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W Quotes

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All W Quotes

“When I got the job I thought about her a lot. Not only was I getting a great job in a really good movie, but it was with Lindsay Lohan. She's so famous and I don't have any of that, I have never experienced that kind of intense scrutiny that she's under, so of course I wondered what it would be like acting opposite her. I can tell you that it's like being with The Beatles. You cannot fathom the kind of attention she gets. It's mind boogling.”

“When I got the opportunity to do the new wing [the Schauhaus] for the German Historical Museum, for instance, I didn't see it as an opportunity for my own ego, to do something so exciting that every architectural publication would want to put it on the cover. I accepted it because I knew it was going to be a very difficult project, and I wasn't sure I could do something exciting there.”

“When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'”

“When I got the women's marathon into the Olympics and we had races all over the world I thought, 'That's great, now we're heading towards total equality.' Then you see that there are women who are still not allowed to drive, get an education, or travel unless they have a male companion or can't carry their passport. There are those who are mired with incredible poverty in North Africa, the mid-east, South East Asia and there's a ridiculous amount of human trafficking.”

“When I got there, I found that my broom was sitting at my desk, waiting for me. “It’s not time for a lesson,” I told it, picking it up and setting it gently on the ground. It jiggled petulantly (or that’s how it seemed to me) and lifted itself up and plopped back down again as though it were taking a very teenage-like sigh of dissatisfaction.”

“When I got this saxophone, it became a religion. There wasn't TV, there wasn't much money, and there was just a real dedication.... I never thought of it as an art. It was just work that I loved. Not just work, but work that I loved. I loved it so much, I would play it if nobody listened to it. Any jazz musician, if there's nobody around to listen, would play just for the sheer joy of improvising music.”

“When I got to college, I planned to be a math major, and, in addition to signing up for some math courses, I decided to take some philosophy. Quite by chance, I took a philosophy of science course in which the entire semester was devoted to reading Locke's Essay. I was hooked. For the next few semesters, I took nothing but philosophy and math courses, and it wasn't long before I realised that it was the philosophy that really moved me.”

“When I got to college, the fake ID thing wasn't that important, since pretty much everyone could get away with drinking in New Orleans. But the drugs, well, that was a different story altogether, because drugs are every bit as illegal in New Orleans as anywhere else--at least, if you're black and poor, and have the misfortune of doing your drugs somewhere other than the dorms at Tulane University. But if you are lucky enough to be living at Tulane, which is a pretty white place, especially contrasted with the city where it's located, which is 65 percent black, then you are absolutely set.”

“When I got to Performing Arts, within the first week, a few days, Bill Charlap walked in and couldn't read music but he's playing all these solos from Keith Emerson of ELP, and Rick Wakeman from Yes. Real impressive rock piano and keyboard things. And we had really, truly amazing young 13-14 year old classical players in our year who had been practicing six, eight hours a day for eight years. So it was like "Whoa."”