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Alienation Quotes

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Alienation Quotes

“Marco’s heart swelled with pride at his culture. Maybe it was the coquito, but his eyes teared at this beautiful Reyes celebration, heavenly food, lush green mountains, clean air, and his family’s delighted faces. He felt sorry for the stiff people at the Casino de Puerto Rico, pretending to be jíbaros and eating food half as delicious as this. Actually, no. He didn’t feel sorry for them. It was precisely what they deserved.”

“Spices" The scents of spices are sad whether at home or in foreign lands ... At home, they passes through the nose to give a ray of hope, a breathing space that make us forget – albeit for a short while – all about the chains of religions, gossip, the absurdity of politics, and the cruelty of the ruling classes … At home, spices help us cope with the heavy weight of the backbreaking customs and traditions … You see everyone excited to have a meal that help them forget about the hardships, the crises, and the unsuitability of life at home … In alienating foreign lands, The scent of spices awakens everything that was lost, including the lost lands and homes… There is something unbearably sad about the image of a woman Standing in a kitchen filled with scents of spices reminding her of all that happened, all that was possible, all that should never have happened, and of all the irreplaceable losses … So many are the societies that have been completely destroyed, and of which nothing remains but scents of spices that add flavor to foods and marinate the wounds … Could spices be like old songs? We love them at home because they touch wounds we wish we could heal from, the same old songs break our hearts in foreign lands, because by then we have finally learned that exile doesn’t heal wounds, but rather pushes the knife deeper into them … And like the alienating foreign lands, the scents of spices declare that there is much more to the story of the wound; a story that kills if untold, and doesn’t heal when narrated … [Original poem published in Arabic on December 11, 2023 at ahewar.org]”

“The story always starts in the same way when people ask me the simple, yet most difficult question to answer: “where are you from?” I often wonder why of all questions people start with this one that has become the hardest for me and countless other exiled people to answer. The question is especially hard when asked in crowded and fast-paced places, or during quick encounters which make a short answer inadequate and a long one potentially uncalled for…I thought to myself: why is it that the first thing people want to know about me is where I am from? If they only knew where I am from, they would perhaps know that where I am from—Iraq—happens to also be the deepest wound on the geography of my body and soul, and so they would tread gently on my wound by not asking that question in the first place. Is there something in my eyes, something written on my forehead, something in my looks, or some marks inscribed on my other body parts that immediately tell people that I am from a place that lost itself and lost me to exile on a cold, dark, and sad winter night? Why don’t these strangers just start with the more common and safer usual remarks about the weather being nice, dreadful, or whatever? Of all questions, “where are you from,” is the most delicate and complicated for people who have lost their home and all the things they loved.”

“Ruefully, nobody perceives me as exceptionally gifted, intelligent, handsome, or physically strong. My sense of alienation stems from an inferiority complex, depressive nature, and manic tendencies that repulse other people. For many years, I passively accepted my clumsiness, uselessness, and lack of capacity for learning by avoiding serious literature and other opportunities for personal growth. I embraced personal ignorance by favoring tactile sensations and gross pleasure afforded in a materialistic culture that revels in a hedonistic lifestyle.”

“. . . they forgot about him, which of course doesn't mean he was absent from reality, because he remained there as well, as he went indefatigably between America and Asia, Africa and Europe, it's just that the connection between him and the world was broken, and he became, in this manner, forgotten, invisible, and with this he remained once and for all completely solitary . . .”

“In the city, one is alone because the world is made up of strangers, and to be a stranger surrounded by strangers, to walk along silently bearing one's secrets and imagining those of the people one passes, is among the starkest of luxuries. This uncharted identity with its illiminable possibilities is one of the distinctive qualities of urban living, a liberatory state for those who come to emansipate themselves from family and community expectation, to experiment with subculture and identity. It is an observer's state, cool, withdrawn, with senses sharpened, a good state for anybody who needs to reflect or create. In small doses melancholy, alienation, and introspection are among life's most refined pleasures.”

“Under the heading of "defense mechanisms,” psychoanalysis describes a number of ways in which a person becomes alienated from himself. For example, repression, denial, splitting, projection, introjection. These "mechanisms" are often described in psychoanalytic terms as themselves "unconscious,” that is, the person himself appears to be unaware that he is doing this to himself. Even when a person develops sufficient insight to see that "splitting", for example, is going on, he usually experiences this splitting as indeed a mechanism, an impersonal process, so to speak, which has taken over and which he can observe but cannot control or stop. There is thus some phenomenological validity in referring to such "defenses" by the term "mechanism.” But we must not stop there. They have this mechanical quality because the person as he experiences himself is dissociated from them. He appears to himself and to others to suffer from them. They seem to be processes he undergoes, and as such he experiences himself as a patient, with a particular psychopathology. But this is so only from the perspective of his own alienated experience. As he becomes de-alienated he is able first of all to become aware of them, if he has not already done so, and then to take the second, even more crucial, step of progressively realizing that these are things he does or has done to himself. Process becomes converted back to praxis, the patient becomes an agent.”

“He was a stranger here. The people who might remember him would certainly not welcome him. His old gang had cast him out, along with all of the former friends and parents. The suburban landscape of hypocrisy, so hated in his youth, beheld again and with it, old feelings that motivated him through life more than he would ever admit. Every turning point in life, already decided by all the events here”

“The reason we feel alienated is because the society is infantile, trivial, and stupid. So the cost of sanity in this society is a certain level of alienation. I grapple with this because I’m a parent. And I think anybody who has children, you come to this realization, you know—what’ll it be? Alienated, cynical intellectual? Or slack-jawed, half-wit consumer of the horseshit being handed down from on high? There is not much choice in there, you see. And we all want our children to be well adjusted; unfortunately, there’s nothing to be well adjusted to!”

“The "pathology of normalcy" rarely deteriorates to graver forms of mental illness because society produces the antidote against such deterioration. When pathological processes become socially patterned, they lose their individual character. On the contrary, the sick individual finds himself at home with all other similarly sick individuals. The whole culture is geared to this kind of pathology and arranged the means to give satisfactions which fit the pathology. The result is that the average individual does not experience the separateness and isolation the fully schizophrenic person feels. He feels at ease among those who suffer from the same deformation, in fact, it is the fully sane person who feels isolated in the insane society - and he may suffer so much from the incapacity to communicate that it is he who may become psychotic.”

“Our society doesn't allow any foreign objects. I've always suffered because of that," Shiraha said, drinking jasmine tea made with a teabag from the drink bar. I was the one who had gotten the jasmine tea for him since he didn't make any move to get anything for himself. He just sat in silence, and when I placed it in front of him he started drinking it without even saying thank you. "Everyone has to toe the line. Why am I still doing casual work even though I'm in my mid-thirties? Why haven't I ever had a girlfriend? The assholes don't even bat an eyelid when they ask whether I've ever had sex or not. And then they laugh and tell me not to include prostitutes in the count. I don't make trouble for anyone. But they all seem to think nothing of raping me, just because I'm in the minority." I considered him one step short of being a sex offender. But here he was casually likening his own suffering to sexual assault, without sparing a thought for all the trouble he'd caused for women store workers and customers. He seemed to have this odd circuitry in his mind that allowed him to see himself only as the victim, and never the perpetrator, I thought was I watched him. "Really," I said, even wondering whether he made a habit of being self-pitying. "That must be hard.”

“What can a corporate slave loser like him do? I haven't done anything wrong. If I take a fancy to a certain woman, then I'll make her mine. Hasn't that always been the tradition between men and women, handed down since ancient times?" "Shiraha, you said before that the strongest men get the women, didn't you? So you're contradicting yourself." "True. I'm not working at the moment, but I've got a vision. Once I start my business, I'll have women flocking to me." "Well then, wouldn't the proper way be for you to do that first? Then you'd be able to choose from all those women running after you." Shiraha looked down awkwardly. "Anyway, nothing's changed since the Stone Age. It's just that nobody realizes that. In the final analysis, we're all animals," he said, going off on a tangent. "If you ask me, this is a dysfunctional society. And since it's defective, I'm treated unfairly." I thought he was probably right about that, and I couldn't imagine what a functioning society would be like. I was beginning to lose track of what society actually was. I even had a feeling it was all an illusion.”

“This capacity for living easily and familiarly at an extraordinary level of abstraction is the source of modern man's power. With it he has transformed the planet, annihilated space, and trebled the world's population. But it is also a power which has, like everything human, its negative side, in the desolating sense of rootlessness, vacuity, and the lack of concrete feeling that assails modern man in his moments of real anxiety.”

“Political economy tends to see work in capitalist societies as divided between two spheres: wage labor, for which the paradigm is always factories, and domestic labor – housework, childcare – relegated mainly to women. The first is seen primarily as a matter of creating and maintaining physical objects. The second is probably best seen as a matter of creating and maintaining people and social relations. [...] This makes it easier to see the two as fundamentally different sorts of activity, making it hard for us to recognize interpretive labor, for example, or most of what we usually think of as women’s work, as labor at all. To my mind it would probably be better to recognize it as the primary form of labor. Insofar as a clear distinction can be made here, it’s the care, energy, and labor directed at human beings that should be considered fundamental. The things we care most about – our loves, passions, rivalries, obsessions – are always other people; and in most societies that are not capitalist, it’s taken for granted that the manufacture of material goods is a subordinate moment in a larger process of fashioning people. In fact, I would argue that one of the most alienating aspects of capitalism is the fact that it forces us to pretend that it is the other way around, and that societies exist primarily to increase their output of things.”

“I don’t really identify with America. I don’t really feel like an American or part of the American experience, and I don’t really feel like a member of the human race, to tell you the truth. I know I am, but I really don’t. All the definitions are there, but I don’t really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture…”

“The condition of being alienated and "othered" reflects the ways in which navigating Western societies as a Black person is an endlessly unsettling experience, something that might be ripped whole from the pages of a speculative novel. Because of this, the search for lost cultural touchstones is a gesture towards survival: it is an Afrofuturistic act. At its heart it is the creation of a possible future based on a reconstructed, or reimagined past. In this way, a ware is wages against erasure.”

“I have always swung back and forth between alienation and relatedness. As a child, I would run away from the beatings, from the obscene words, and always knew that if I could run far enough, then any leaf, any insect, any bird, any breeze could bring me to my true home. I knew I did not belong among people. Whatever they hated about me was a human thing; the nonhuman world has always loved me. I can't remember when it was otherwise. But I have been emotionally crippled by this. There is nothing romantic about being young and angry, or even about turning that anger into art. I go through the motions of living in society, but never feel a part of it. When my family threw me away, every human on earth did likewise.”

“It was difficult to say which were the more dismal, these deserted streets that wandered away to right and left, or the great main thoroughfare with its narcotic and shadowy life. For the latter appeared vast, interminable, grey, and those who travelled by it were scarcely real, the bodies of the living, but rather the uncertain and misty shapes that come sand go across the desert in an Eastern tale, when men look up from the sand and see a caravan pass them, all in silence, without a cry or a greeting. So they passed and repassed each other on those pavements, appearing and vanishing, each intent on his own secret, and wrapped in obscurity.”

“Politically we feel alienated, rejected, and hopeless. The chasm between the people and their political representatives has widened to a terrifying degree. In a political vacuum we become increasingly vulnerable to a seizure from the far right. We know that the Snake is there but we are as paralyzed as the Rabbit. People are not rabbits, and America must shake off this nightmare and awake again. The middle classes must be organized for action, for claiming their rights and powers of citizenship in a free society. The organization must be committed to the values of a free and open society. The middle classes must begin to participate as citizens for those ideals which give meaning and purpose to life. Logic and faith go together as the opposite sides of the same shield. We know by our intelligence the greatness and desirability of a free and open society over all other alternatives. Logic tells us, "We'll believe it when we see it." But there is also the converse, faith. Faith, or belief in the people, tells us, "We'll see it when we believe it."”

“Elevated to the status of a credit subject, the consumer believes [in the myth of credit] to see in this fact his own human realization and that of his social dignity. The commodity fetishism embodies in his person as the fetish of being, to whom credit gives a sensible and objective reality: the consumer sees himself in credit as in a mirror reflecting all the human attributes emanating from possession - respectability, honesty, occupational activity, recognized and weighed by social consensus...”

“This is a simple study. Yet, you can use this book to see deeper into the personality of God. I find it heartwarming that God was like a concerned parent who continuously moved the dialogue forward. Notice that Jonah was like a rebellious and headstrong son committing an idolatry of law over justice.”

“There exists a culture shared even by those who are dissatisfied with mass culture, and it is among the most dangerous precisely because it is dazzling—deceptive. It is a culture that belongs to those who are "dissatisfied with the world as it is." This manifests in the following ways: They still carry a certain belief and hope in humanity. If they suffer, they might dream that their suffering will one day “be heard by everyone.” Through their works, they may fantasize about becoming popular. They might romanticize the psychiatric term "trauma." They might aim to "fix and recover" things or people. They might set their minds on leaving a "meaningful impact" and become activists. They might frequently “discuss” on philosophy forums. They might be aiming at “dark vibes.” They might cling to mottos like “forever alone.” They might refer to themselves as "just a random book lover.” They might have interests in “just some random weird stuff.” They might still be screaming into the void. They might try to “prove their depth” publicly. They might refer to themselves as "lost souls" to the point of weariness, even internalizing this very term—coined by the system to reduce by classifying them—implying a form of domesticated rebellion. And so on. These supposed outsiders are actually on the inside, worshipping at the altar of visibility, validation, and vague worldly hope. Their beliefs—“art-as-cure,” “literature-as-refuge,” “activism-as-purpose”—are not radical to the point of exile but packaged and predictable. They don't reject the system; they only ask to be understood within its boundaries. They weep, but with an eye to applause. They write, but always with a publisher in mind. They compose, but just to make money. They mourn, but only to be noticed. They claim detachment, but still speak as if begging to be liked and heard. They imagine themselves as “wild,” but only within the categories that subcultures and language allow. After all, there are two ends to the ruins: on one end, these kinds of “loners” who are still tied to conventional wisdom; and on the other, the utterly unknown, mystic, cosmic, and free spirits who have transcended everything human.”

“DID patients often feel very isolated/lonely, in the sense that they believe they are the only one in the universe who is “different” from others and that they do not understand themselves... DePrince et al found that alienation was the only cognitive appraisal variable to differentiate DID from PTSD. While the groups had similar appraisals of shame, betrayal, self-blame, anger, and fear, the DID participants had higher appraisal of themselves as experiencing alienation. This construct is associated with feeling alone, disconnected, and different.”