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M Quotes

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All M Quotes

“Mac [Barnett] and I prank each other during our presentation. We show baby pictures of each other looking completely ridiculous. I can't believe the frilly shirt that I'm in, and Mac's wearing a sailor suit and playing a toy piano. That's a perfect example of a good prank, where we have three hundred people literally laughing in our faces, three hundred kids at every assembly. And it feels really good. It's really fun.”

“Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.”

“Mac kafasını sallayarak birden Adam'a baktı ancak kollarıyla kalçamı kavrayışı sertleşmişti. Göğsünden yükselen ve bacakalarımı titreten hafif bir hırıltıyla homurdandı. ''Benim...'' Adam'ın gözleri kısıldı. ''Hiç sanmıyorum. O bana ait.'' Bu çekişme gururumu okşamadı diyemem ancak biri akşam yemeğinden bahsediyordu, diğerinin niyetinden emin değildim.”

“Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it's as if the audience--dancing, singing to the refrains, laughing--is part of the band. They are two parts of the same thing. The dancers interpret, or it might be better to say literally embody, the sounds of the band, answering the instruments. Since everyone is listening to different parts of the music--she to the trumpet melody, he to the bass drum, she to the trombone--the audience is a working model in three dimensions of the music, a synesthesic transformation of materials. And of course the band is also watching the dancers, and getting ideas from the dancers' gestures. The relationship between band and audience is in that sense like the relationship between two lovers making love, where cause and effect becomes very hard to see, even impossible to call by its right name; one is literally getting down, as in particle physics, to some root stratum where one is freed from the lockstop of time itself, where time might even run backward, or sideways, and something eternal and transcendent is accessed.”

“Macaulay somewhere says, that it is extraordinary that, whereas the laws of the motions of the heavenly bodies, far removed as they are from us, are perfectly well understood, the laws of the human mind, which are under our observation all day and every day, are no better understood than they were two thousand years ago.”

“MacBeth and Me Down below the twisted step, The tavern awaits night's Dark guests. Fires aglow hiss the emb'rous red, And Hell waits upon her most prized dead. A charmed man of thirty or so, Ambition's son who vaults so low. Tarries he now at table's dread, and drinks The draught of one Soul condemned. Lingers he so, o'er beef and wassail, Choicest portions of desires assailed. Presses he down lusts murd'rous and hard, A driving rain of the blackest of hearts. 'Prince of Cumberland,' he had to traverse, Or fall asunder, star-crossed to his curse. Sees shadows now and smiles slight at me, Knows he a kindred, in like debauchery. Eyes my spirit through cracked mirror. Banquo saw too and was butchered in Fear. The Lady also, unsexed, it seemed (Tended she cravings 'cided that King). Aye, locked below under tomorrow's step, He lies awaiting in damned inquest. Mortals what I am and to what I agree, Bids me to his table, Macbeth and me. --Poems on the Run, vol. I”

“Macbeth breathed deeply and calmly. And what if death came now? It would of course be a meaningless end, but isn't that the case with all ends? We're interrupted in mid-sentence in the narrative about ourselves, and the end hangs in the air, with no meaning, no conclusion, no unravelling final act. A short echo of the last, semi-articulated word and you're forgotten. Forgotten, forgotten, not even the biggest statue can change that. The person you were, the person you really were, disappears faster than concentric rings in water. And what was the point of this short, interrupted guest appearance? Of playing along as best you can, seizing the pleasures and happiness life has to offer while it lasts? Or leaving a mark, changing the direction of things, making the world a slightly better place before you yourself have to leave it? Or perhaps the point is to reproduce, to put more suitable small creatures on the earth in the hope that humans will at some point become the demi-gods they imagine they are? Or is there simply no meaning? Perhaps we're just detached sentences in an eternal chaotic babble in which everyone talks and no one listens, and our worst premonition finally turns out to be correct: you are alone. All alone.”

“Macbeth: How does your patient, doctor? Doctor: Not so sick, my lord, as she is troubled with thick-coming fancies that keep her from rest. Macbeth: Cure her of that! Canst thou not minister to a mind diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with some sweet oblivious antidote cleanse the stuffed bosom of that perilous stuff which weighs upon her heart. Doctor: Therein the patient must minister to himself.”

“Macclesfield was like a wound I couldn't stop picking. I didn't know if I'd ever heal or if my constant pulling at the scab would leave me open to infection but I did know I had to keep doing it. I had to find out what lay beneath each layer of skin even if it meant that I felt more and more pain. It could have been another form of self harm or it could have been a part of my journey I just had to make. Either way I was compelled to continue. Could I get Jodie and Jonathon back? Could I see them playing again? Would Courtney accept me into her family? Perhaps I'd belong there until I got my family back together? Okay so I couldn't grow up with Alan as I'd liked but I could try and fit in with Clive and Phil. The thought hurt, I could easily turn to crime but how would that help with the social services?”

“Mace,' I said struck by a thought, 'did you ever think that all those people in those cars have a whole separate story to them, that it's just as important to them as our stuff is to us, and we don't know anything about it. Maybe sometime we'll run across somebody and two years ago they were driving past us on the highway and we never knew it. Like sometimes we meet people and bump off of them and never see them again and we never know why paths cross.”