much like to see a Gaiman approach to that kind of story.” With that encouragement, I began creating A Game of You.”

“I did believe that I could opt out of feeling vulnerable, so when it happened - when the phone rang with unimaginable news; or when I was scared; or when I loved so fiercely that rather than feeling gratitude and joy I could only prepare for loss - I controlled things. I managed situations and micromanaged the people around me. I performed until there was no energy left to feel. I made what was uncertain certain, no matter what the cost. I stayed so busy that the truth of my hurting and my fear could never catch up. I looked brave on the outside and felt scared on the inside.”