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W Quotes

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All W Quotes

“What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order.”

“What I remember most are some of the guys in the background - who they were and what kind of times we had during those days on the set. I remember staying at Mikes house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mikes wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.”

“What I remember most clearly was that when I put down a suggestion that seemed to me cogent and reasonable, Einstein did not in the least contest this, but he only said, 'Oh, how ugly.' As soon as an equation seemed to him to be ugly, he really rather lost interest in it and could not understand why somebody else was willing to spend much time on it. He was quite convinced that beauty was a guiding principle in the search for important results in theoretical physics.”

“What I remember most from reporting both the stories are the women. Going into the first piece, I didn't have a super fixed idea about abortion. I'd helped a high school friend get to a doctor once. I always assumed that what a woman did was up to her. But I could also see the pro-life point of view that human life should be sacred in whatever gestational form.”

“What I remember thinking at that point, having gone through both the ups and downs of my first four years, and seeing the sea of people was, "What a remarkable country this is and how lucky am I that we live in a place where the son of a single mom, not born into any kind of fame or fortune, in a pretty remote state somehow can end up be in a position to - to make a difference."”

“What I resist is techniques. I find techniques very problematic. So when critics talk about my work in those terms, I find that they miss the condition. I am comfortable with the notion of pattern and ornament as a system of organization, [but] for me it acts as a textile. So it's not about pattern, but the notion of architecture through the lens of textile, rather than architecture through the lens of brick and mortar.”

“What?" I said. He rose, shaking the dew from his cloak. "You have that look." He had mirrored my own train of thought, which made me scowl at him irrationally. "Which?" "The one you wear whenever you outsmart me in some area," he said. "Well," I began with a shrug, then stopped. My magnanimity was wearing thin, I'm afraid. "Haven't I?" He laughed, a clear, bright sound, and then, before I knew what was happening, he had lifted me from my feet and spun me through the air, the greenery and shadow of the forest a whirl all around me. "My beloved Emily," he murmured in my ear. "Yes, yes, all right," I said, though I did not pull away. My smugness was back, together with a warm sort of satisfaction. It was pleasing to see him this happy.”

“What I said was I’ll miss you what I meant to say was I love you what I wanted to say was that I meant what I said and it’s funny how all those things I could have said flooded my head after we said goodbye and I should have told you I’d be willing to hold you until my flesh crumbles into bone because I’m willing to die alone but god knows I don’t want to live that way.”